The groundlings or penny standers stood around the 15 x 45 foot stage. More affluent audience members sat in either of two galleries on the second and third floors. The most affluent viewed the plays from Lords Rooms on ether side of the stage-the Elizabethan equivalent of skyboxes.
The hut in the Globe Theater served as a storage space for props and costumes, as well as a platform for the audience to view performances from above. It was also utilized for special effects, housing machinery for flying and other theatrical innovations. This structure enhanced the overall experience of the performances by adding visual and practical elements to the staging.
The part of a theater where the audience sits is called the auditorium. It is designed to provide seating for spectators to view performances, movies, or other events. The layout often includes tiered seating to enhance visibility and acoustics. Additionally, the auditorium may be equipped with various amenities to enhance the audience's experience.
The gallery of the Globe Theatre was a tiered seating area that provided a better view of the performances for the audience. It was typically more expensive than the standing area in front of the stage, known as the yard, and was covered to protect spectators from the elements. The galleries housed wealthier patrons, offering them comfort and a more elevated experience while watching plays. Overall, the structure of the galleries contributed to the theater's vibrant atmosphere and social dynamics during the Elizabethan era.
In the Globe Theatre, the audience areas were divided into several sections. The ground level area, known as the "pit" or "yard," accommodated the lower-class spectators, referred to as "groundlings," who stood to watch the performances. The more affluent audience members could sit in the "galleries," which were tiered seating areas that provided a better view and comfort. Additionally, the "Lord's Room" was a special seating area for nobility and wealthy patrons, offering the best views of the stage.
In the original Globe Theatre, rich patrons sat in the higher, covered seats known as the "lords' rooms" or "galleries." These areas provided a better view and protection from the elements, making them more comfortable than the standing areas in the pit, where the general public stood. The wealthier audience members often wore elaborate clothing and were seated closer to the stage, allowing them to be more visible during performances.
The hut in the Globe Theater served as a storage space for props and costumes, as well as a platform for the audience to view performances from above. It was also utilized for special effects, housing machinery for flying and other theatrical innovations. This structure enhanced the overall experience of the performances by adding visual and practical elements to the staging.
A proscenium stage features a framed opening (the proscenium arch) that separates the audience from the performance, creating a "theater-in-a-box" effect where the audience faces the stage directly. In contrast, an arena stage, also known as a theater-in-the-round, has the audience seated on all sides, allowing for a more immersive experience and a 360-degree view of the performance. This difference in layout affects how performances are staged and how audience interaction occurs.
The theater section under the balcony is typically referred to as the orchestra pit. It is a sunken area in front of the stage where musicians, particularly those playing in the orchestra, are seated during performances. This setup allows for the musicians to be at a lower level than the stage to avoid obstructing the audience's view.
The gallery of the Globe Theatre was a tiered seating area that provided a better view of the performances for the audience. It was typically more expensive than the standing area in front of the stage, known as the yard, and was covered to protect spectators from the elements. The galleries housed wealthier patrons, offering them comfort and a more elevated experience while watching plays. Overall, the structure of the galleries contributed to the theater's vibrant atmosphere and social dynamics during the Elizabethan era.
backstage?
In the original Globe Theatre, rich patrons sat in the higher, covered seats known as the "lords' rooms" or "galleries." These areas provided a better view and protection from the elements, making them more comfortable than the standing areas in the pit, where the general public stood. The wealthier audience members often wore elaborate clothing and were seated closer to the stage, allowing them to be more visible during performances.
When someone stands in front of an actor and blocks the audience's view, it is referred to as "blocking." This term is commonly used in theater and film to describe the staging of actors in relation to each other and the audience. Proper blocking ensures that all performers are visible and that the action is effectively communicated to the audience.
It gives everyone in the audience a good view, because the actors don't need to move all over the stage because the audience is only in front of them, not at the sides. So the actors only need to focus on the front!
no one knows for sure but they think it was a circle/oval with a cirlce in the middle. hers is a picture https://mswrede0708.wikispaces.com/file/view/images.jpg/31251719/images.jpg
There are a lot of places in order for one to view Kathakali performances. However, it is strongly suggested that one should check out from the website YouTube.
The opposite view of what the audience sees.
At the Old Globe Theatre, balcony seats typically cost around six pence, which was a more affordable option compared to the higher-priced seats in the more prestigious areas. This pricing made the theatre accessible to a broader audience, allowing a mix of social classes to enjoy performances. The cost reflected the seating's location and view, with balcony seats offering a less direct experience of the stage compared to the front rows.