Simply put, he doesn't.
If you look closely Inferno is the only part of the Comedy which does not have 33 cantos but instead 34.
On a related note Virgil never mentions God's name in the unholy land.
A playwright must choose which actors would best portray Dante and Virgil in his new production of Dante’s inferno
Side-by-side images of Blake and Doré's depictions of the same scene from the Inferno, displayed in slideshow software
Shakespeare and Dante significantly shaped modern language through their innovative use of vocabulary, syntax, and poetic form. Shakespeare expanded the English lexicon by coining new words and phrases, many of which are still in use today. Similarly, Dante's "Divine Comedy" not only established the Tuscan dialect as the basis for modern Italian but also introduced profound themes and imagery that resonate in contemporary literature. Together, their works enriched linguistic expression and set foundational standards for narrative and poetic structure in modern languages.
St. George (a day of joy & celebrating by building a fire & use it as holy water than you/they feast)
"Ni!" (practically "nee", but with a shorter "ih" sound)Their use of the word is evidently a fearsome weapon.
shamrock
The Inferno can be seen as both a biting political statement and one man's spiritual journey. While Dante did use the poem to critique his enemies in Florence and comment on political issues of his time, the main focus is on his personal spiritual journey through Hell to find salvation and enlightenment. The dual nature of The Inferno allows for interpretations that encompass both perspectives.
Holidays in hell is package tour of traveler's tales from places as appealing as the inner circles of dante's inferno.
St. Patrick used the concept of the shamrock, a three-leafed plant, to teach the Holy Trinity - the idea that God is three persons in one: the Father, the Son, and the Holy Spirit.
No, the word 'Trinity' is not in the King James Bible. The use of the term Holy Trinity began with the Council of Nicaea in 325, when it agreed that God the Father, Jesus and the Holy Ghost formed a Holy Trinity. In modern Bibles, 1 John 5:7 refers indirectly to the concept of the Trinity, but this was never in the early Greek manuscripts, only appearing in the Latin translation of the fifth century, after the Trinity doctrine had been accepted.
Dante wrote Dante's Inferno which was a satire. It pointed out many flaws of society at the time. Jonathan Swift was an Irish satirist who wrote Gulliver's Travels. Marcus Aurelius was a Roman Emperor who wrote Meditations. Dante's Inferno and Swift's satirical works criticized society for its major flaws. Mediations was about self exploration and achieving a higher level of intelligence or enlightenment. These works highlight what is wrong with the society Bradbury creates in Fahrenheit 451.
The shamrock - one leaf, three parts.
Ray Bradbury used references to Dante's "Inferno" in Fahrenheit 451 to draw parallels between the journey of self-discovery and enlightenment in both works. By incorporating elements of Dante's epic poem, Bradbury adds depth and complexity to his own exploration of themes such as knowledge, society, and individuality. The use of Dante helps to emphasize the transformative journey that the protagonist, Montag, goes through in the novel.
St. Patrick is known as the "Apostle of Ireland" and legend says he did use the Shamrock as a tool to describe the Trinity.
Dante's Inferno is a journey through the circles of Hell, guided by Virgil. The punishments in each circle are specific to the sins committed, mirroring the concept of divine justice. Dante's encounters with various historical figures and his exploration of the moral consequences of sin reflect his views on human nature and his Christian beliefs.
In Cantos 8 and 9 of Dante's Inferno, some literary devices include allegory, metaphor, and imagery. The use of allegory helps convey deeper symbolic meanings, while metaphors create vivid comparisons between different elements. Imagery is also prominent, painting vivid pictures and evoking strong emotions in the reader.
A playwright must choose which actors would best portray Dante and Virgil in his new production of Dante’s inferno