The term refers to particular plays written by a number of (mostly) European playwrights in the late 1940s, 1950s, and 1960s, as well as to the style of theatre which has evolved from their work.
In a nutshell, the philosophy underneath is that life is inherently without meaning, and so one must find one's own meaning. This genre of theatre achieved popularity when World War II highlighted the essential precariousness of human life. Most plays belonging to this category will make you both think and even laugh if you get to appreciate their hilarious sense of humor, often with an important message.
Actually, some experts dislike the label "Absurd Theatre" and use "Anti-Theater" or "New Theater" instead. The four defining playwrights of the movement are Eugène Ionesco, Samuel Beckett, Jean Genet, and Arthur Adamov but many in different countries followed their steps -and with remarkable results too.
(see also the related link)
World War II
Purposelessness
A common theme of the Theater of the Absurd is the exploration of the inherent meaninglessness of human existence. This genre often highlights the absurdity of life through illogical situations, nonsensical dialogue, and fragmented narratives, reflecting the struggle of individuals to find purpose in a chaotic world. Characters frequently grapple with existential questions and the futility of communication, emphasizing isolation and the breakdown of reason. Ultimately, the Theater of the Absurd invites audiences to confront the absurd conditions of life itself.
Critic Martin Esslin coined the term in his 1960 essay "Theatre of the Absurd." He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay, "The Myth of Sisyphus". Surrealism-Plays is a site devoted to the history and creative works of the Surrealist Movement, as well as the anti-tradition of avant-garde theatre.
Existentialism significantly influenced the Theater of the Absurd by emphasizing themes of meaninglessness, alienation, and the human condition. Playwrights like Samuel Beckett and Eugène Ionesco incorporated existentialist ideas to explore the absurdity of life, often depicting characters in illogical situations that reflect their struggles for identity and purpose. This theatrical movement used absurdity as a tool to challenge conventional narratives and highlight the irrational nature of existence. Ultimately, the Theater of the Absurd invites audiences to confront the uncertainties of life in a world devoid of inherent meaning.
contentment
contentment
Theater of the Absurd take place in the year 1950-1960.
The word "absurd" means senseless, ridiculous, or inane. It is also used for a genre of intellectually comic theater.
Maurice Marc LaBelle has written: 'Alfred Jarry, nihilism and the theater of the absurd' -- subject(s): Criticism and interpretation, Nihilism in literature, Theater of the absurd
World War II
1950s and 1960s
Eugene ionesco
Purposelessness
A traditional plot
A common theme of the Theater of the Absurd is the exploration of the inherent meaninglessness of human existence. This genre often highlights the absurdity of life through illogical situations, nonsensical dialogue, and fragmented narratives, reflecting the struggle of individuals to find purpose in a chaotic world. Characters frequently grapple with existential questions and the futility of communication, emphasizing isolation and the breakdown of reason. Ultimately, the Theater of the Absurd invites audiences to confront the absurd conditions of life itself.
Critic Martin Esslin coined the term in his 1960 essay "Theatre of the Absurd." He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay, "The Myth of Sisyphus". Surrealism-Plays is a site devoted to the history and creative works of the Surrealist Movement, as well as the anti-tradition of avant-garde theatre.