The back wall of the stage had two or three doors on the main level. Above the back was was a balcony. The doors entered a backstage area where actors changed clothes and waited for their entrance. ,
the middle galleries are seats up against the wall in the middle of the wall in a theatre (e.g the Shakespeare's globe theatre) .
It depends on which Globe Theatre you are talking about. If you are talking about the one Shakespeare worked in, it had a thrust stage, and so had no curtains between the stage and the audience as a proscenium stage would have. There was probably a curtain over the "concealment space", a recess in the back wall behind the stage, but we have no information about what colour it was. It might have been red. Or black. Or puce. Or just about any colour. If you are talking about some other Globe Theatre you will have to be more specific.
The more theatres you see, the more you realize that there is no such thing as a "normal theatre". Your idea of what a "normal theatre" is comes only from your limited experience. There are some features of the Globe Theatre in London (more properly called Shakespeare's Globe Theatre, opened in 1997). It is a replica of a sixteenth-century theatre, which makes it unusual but not unique. There are a number of others. It is an open-air theatre, which is also unusual, but such theatres also exist in, for example, Central Park in New York City. It is certainly a theatre visited by many tourists but the same can be said for any well-known theatre in the world.
Shakespeare had an interest in at least two theatres. His company, the king's men, owned the Globe and Blackfriars theatres. Some people think they may have had an interest in the Curtain theatre since that was the one they moved to when the Theatre was closed.
The apron stage in the Globe Theatre was a prominent, projecting area that extended into the audience, allowing for closer interaction between actors and spectators. It provided a dynamic space for performances, enhancing visibility and engagement. This design facilitated direct audience involvement, as actors could move among the crowd, breaking the fourth wall and creating a more immersive theatrical experience. The apron stage was an integral feature of Elizabethan theatre, reflecting the communal nature of performances during that era.
the middle galleries are seats up against the wall in the middle of the wall in a theatre (e.g the Shakespeare's Globe Theatre) .
the middle galleries are seats up against the wall in the middle of the wall in a theatre (e.g the Shakespeare's globe theatre) .
It depends on which Globe Theatre you are talking about. If you are talking about the one Shakespeare worked in, it had a thrust stage, and so had no curtains between the stage and the audience as a proscenium stage would have. There was probably a curtain over the "concealment space", a recess in the back wall behind the stage, but we have no information about what colour it was. It might have been red. Or black. Or puce. Or just about any colour. If you are talking about some other Globe Theatre you will have to be more specific.
The Globe Theatre adopted the motto "Totus mundus agit histrionem" ( the whole world is a playhouse ). This phrase was slightly re-worded in the William Shakespeare play As You Like It - "All the world's a stage" which was performed at the Globe Theatre."Totus mundus agit histrionem" meaning the whole world is a playhouse.
The more theatres you see, the more you realize that there is no such thing as a "normal theatre". Your idea of what a "normal theatre" is comes only from your limited experience. There are some features of the Globe Theatre in London (more properly called Shakespeare's Globe Theatre, opened in 1997). It is a replica of a sixteenth-century theatre, which makes it unusual but not unique. There are a number of others. It is an open-air theatre, which is also unusual, but such theatres also exist in, for example, Central Park in New York City. It is certainly a theatre visited by many tourists but the same can be said for any well-known theatre in the world.
Shakespeare had an interest in at least two theatres. His company, the king's men, owned the Globe and Blackfriars theatres. Some people think they may have had an interest in the Curtain theatre since that was the one they moved to when the Theatre was closed.
The supporting wall of Shakespeare's Globe Theatre was primarily made of timber, which was characteristic of the construction methods used during the Elizabethan era. The structure featured a circular or polygonal shape, with walls made from wood, wattle and daub, and thatched roofs. This design not only provided support but also contributed to the acoustics and atmosphere of the theater, allowing for a vibrant performance space. The Globe’s architecture reflected the style of contemporary playhouses, emphasizing an open-air experience for the audience.
The apron stage in the Globe Theatre was a prominent, projecting area that extended into the audience, allowing for closer interaction between actors and spectators. It provided a dynamic space for performances, enhancing visibility and engagement. This design facilitated direct audience involvement, as actors could move among the crowd, breaking the fourth wall and creating a more immersive theatrical experience. The apron stage was an integral feature of Elizabethan theatre, reflecting the communal nature of performances during that era.
The globe was divided into two halves. Communism and Free World. Now most of it can be globalized into one globe (world), since the wall came down.
The theatres of Shakespeare's day had a thrust stage and a back wall. Behind the back wall was a building called a "Tiring House" which did not mean that you got tired from staying there, but rather that it was a place for attiring, or dressing yourself. A dressing room in other words.
The Globe Theatre constructed in London in 1599, rebuilt in 1613, closed in 1642 and subsequently torn down, was an Elizabethan outdoor playhouse, all of which were built to the same basic groundplan. The Theatre, The Curtain, the Rose, The Hope, and The Swan were all built to this plan: the stage is thrust into a central courtyard surrounded by a polygonal roofed set of galleries. Behind the stage was a multi-story tiring house, the stage-side wall of which contained one or more balconies or curtained recesses. The lighting for the stage was natural sunlight entering the unroofed courtyard.
Brian Wall has written: 'Wall's eye'