The earliest opera on record is Dafne by Jacopo Peri, an Italian composer. It is thought to have been written around 1597. Earlier Greek dramas were thought to have choruses that sung parts of the play, but those were not written as musical performances, hence the credit goes to the Italians.
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In originally written by Gaston Leroux and first published as a novel in 1909. It's a story about a man named Erik, who is a musical genius but whose face is horribly disfigured ever since his birth and because of that he has been shunned, hated and abused by the society and his mother feared and loathed him. In the original novel his face looks like a skull. And as he is also very skinny, it results him looking like a corpse. In the Andrew Lloyd Webber stage musical adaptation and the 2004 film based on it, only half of his face is deformed. Eventually he went to hiding from the world, ending up living deep underground in the cellar dungeons of the Paris Opera House and with his multi-talent genius, he has created the imago of a ghost haunting the opera house. As the ghost he makes his living by stealing and demanding from the managers his share of the profit the opera house makes.He falls in love with a young singer, Christine Daaè and starts to coach her to become a perfect singer. He appeared to her as the Angel of Music, who her recently passed away father had promised to send her and she believed in - so he is nothing but a echoing voice in her dressing room and she keeps him secret. When Christine's childhood friend and sweetheart, vicount Raoul de Chagny suddenly appears back into her life, the Phanrom/Erik - known to Christine as the Angel of Music - becomes jealous. As the Phantom/Erik has already fallen obsessively in love with Christine and his violent and utterly lonely life has made him horribly deranged and insane, the love triangle increases into a nightmare. In the original novel he's killed before and he still kills in means to get Christine. The fact that Christine tries to escape with Raoul and engages him, doesn't help at all. In the end of the original story, he kidnaps Christine and attempts to drown Raoul and another man in a torture chamber, if Christine didn't agree to marry him.In the Andrew Lloyd Webber's musical adaptation, she shows it by putting the engagment ring on and kissing him twice full on the lips. In the original novel, she just wears the ring and the wedding dress and he sees his living wife in her eyes. She does kiss his forehead and lets him kiss hers in the end of the original story but it's a bit later for a different reason. In both endings, her sacrifice and commitment leads to Erik/the Phantom making a redeeming act of love by letting her go with Raoul. In the original novel's end, Erik/the Phantom dies. In the Andrew Lloyd Webber's musical, he just disappears somewhere. In the ALW musical version he threatens to kill only Raoul who came alone to try and save Christine and the Phantom threatens to kill him by hanging or strangling instead of drowning.The Andrew Lloyd Webber stage musical and the film based on it is a romanticized version of Leroux's original story which is much more of a horror genre. But both versions have the same essence and basically the same essential characteristics for the main characters that are the same ones. The essential differences are in how deformed the Phantom's face is, and the musical has the Phantom feel sexual desire towards Christine whereas in the novel he does feel sexual toward Christine in chapter 12, he write Don Juan the Triumph in the expression of his love for her , he even tells her she will burn if he played it for her directly. In Gaston Leroux's novel it is written in sexual suppression of the Victorian age. In the musical she feels some nature of more romantic/mature love for the Phantom whereas in the novel Christine loves the Phantom only as a father figure and a teacher who taught her music, she loved his voice but she was in love with only Raoul.
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Yes, Andrew Lloyd Webber compose the Phantom of the Opera and Jesus Christ Superstar.
Paying for Superstar off your phone means it will subract the cost from your credit/balance.
You must first secure their written permission, or the heirs of the composer if h/she is dead.
Yes stardoll acceps credit cards thats if you want to be a superstar Hope this helps :D
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to be non-superstar it's free to be superstar it's in england £1.05 for one month by credit card for 1 month+200 stardollars £4.49 by credit card for 3 months+600 stardollars £11.95 by credit card for 6 months+1200 stardollars £19.95 by credit card for 1 year+2400 stardollars £29.95
You must buy membership with either a gift card or credit card.
The only way to become superstar is by giftcode or credit card Or you can do it by text i have done it loads of times and nothing has happened so it is completely SAFE !!!!!!!!!!!!!!!!
Walmart kmart a place u find credit card
click become superstar on stardoll.com then you can pick if you want to pay on a prepaid card or a credit card.
You have to buy it, either with credit card, mobile phone (Which is only for some countries), paypal, paybycash and you can get gift cards.
It varies, based on who received a composer credit, but a significant majority are controlled at least in part by EMI April.