Iago
Despite his hatred and detestation towards Othello for promoting Cassio before himself, Iago continues to serve under Othello in order to bring Othello down by using and undertaking his cunning and devious measures to get Othello to betray his Desdemona by taking advantage of his phobia of Desdemona and Cassio together.
Partly. Cassio is justly restored to favour after being entrapped into a crime. Iago will be punished. These things are just and fair. But Desdemona is dead, who was absolutely innocent. Emilia, who unwittingly helped Iago but redeemed herself by revealing what she knew, died for courageously doing so. And Othello, who is as much a victim as they are, is dead also. The unfairness of these deaths cannot be made right by punishing Iago. Nothing can bring them back to life.
More than anything, his humility. Humility is a good quality, but Iago makes Othello's lack of pride work against him. When it comes to fighting in a battle or dealing with a load of hoodlums in the street, Othello is all confidence: he knows how to deal with those things and he knows he knows it. However, in matters of love, he is not so sure. He has reached middle age without really having to deal with women. His relationship with Desdemona starts off with him telling her stories of his life. He isn't trying to woo her, to pick her up or in any way get her to love him. But she does love him. Othello is amazed that she should fall for someone who is old, who is not of her class, who is a foreigner and has an unpopular skin colour. Why should this wonderful young woman pick him of all people? We can see through Desdemona's eyes past these superficial qualities to the qualities of the man within. Othello is competent, commanding and very human. His very humility makes him a good commander and leader. It also makes him doubt whether a woman like Desdemona could love someone like him, a doubt which Iago exploits and turns to the certainty that she must love someone who appears to be more deserving--someone like Cassio. In Othello more than any Shakespeare play we see the pointlessness of the "tragic flaw" type of analysis, which tries to make the plays into parables designed to convey trite bits of morality. The characteristic which leads to Othello's demise is a virtue, but as those compassionate and generous souls who have been conned by phoney charities know, even virtues can be exploited by the wicked. Both Othello and Desdemona are very good people, and yet their doom overtakes them anyway, and in part because they are so good. That's what makes it so heart-wrenching.
No. His conniving had small benefit to him. It is true that he was able to replace Cassio as Othello's lieutenant, but almost immediately thereafter he did his level best to bring Othello (and thus his newly won position) down. There was no benefit to Iago in doing so.
In Shakespeare's "Othello," Cassio brings musicians to entertain Othello and celebrate his recent promotion. However, Othello responds dismissively to the musicians, expressing annoyance at their presence and preferring to avoid any celebration, as he is still troubled by his recent experiences. This moment highlights Othello's inner turmoil and sets the stage for the unfolding drama driven by jealousy and manipulation.
Despite his hatred and detestation towards Othello for promoting Cassio before himself, Iago continues to serve under Othello in order to bring Othello down by using and undertaking his cunning and devious measures to get Othello to betray his Desdemona by taking advantage of his phobia of Desdemona and Cassio together.
Iago is extremely jealous of both Cassio and Othello. His plan is to make Othello believe that Desdimonia has committed adultery with Cassio. That way, Cassio will be fired from his high military status and Othello will loose the love of his life (Desdimonia, his wife.)
None
Cyprus are too poor and will bring too much hassle to the Eu. Also the inigrants from Cyprus would spread rapidly through the EU therefor increasing population.
Partly. Cassio is justly restored to favour after being entrapped into a crime. Iago will be punished. These things are just and fair. But Desdemona is dead, who was absolutely innocent. Emilia, who unwittingly helped Iago but redeemed herself by revealing what she knew, died for courageously doing so. And Othello, who is as much a victim as they are, is dead also. The unfairness of these deaths cannot be made right by punishing Iago. Nothing can bring them back to life.
More than anything, his humility. Humility is a good quality, but Iago makes Othello's lack of pride work against him. When it comes to fighting in a battle or dealing with a load of hoodlums in the street, Othello is all confidence: he knows how to deal with those things and he knows he knows it. However, in matters of love, he is not so sure. He has reached middle age without really having to deal with women. His relationship with Desdemona starts off with him telling her stories of his life. He isn't trying to woo her, to pick her up or in any way get her to love him. But she does love him. Othello is amazed that she should fall for someone who is old, who is not of her class, who is a foreigner and has an unpopular skin colour. Why should this wonderful young woman pick him of all people? We can see through Desdemona's eyes past these superficial qualities to the qualities of the man within. Othello is competent, commanding and very human. His very humility makes him a good commander and leader. It also makes him doubt whether a woman like Desdemona could love someone like him, a doubt which Iago exploits and turns to the certainty that she must love someone who appears to be more deserving--someone like Cassio. In Othello more than any Shakespeare play we see the pointlessness of the "tragic flaw" type of analysis, which tries to make the plays into parables designed to convey trite bits of morality. The characteristic which leads to Othello's demise is a virtue, but as those compassionate and generous souls who have been conned by phoney charities know, even virtues can be exploited by the wicked. Both Othello and Desdemona are very good people, and yet their doom overtakes them anyway, and in part because they are so good. That's what makes it so heart-wrenching.
No. His conniving had small benefit to him. It is true that he was able to replace Cassio as Othello's lieutenant, but almost immediately thereafter he did his level best to bring Othello (and thus his newly won position) down. There was no benefit to Iago in doing so.
Depends on how many suitcases you have and how brave you are...
As many as u want
In Shakespeare's "Othello," Cassio brings musicians to entertain Othello and celebrate his recent promotion. However, Othello responds dismissively to the musicians, expressing annoyance at their presence and preferring to avoid any celebration, as he is still troubled by his recent experiences. This moment highlights Othello's inner turmoil and sets the stage for the unfolding drama driven by jealousy and manipulation.
Cassio is still alive by the end ofOthello. This is the only area in which Iago fails in his scheme. It was intended by Iago that Cassio die and he uses Roderigo to try and accomplish this but Roderigo fails (though he severely wounds Cassio). The concept demonstrates that not everything can be coldly calculated. Life is extremely unpredictable.
For financial and political stability; Cyprus is a small country - the population is less than some English counties - and it has unstable neighbours; Turkey, Israel and Syria. Cyprus was invaded relatively recently (1973) and, understandably, Cypriots welcome the stability that being a member of the EU tends to bring. Cyprus has also benefited from EU grants for major road projects.