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Iambic pentameter

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Anonymous

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βˆ™ 3y ago
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Eudora Brekke

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βˆ™ 3y ago

Shakespeare employs four kinds of dialogue in the play: prose, blank verse (unrhymed iambic pentameter), trochaic tetrameter for the witches' chant, and iambic tetrameter for the spurious Hecate scenes.

  1. Prose: The Porter's speech in II, 3. E.g. "Marry, sir, nose-painting, sleep and urine. Lechery, sir, it provokes and unprovokes; it provokes the desire, but takes away the performance." The irregular rhythm is very natural sounding since that is the rhythm we actually use in dialogue all the time.
  2. Blank Verse: Found throughout the play. At this stage in his career, Shakespeare wrote an extremely irregular blank verse. Occasional regular lines surface: "But screw your courage to the sticking-place." (I,7), "It was for Malcolm and for Donalbain/ To kill their gracious father? Damnéd fact!" (III,6) Blank verse imitates most of all verse-forms the natural rhythms of English, but it is statelier in its regularity.
  3. Trochaic tetrameter: The witches' chant in IV, 1. "Double, double, toil and trouble/ Fire burn and cauldron bubble". This does not sound natural but is not supposed to, since the witches are chanting it.
  4. Iambic tetrameter: Hecate's speech in III, 5 "And I, the mistress of your charms/ The close contriver of all harms/ Was never call'd to bear my part,/ Or show the glory of our art." The foreshortened lines sound less natural than they would if they had two syllables more per line. The twee rhyming doesn't help either. The strange rhythm is one reason for doubting that Shakespeare wrote this scene.
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Wiki User

βˆ™ 7y ago

Shakespeare employs four kinds of dialogue in the play: prose, blank verse (unrhymed iambic pentameter), trochaic tetrameter for the witches' chant, and iambic tetrameter for the spurious Hecate scenes.

  1. Prose: The Porter's speech in II, 3. E.g. "Marry, sir, nose-painting, sleep and urine. Lechery, sir, it provokes and unprovokes; it provokes the desire, but takes away the performance." The irregular rhythm is very natural sounding since that is the rhythm we actually use in dialogue all the time.
  2. Blank Verse: Found throughout the play. At this stage in his career, Shakespeare wrote an extremely irregular blank verse. Occasional regular lines surface: "But screw your courage to the sticking-place." (I,7), "It was for Malcolm and for Donalbain/ To kill their gracious father? Damnéd fact!" (III,6) Blank verse imitates most of all verse-forms the natural rhythms of English, but it is statelier in its regularity.
  3. Trochaic tetrameter: The witches' chant in IV, 1. "Double, double, toil and trouble/ Fire burn and cauldron bubble". This does not sound natural but is not supposed to, since the witches are chanting it.
  4. Iambic tetrameter: Hecate's speech in III, 5 "And I, the mistress of your charms/ The close contriver of all harms/ Was never call'd to bear my part,/ Or show the glory of our art." The foreshortened lines sound less natural than they would if they had two syllables more per line. The twee rhyming doesn't help either. The strange rhythm is one reason for doubting that Shakespeare wrote this scene.
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cindyescobar1984

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βˆ™ 2y ago
we don't ask for all this just for a simple letter
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Matigan Kellar

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βˆ™ 11mo ago
it’s simply lambic tetrameter

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zarr1s

Lvl 10
βˆ™ 3y ago

(Apex) Iambic pentameter.

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Dustin Bailey

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βˆ™ 4y ago

iambic pentameter

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