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La Donna è mobile or Woman is fickle is the Duke of Mantua's aria from Verdi's Opera Rigoletto premiered on 11th March 1851.

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Composer of la Donna E Mobile?

The composer of "la Donna e Mobile"( "the woman is fickle" ) is Guiseppe Verdi It's from the opera Rigoletto, composed in 1851


Is La donna è mobile taken from Giuseppe Verdi's opera?

Yes from his opera 'Rigoletto'


What is the name of that opera song in the movie Getting Gotti?

La donna è mobile from Rigoletto (Giuseppe Verdi). The tenor singing it sounds like Luciano Pavarotti.


What is the tempo of the song la Donna e mobile?

temp of La donna è mobile from Rigoletto


What is 'mobile' when translated from the Italian opera title 'La donna è mobile' to English?

La donna è mobile in Italian means "The woman is fickle" in English.


When was La Traviata written?

Verdi's La Traviata was first performed in 1853.


When did Giuseppe Verdi write La Traviata?

La Traviata, written by Giuseppe Verdi and based on a novel by Alexandre Dumas, was first performed in 1853.


What Verdi aria means it was you?

The Verdi aria that translates to "it was you" is "La donna è mobile" from the opera Rigoletto. In this aria, the Duke of Mantua sings about the fickleness of women, expressing his belief that all women are the same. The Italian phrase "La donna è mobile" directly translates to "woman is fickle" or "woman is changeable," reflecting the Duke's cynical view of relationships. This aria is one of the most famous and recognizable pieces in the operatic repertoire.


When and where was la Donna e mobile first performed?

It was first performed in venice in 1851


What has the author Mercede Mundula written?

Mercede Mundula has written: 'La moglie di Verdi, Giuseppina Strepponi'


How many meters in Luciano Pavarotti - La Donna È Mobile Rigoletto?

Triple meter


What is the Aria of the opera La Donna e mobile?

"La donna è mobile" is a famous aria from Giuseppe Verdi's opera "Rigoletto," which premiered in 1851. Sung by the Duke of Mantua, the aria expresses his carefree attitude towards love and women, emphasizing their fickle nature. Its catchy melody and lively rhythm have made it one of the most recognizable and frequently performed pieces in the operatic repertoire. The title translates to "Woman is fickle," capturing the Duke's playful yet cynical view of romantic relationships.