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Rhythm and rhyme. The piece is in rhyming couplets and iambic tetrameter. Now to be fair, the witches often speak in couplets in the other scenes in which they appear (I,1; I,3; IV,1), but it is not generally sustained for such a long passage. And they do speak in iambic tetrameter sometimes, but more commonly in trochaic tetrameter (e.g. "Double, double, toil and trouble", "Something wicked this way comes", "Here I have a pilot's thumb"). The Hecate speech from III, v is unusual also that it is a sustained speech from one character, when most of the witches' speeches tend to be shared among them. And it has a sing-song quality which comes not only from the rhythm and the rhyme but also from the fact that the phrases end at the end of lines most of the time; Shakespeare by this point in his career was phrasing lines so that they did not correspond so neatly with the rhythm, to avoid this sing-song effect. This is one of several reasons to believe that this speech was not written by Shakespeare, but by a later reviser.

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Q: What two aspects of the poetic structure of Hecate's speech in act iii scene v that are different from the poetic structure of the rest of the play?
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