The Rogers and Hammerstein organization. You can get in touch with them here:
mhtheatricals.com
or you can call: 800-400-8160 or 212-564-4000
To obtain performing rights for "Amahl and the Night Visitors," you typically need to contact the publisher or rights holder of the opera. The rights for this work are often managed by organizations like G. Schirmer, Inc. or other music licensing agencies. It’s advisable to check their websites or reach out directly for specific licensing information and requirements for your performance.
Choreography can be protected by copyright if it is notated or otherwise recorded; dance notation is obscure and rarely used, so most choreographers will have videos made from several angles instead. If you are performing choreography that is not your own, you will need permission. You will also need permission for any music used, which may include grand rights fees if the rightsholder feels it creates a dramatic performance (that is, telling a story). If you wish to video record a performance, you will need synchronization rights and master use rights for each song; the agreement is very likely to limit distribution.
To get permission to perform "Over the Rainbow," you'll need to secure the appropriate licensing for the song. This typically involves contacting a music licensing organization, such as ASCAP or BMI, to obtain the necessary rights for public performance. If you’re performing it as part of a larger production, check if your production company has already acquired the rights. It's also advisable to confirm the specific terms and conditions of the license to ensure compliance.
They have the same rights as everyone in the decleration of human rights.
An amateur theater company generally needs to obtain performance rights and pay royalties to legally perform a musical. This typically involves purchasing a license from the copyright holder or a licensing agency. Performing a musical without securing these rights can lead to legal consequences, including fines or injunctions. However, some musicals may be in the public domain or have specific provisions for amateur performances, so it's essential to check the status of the particular work.
Rodgers and Hammerstein Organization
Yes, they do have rights in a corporation.
Performing rights societies act as clearinghouses for performance rights on behalf of many copyright owners. As a rightsholder, a performing rights society helps you negotiate performance licenses and collect fees; they may also work to connect you with potential licensees.
As it is still running on B'day, the rights are unavailable as of now.
You need to answer this question because we don't know what the statements you were given. Your teacher is looking for your critical thinking skills and how well you understood the lesson not our answers. We don't do essays or homework.
A corporation is a group of people or corporation that has the permission to act as a single entity. Corporations have most of the rights and responsibilities that a person would have.
A Corporation exists just as an artificial being which has certain rights bestowed by law.
Theatrical Rights Worldwide have took over from Samuel French.
Performance rights are generally handled by the performing rights organizations, ASCAP and BMI.
Both their publishers and their performing rights organization help protect their rights.
a company that is recognized by the state as a person and is given certain rights
A business that is recognized by a single state and is given certain rights