The theaters were not kept too far from the city, but did catch fire often because they were wooden and used a tallow candles to light the stage. Fires often happened in theaters for one reason or another so it was better to have space between them and another building. Once a fire starts in a city it grows very quickly and will burn everything very fast.
There is no such thing as a "Shakespeare Theatre". Shakespeare performed in theatres, and even invested some money in a couple, but he was not associated with the construction or design or ownership of theatres in his day, or even nowadays. In Shakespeare's day, the theatres in and around London were built either north of the city limits (The Theatre, The Curtain, The Fortune) or south of the river in Southwark (The Rose, The Globe, The Swan) because the city fathers would not permit the construction of a theatre in the city limits. Indoor playhouses, at first for the companies of child actors and later for adult companies were built inside the city over time. Certain Inns (such as the Bel Savage and the Cross Keys) were licenced for theatrical productions in the city in the early part of Shakespeare's career.
The outdoor theatres were not built in London, but in settlements around London in Shakespeare's time. The Globe, The Rose, The Swan and the Hope were in Southwark, just south of the river. Newington Butts was in Newington, south of Clapham. The Theatre, The Curtain and The Fortune were built North of the city in Shoreditch and Clerkenwell. The indoor theatres were built in London but were subject to strict control by the city fathers. Even though the Burbage's owned the Blackfriars, the King's Men were not allowed to use it until 1608 because the City had banned performances by adult companies.
William Shakespeare mainly worked for and later part-owned a theatre company called the Lord Chamberlain's Men. The company was sponsored by the same person whose name it bore. The company operated principally out of theatres in London, or rather in the suburbs of London since large theatres were not allowed in the city itself.
In Elizabethan times there were actually city ordinances prohibiting the building of theatres within the city (there were no city walls around sixteenth-century London). Think of it as a zoning ordinance. The city fathers thought that theatres created traffic problems and contributed to the spread of crime and disease (although they did not worry about churches, strangely enough). Therefore the theatres were built in the suburbs.
They were closed a couple of times in the 1590's because there was an outbreak of the bubonic plague in the City, and it was thought that disease would spread more if the theatres were open. The actors then went on tour of the country and Shakespeare made himself rich writing long poems like Venus and Adonis.
The Globe Theatre was on the south bank of the Thames in the borough called Southwark. The Blackfriars Theatre was in London. Shakespeare had an interest in both of these theatres.
There is no such thing as a "Shakespeare Theatre". Shakespeare performed in theatres, and even invested some money in a couple, but he was not associated with the construction or design or ownership of theatres in his day, or even nowadays. In Shakespeare's day, the theatres in and around London were built either north of the city limits (The Theatre, The Curtain, The Fortune) or south of the river in Southwark (The Rose, The Globe, The Swan) because the city fathers would not permit the construction of a theatre in the city limits. Indoor playhouses, at first for the companies of child actors and later for adult companies were built inside the city over time. Certain Inns (such as the Bel Savage and the Cross Keys) were licenced for theatrical productions in the city in the early part of Shakespeare's career.
The outdoor theatres were not built in London, but in settlements around London in Shakespeare's time. The Globe, The Rose, The Swan and the Hope were in Southwark, just south of the river. Newington Butts was in Newington, south of Clapham. The Theatre, The Curtain and The Fortune were built North of the city in Shoreditch and Clerkenwell. The indoor theatres were built in London but were subject to strict control by the city fathers. Even though the Burbage's owned the Blackfriars, the King's Men were not allowed to use it until 1608 because the City had banned performances by adult companies.
William Shakespeare mainly worked for and later part-owned a theatre company called the Lord Chamberlain's Men. The company was sponsored by the same person whose name it bore. The company operated principally out of theatres in London, or rather in the suburbs of London since large theatres were not allowed in the city itself.
Just outside London. Some were to the south, in Southwark and the liberty of the Clink, and Newington even farther south. And others were to the north, in an area called Bishopsgate or Shoreditch, and also in the area called Cripplegate. But not actually in the City of London, because the City Fathers did not approve of theatres.
London
Shakespeare is not known to have had any enemies personally, unless you count Robert Greene, but the theatre business as a whole was under attack in Shakespeare's day. It would be better perhaps to leave Shakespeare out of it and ask who were the main enemies of the theatre industry in Elizabethan and Jacobean England. The answer is that there were two: City Fathers and Puritans.City fathers objected to the presence of theatres in the city because they drew crowds, which caused traffic jams, encouraged crime (as in pickpocketing) and the spread of communicable disease. Political correctness kept them from seeing that the same was true of the churches. The churches, however, were not usually host to brawls or inflammatory speeches as theatres sometimes were. All in all, the City of London did not allow the big public theatres to be built there so they had to be built in the seedier suburbs to the north and south.The Puritans hated theatre because they were opposed to people having a good time. Instead of watching the plays in the theatre, they felt that people should go to church and listen to sermons for three hours at a stretch instead.
Then as now, it's London.
In Elizabethan times there were actually city ordinances prohibiting the building of theatres within the city (there were no city walls around sixteenth-century London). Think of it as a zoning ordinance. The city fathers thought that theatres created traffic problems and contributed to the spread of crime and disease (although they did not worry about churches, strangely enough). Therefore the theatres were built in the suburbs.
They were closed a couple of times in the 1590's because there was an outbreak of the bubonic plague in the City, and it was thought that disease would spread more if the theatres were open. The actors then went on tour of the country and Shakespeare made himself rich writing long poems like Venus and Adonis.
Avignon is home to approximately 40 theatres, which includes a mix of established venues and temporary spaces that pop up during the annual Festival d'Avignon. The city is renowned for its vibrant arts scene, particularly during this festival, attracting artists and audiences from around the world. The theatres vary in size and style, contributing to Avignon's reputation as a cultural hub.
Paris was the second-largest city in Europe, about 450,000 in 1600.