Most of the words in Shakespeare mean exactly what you think they mean. For example: "Tomorrow and tomorrow and tomorrow creeps in this petty pace from day to day, to the last syllable of recorded time. And all our yesterdays have lighted fools the way to dusty death. Out, out brief candle! Life's but a walking shadow, a poor player who struts and frets his hour upon the stage and then is heard no more. 'Tis a tale told by an idiot, full of sound and fury, signifying nothing" Tomorrow means tomorrow. Creeps means creeps. Petty mean small and insignificant. Pace means pace. Day means day. Syllable means syllable. Recorded means recorded. Time means time. Yesterdays, lighted, fools, dusty, death, candle, life, walking and shadow all mean what you think they mean. A player is an actor. Strutting we still do, also fretting which is usually accompanied by fussing. An idiot is someone who speaks English and does not understand 95% of the words in Shakespeare.
After hearing that his wife has died, Macbeth takes stock of his own indifference to the event. Death - our return to dust - seems to him merely the last act of a very bad play, an idiot's tale full of bombast and melodrama, but without meaning Murdering King Duncan and seizing his throne in retrospect seem like scenes of a script Macbeth was never suited to play."To-morrow, and to-morrow, and to-morrow" - along with the other phrases culled from this lode of Bardisms - conveys the mechanical beat of time as it carries this poor player-king from scene to scene. "The last syllable of recorded time" - what Macbeth earlier called "the crack of doom" casts time as a sequence of words, as in a script; history becomes a dramatic record.
Friday! (tomorrow)
Tomorrow would be Saturday if it is Friday today.
Yesterday always happens before tomorrow. I think that's supposed to be, "Where does tomorrow come before yesterday? In the dictionary.
Tomorrow has a stressed first syllable ("to-") and an unstressed second syllable ("-morrow").
No. The word "tomorrow" is stressed on the second syllable.
No. The word "tomorrow" is stressed on the second syllable.
Tomorrow
Most of the words in Shakespeare mean exactly what you think they mean. For example: "Tomorrow and tomorrow and tomorrow creeps in this petty pace from day to day, to the last syllable of recorded time. And all our yesterdays have lighted fools the way to dusty death. Out, out brief candle! Life's but a walking shadow, a poor player who struts and frets his hour upon the stage and then is heard no more. 'Tis a tale told by an idiot, full of sound and fury, signifying nothing" Tomorrow means tomorrow. Creeps means creeps. Petty mean small and insignificant. Pace means pace. Day means day. Syllable means syllable. Recorded means recorded. Time means time. Yesterdays, lighted, fools, dusty, death, candle, life, walking and shadow all mean what you think they mean. A player is an actor. Strutting we still do, also fretting which is usually accompanied by fussing. An idiot is someone who speaks English and does not understand 95% of the words in Shakespeare.
The second.
Probably "Tomorrow and tomorrow and tomorrow creeps in this petty pace from day to day" from Macbeth
The accent is on the second syllable.
One metaphor Shakespeare uses to convey Macbeth's attitude toward life after Lady Macbeth's death is "tomorrow, and tomorrow, and tomorrow" speech. In this soliloquy, Macbeth compares life to a "brief candle" that is extinguished quickly, reflecting his nihilistic view on life. Another metaphor is "Life's but a walking shadow", emphasizing the transience and meaningless of life in Macbeth's eyes.
To help you, here is a famous quotation from Shakespeare: "Tomorrow and tomorrow and tomorrow creeps in this petty pace from day to day." (Macbeth) Here is another one: "Call on me tomorrow, and you will find me a grave man." (Romeo and Juliet) Basically, "tomorrow" is "tomorrow"--not surprising really, since Elizabethan English is not a different language from our own.
Two albums have been recorded by Maino. The first album was "If Tomorrow Comes" recorded in 2009. The second album was "The Day After Tomorrow" recorded in 2012.
The "tomorrow and tomorrow and tomorrow" soliloquy reveals Macbeth's despair and nihilism as he reflects on the fleeting nature of life and his own sense of emptiness. It shows his realization that life is meaningless and that he has been consumed by his ambition, leading to a sense of hopelessness and resignation.