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Noh theatre is a traditional Japanese theatrical form.
kabuki theatre use simple languages use dialogues which were easily understood by the Japanese people but the No theatre used old fashioned language some what monotonous accompanied by traditional Japanese instrument and the Japanese failed to understand it.
Noh (or Nōgaku) is a classical Japanese musical drama originating in the 14th century AD, which, unlike Ancient Greek theatre, is still extant in its traditional forms today. Much of the craft of acting and producing Nōgaku emphasizes tradion
Peking Opera [ Beijing opera] is a form of traditional Chinese theatre combining music, vocal performance, mime, dance and acrobatics.
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Wayang Golek are traditional Indonesian rod puppets used in their traditional puppet theatre performances.
It is traditional music theatre style
Earth fire and Air
Noh theatre is a traditional Japanese theatrical form.
A rectangular, medium sized, traditional Sanskrit theatre.
chinese theatre is important because it shows the traditional aspects in life in china. it show tha creativity and beliefs of china.
lights camera action directors take front quarter stage?
kabuki theatre use simple languages use dialogues which were easily understood by the Japanese people but the No theatre used old fashioned language some what monotonous accompanied by traditional Japanese instrument and the Japanese failed to understand it.
Noh (or Nōgaku) is a classical Japanese musical drama originating in the 14th century AD, which, unlike Ancient Greek theatre, is still extant in its traditional forms today. Much of the craft of acting and producing Nōgaku emphasizes tradion
"Stage" in Japanese? Like the theatre platform stage?Many ways. Like an American-style theatre stage, suteiji. Traditional, butai."Stage" meaning "to plan, to carry out": koudou ni utsusu.
Dada's influence on postmodern theatre can be seen in its embrace of absurdity, non-linear narratives, and breaking traditional theatrical conventions. Postmodern theatre often incorporates elements of chance, improvisation, and audience interaction, reflecting Dada's anti-establishment spirit and emphasis on the irrational and nonsensical. Additionally, postmodern playwrights and directors draw on Dada's use of collage and juxtaposition to create works that challenge traditional notions of meaning and coherence.