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The Greek chorus was a group of approximately twelve actors who acted similar to modern narrators in Greek plays. They were integral to the plays and would sometimes have over half of the lines. Their job was to comment on the action in the play, either by speaking all together or by singing. They would dress similarly and wear masks.

The role of the Greek chorus was to provide time for scene changes, give the main actors a break and time to prepare for the next scene, offer background information and information about the main themes, to offer an insight into a character's thoughts and feelings, and just generally act as a go-between for the audience and the actors. Incidentally, battles and murders were not allowed to be performed in Greek theatres and so the chorus would tell the audience of such events instead of them being acted out.

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What did the chorus in Greek plays do?

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== == A group of actors who function as a unit, called a chorus, was a characteristic feature of the Greek tragedy. The members of the chorus shared a common identity, such as Asian Bacchantes or old men of Thebes. The choragos (leader of the chorus) sometimes spoke and acted separately. In some of the plays, the chorus participated directly in the action; in others they were restricted in observing the action and commenting on it. The chorus also separated the individual sins by singing and dancing choral odes, though just what the singing and dancing were like is uncertain. The odes were in strict metrical patterns; sometimes they were direct comments on the action and characters, and at other times they were more general statements and judgments. A chorus in Greek fashion is not common in later plays, although there are instances such as T.S. Eliot's Murder in the Cathedral, in which the Women of Canterbury serve as a chorus.


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