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Almost all critics evaluate the Porter in light of both the murder which directly proceeds it, and the discovery of Duncan's corpse, which immediately follows. That is to say, as you so plainly put it, they take it as comic relief for a shocked audience.

This idea comes from the conception that Shakespeare assumes his audience will be utterly appalled by the deeds done onstage, nauseated by the amorality Macbeth and his wife display. According to this viewpoint, the Porter's drunken jesting, though low and tawdry, act as a palate-cleanser. They serve to ease the audience's discomfort, and prepare them for the further darkness to come.

However, some scholars, myself included, interpret it in different views. Thomas de Quincey, for example, wrote a piece entitled "On the Knocking at the Gate in Macbeth," wherein he argued that the entirety of the porter scene is to set up a contrast with the porter, thereby to reveal the nature and gravity of Macbeth's crime.

I personally identify the Porter's speech (II.3.788-97) as an allegory for the witches' promise and Macbeth's act. In fact, I'm writing my thesis on it. My theory is Shakespeare hid his own voice in the Porter's jest, his own view on Shakespeare's amorality. Like a drink, murder makes Macbeth yet mars him. It stands him to the deed, and then abandons him to his results. Once persuaded, now disheartened, Macbeth has been given the lie, and left to fate.

I would not put it past the Bard to fully intend all three of these positions to be valid. Any break from the gore is a valued reprieve, and no doubt gives the audience time to evaluate for themselves Macbeth's dark desires and deeds. But to do both of these, and at the same time make a subtle statement about the consequences of breaking with morality? That's the sign of a master at work.

Hope this helps!

-John Hilyard

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