Want this question answered?
rata
There are 18 of Shakespeare's plays which are identified as comedies. Your mileage may vary on which ones are better than which others. Just because a play is popular and frequently performed does not mean that it is better. The five most frequently performed Shakespearean comedies are probably The Merchant of Venice, A Midsummer Night's Dream, Much Ado About Nothing, The Taming of the Shrew and Twelfth Night.
In the First Folio, all of Shakespeare's plays were divided into Comedies, Tragedies and Histories. Although it is not always easy to place some of the plays in these three categories (and Shakespeare was well aware that they could mix and overlap and be involved with the category of the Pastoral), the division seems to have stuck.
The traditional categorization is into Tragedies, Histories and Comedies. Some people have added new categories like Problem Plays, Romances, or Tragicomedies. It is the three main ones that everyone knows, however.
Shakespeare wrote eighteen plays which are classified as comedies. There is no consensus that four of them are "great". The four most popular are probably A Midsummer Night's Dream, The Taming of the Shrew, The Merchant of Venice and Much Ado About Nothing. The plays As You Like It, Much Ado About Nothing and Twelfth Night are sometimes called the "Golden Comedies" because there is very little dark or disturbing material in them. On the other hand The Merchant of Venice, Troilus and Cressida, Measure for Measure and All's Well that Ends Well have significantly dark plotlines in them, which gets them called "Problem Plays". The late comedies The Tempest, Cymbeline, The Winter's Tale and Pericles have a folktale element about them, and so some people call them Romances. Shakespeare's comedies often share elements with other comedies and even with the tragedies, but they are so diverse in their style that it is well nigh impossible to pick four "greatest" ones.
rata
There are 18 of Shakespeare's plays which are identified as comedies. Your mileage may vary on which ones are better than which others. Just because a play is popular and frequently performed does not mean that it is better. The five most frequently performed Shakespearean comedies are probably The Merchant of Venice, A Midsummer Night's Dream, Much Ado About Nothing, The Taming of the Shrew and Twelfth Night.
In the First Folio, all of Shakespeare's plays were divided into Comedies, Tragedies and Histories. Although it is not always easy to place some of the plays in these three categories (and Shakespeare was well aware that they could mix and overlap and be involved with the category of the Pastoral), the division seems to have stuck.
The traditional categorization is into Tragedies, Histories and Comedies. Some people have added new categories like Problem Plays, Romances, or Tragicomedies. It is the three main ones that everyone knows, however.
Shakespeare wrote eighteen plays which are classified as comedies. There is no consensus that four of them are "great". The four most popular are probably A Midsummer Night's Dream, The Taming of the Shrew, The Merchant of Venice and Much Ado About Nothing. The plays As You Like It, Much Ado About Nothing and Twelfth Night are sometimes called the "Golden Comedies" because there is very little dark or disturbing material in them. On the other hand The Merchant of Venice, Troilus and Cressida, Measure for Measure and All's Well that Ends Well have significantly dark plotlines in them, which gets them called "Problem Plays". The late comedies The Tempest, Cymbeline, The Winter's Tale and Pericles have a folktale element about them, and so some people call them Romances. Shakespeare's comedies often share elements with other comedies and even with the tragedies, but they are so diverse in their style that it is well nigh impossible to pick four "greatest" ones.
They are traditionally divided into histories, comedies and tragedies by the first folio. Although some scholars have tried to introduce new categories, it is these three which seem to stick.
A matter of opinion here. Love is certainly a topic in all of the comedies, a couple of the tragedies and even in the histories (in Henry VI Part II or Henry VIII. The orderly transfer of power from one ruler to another is a topic dealt with in all of the histories (except Henry VIII), Macbeth, Julius Caesar, Hamlet, King Lear, Coriolanus, and even such comedies as As You Like It. A number of plays deal with the qualities which make a bad leader or a good one including all of the Histories and most of the tragedies and as well with some comedies such as Measure for Measure.
Certain of Shakespeare's plays are more popular than others, but that does not necessarily make them better. The popular histories are the two Henry IV plays, Henry V and Richard III. The popular tragedies are King Lear, Hamlet, Macbeth, Othello, Julius Caesar and Romeo and Juliet. The popular comedies are Much Ado About Nothing, The Merchant of Venice, The Taming of the Shrew, Twelfth Night, The Tempest, and A Midsummer Night's Dream. Personally I feel that the plays "Measure for Measure" and "Cymbeline" are underrated and are in fact better than some of the popular ones. But that is just my opinion.
Some famous writers of Latin comedies include Plautus, Terence, and Seneca. Plautus, who is considered the father of Roman comedy, wrote popular works such as "The Menaechmi" and "Pseudolus." Terence was known for his refined style and moral themes in plays like "The Brothers" and "The Eunuch." Seneca, a philosopher and playwright, wrote tragedies but also dabbled in comedies like "The Double Indemnity."
They are called comedies. Some comedies are funnier than others. Comedies that are based on a lot of people moving very quickly, usually with multiple misunderstandings, are called farces.
Some plays we're critical of customs,politics,and people.
In the First Folio, all the plays were divided up into Comedies, Histories and Tragedies. Nobody disputes those three categories. However, some people have since felt that some of the plays do not fall easily into those categories, and they have created fourth categories. One of these is Tragicomedies, for the comedies which are somewhat sad or very sad at the end. Another is Romances, for the late comedies which have fairytale-like plots involving the breakup and reunion of families. Yet another is Problem Plays to describe plays which do not fit the ordinary categories for one reason or another.