I don't know :P
Bertolt Brecht created a style of theatre known as Epic Theatre, which aimed to provoke critical thought and social change rather than emotional engagement. He employed techniques such as the Verfremdungseffekt, or "alienation effect," to distance the audience from the narrative, encouraging them to analyze the social and political issues presented. Brecht's work often featured fragmented narratives, songs, and direct addresses to the audience, all designed to challenge traditional theatrical conventions and promote a more active form of spectatorship.
The Berliner Ensemble
Bertolt Brecht aimed for theatre to be a platform for social and political critique, encouraging audiences to think critically about the world around them. He developed the concept of "epic theatre," which sought to provoke rational thought rather than emotional engagement, using techniques like alienation to create distance between the audience and the performance. Brecht believed that theatre should inspire action and change, challenging societal norms and injustices. Ultimately, he wanted theatre to serve as a tool for education and transformation.
Some of these practitioners may be considered as having expressionist values in theatre: Bertolt Brecht 'Epic theatre' Antonin Artaud- 'Theatre of Cruelty' Grotowski 'Poor theatre' 'Lab Theatre'
Brecht [Trans Willet] , On Theatre, London, Methuen Drama; New Ed edition, 1978, page 173
The answer is Bertolt Brecht.
he performed plays
Bertolt Brecht created a style of theatre known as Epic Theatre, which aimed to provoke critical thought and social change rather than emotional engagement. He employed techniques such as the Verfremdungseffekt, or "alienation effect," to distance the audience from the narrative, encouraging them to analyze the social and political issues presented. Brecht's work often featured fragmented narratives, songs, and direct addresses to the audience, all designed to challenge traditional theatrical conventions and promote a more active form of spectatorship.
Epic Theatre
Bertolt Brecht often used his plays to relate to the government, and how it was corrupt. i think...
The Berliner Ensemble
Bertolt Brecht aimed for theatre to be a platform for social and political critique, encouraging audiences to think critically about the world around them. He developed the concept of "epic theatre," which sought to provoke rational thought rather than emotional engagement, using techniques like alienation to create distance between the audience and the performance. Brecht believed that theatre should inspire action and change, challenging societal norms and injustices. Ultimately, he wanted theatre to serve as a tool for education and transformation.
Some of these practitioners may be considered as having expressionist values in theatre: Bertolt Brecht 'Epic theatre' Antonin Artaud- 'Theatre of Cruelty' Grotowski 'Poor theatre' 'Lab Theatre'
Brecht [Trans Willet] , On Theatre, London, Methuen Drama; New Ed edition, 1978, page 173
Brechtian theatre is an abstract form of theatre. Its main feature consists of breaking that boundary between actors on stage and the audience watching. Generally, the actors will enter and/or exit from the audience and pose socio-cultural issues that will make the audience member ask themselves a sub-conscious question about the issue. Shakespearean and Greek theatre is somewhat your stock standard form of theatre.
Brechtian theatre is an abstract form of theatre. Its main feature consists of breaking that boundary between actors on stage and the audience watching. Generally, the actors will enter and/or exit from the audience and pose socio-cultural issues that will make the audience member ask themselves a sub-conscious question about the issue. Shakespearean and Greek theatre is somewhat your stock standard form of theatre.
Brecht's epic theatre originated in the early 20th century, primarily in Germany, during the 1920s. It developed as a reaction to the traditional forms of theatre, aiming to provoke critical thinking and political awareness among audiences. Brecht's work was influenced by Marxist theory and sought to challenge societal norms through techniques such as alienation and non-linear narratives. His notable productions, like "The Threepenny Opera" and "Mother Courage and Her Children," exemplify these principles.