act 2
"Un moto di gioia" is an aria from the opera "Don Giovanni" composed by Wolfgang Amadeus Mozart. It is sung by the character Don Giovanni in Act 1, expressing his exhilaration and desire for life. The piece showcases Mozart's ability to blend drama with musical expression, highlighting the character's hedonistic nature.
There are "tons" of great operatic duets sung by women, but one of my personal favorites is The Flower Duet from Léo Delibes' Lakmé. A couple of other great ones are Canzonetta Sull'aria from the Marriage of Figaro by Mozart and Belle Nuit O Nuit D'Amour from The Tales of Hoffman by Offenbach. Oh...Oh...but wait, we can't forget the beautiful Flower Duet from Puccini's Madama Butterfly.Edit:*La Pesca - duet for soprano and mezzo soprano by Rossini.& I found a link with a list: http://www.opera-arias.com/duets/soprano-soprano/ Also, not all aria duets were in actual operas. https://en.wikipedia.org/wiki/List_of_songs_and_arias_of_Johann_Sebastian_Bach
Massenet's "Thais" is sung in French.
I'm pretty sure opera can be sung in any language, but most times its sung in Italian French or German
Sung speech is called recitative, or as it is generally know, recitativo.
"Un moto di gioia" is an aria from the opera "Don Giovanni" composed by Wolfgang Amadeus Mozart. It is sung by the character Don Giovanni in Act 1, expressing his exhilaration and desire for life. The piece showcases Mozart's ability to blend drama with musical expression, highlighting the character's hedonistic nature.
Mozart wrote The Marriage of Figaro (Le Nozze di Figaro). It is one of the two operas in the standard repertoire featuring Figaro as a character; the other is The Barber of Seville (Il Barbiere di Siviglia) by Gioacchino Rossini. Both of the operas are based on plays by Pierre Beaumarchais. Giovanni Paisiello made the Barber into an opera before Rossini did, but it hasn't had the success that Rossini's had. Mozart is the only composer to write operas in the standard repertoire in more than one language. The Marriage of Figaro, Don Giovanni, and Cosi Fan Tutte are sung in Italian, while The Magic Flute (Die Zauberflote) and The Abduction from the Seraglio (Die Entfuhrung Aus Dem Serail) are sung in German. Mozart, in total, wrote twenty-two operas, but only those five are considered to be part of the standard repertoire; La Clemenza di Tito, which Mozart hadn't completed when he died and his pupil Sussmayr finished, is sometimes performed, as is Idomeneo.
I don't know about lyrics, but many, many of his works were operas and he wrote both the instrument music and the words that were sung along with it.Second answer:Mozart did not write the libretti to his operas. For example, The Magic Flute has a libretto by Emanuel Schickaneder, and Cosi Fan Tutte, The Marriage of Figaro and Don Giovanni all have libretti by Lorenzo da Ponte. Some composers have written their own libretti, Wagner being the prime example, but Mozart did not.
'Largo al factotum' from act 1 of The Barber of Seville, sung by Figaro.
"Voi che sapete" is an aria from Wolfgang Amadeus Mozart's opera "The Marriage of Figaro" (Le Nozze di Figaro). Sung by the character Cherubino, it expresses his youthful confusion and longing regarding love and desire. The aria captures the innocence and turbulence of adolescence as Cherubino seeks guidance from others about his feelings. It is characterized by its lyrical beauty and emotional depth, showcasing Mozart's masterful compositional skills.
I have no idea The aria, Che soave zeffireto, (I'm sure) is sung by Gundula Janowitz and Edith Mathis, from an old performance conducted by Karl Bohm. It was recorded in 1968 and has been reissued on Deutsche Grammofon. A good but not outstanding performance.
Mozart: Le Nozze Di Figaro 12/12. 4. Akt: Gente, Gente, Allarmi, Allarmi! and Un bel di vedremo(Madama Butterfly)
Sung by
Without knowing your vocal range, it would be hard to say, but how about "Voi che sapete"--Cherubino's song from Mozart's The Marriage of Figaro? The role of the page Cherubino is a "trousers" role--a man's part sung by a woman, a mezzo--and this song is actually a song, with a song structure and verses, rather than a typical operatic aria. It is very lovely and melodic, but not heavily "operatic."
There are "tons" of great operatic duets sung by women, but one of my personal favorites is The Flower Duet from Léo Delibes' Lakmé. A couple of other great ones are Canzonetta Sull'aria from the Marriage of Figaro by Mozart and Belle Nuit O Nuit D'Amour from The Tales of Hoffman by Offenbach. Oh...Oh...but wait, we can't forget the beautiful Flower Duet from Puccini's Madama Butterfly.Edit:*La Pesca - duet for soprano and mezzo soprano by Rossini.& I found a link with a list: http://www.opera-arias.com/duets/soprano-soprano/ Also, not all aria duets were in actual operas. https://en.wikipedia.org/wiki/List_of_songs_and_arias_of_Johann_Sebastian_Bach
Song is sung by Frank Sinatra
Passive is formed with be + past participle.eg was sung or were sung -- past.The anthem was sung before the game.The songs were sung with gusto.