According to Aristotle, the audience should feel pity for the tragic hero and fear that the same fate could befall them.
According to Aristotle, the tragic flaw, or "hamartia," is a character trait in a tragic hero that leads to their downfall. This flaw is often hubris, or excessive pride, which causes the hero to ignore warnings or make fatal mistakes. Aristotle believed that the audience should feel pity and fear for the hero as they suffer the consequences of their flaw.
Aristotle's audience would say that an action is virtuous when it strikes a balance between extremes, as per his doctrine of the Golden Mean. They would also acknowledge the importance of ethics in achieving eudaemonia, or human flourishing.
Aristotle believed that a tragedy, as a form of art, should evoke fear and pity in the audience, leading to a purging or cleansing of these emotions. This process, known as catharsis, serves to provide a sense of emotional release and clarity, allowing the audience to experience a deeper understanding and connection with the human experience portrayed in the tragedy.
joy
Aristotle's statement about a clear beginning, middle, and end in a plot reflects the concept of unity of action in literature, where all elements of the story serve to advance the plot. By having a distinct structure with a cohesive storyline, the audience can better engage with the narrative and its development.
Pity and fear
Pity and fear
According to Aristotle, the audience should feel both fear and pity while watching a tragedy. This emotional response, known as catharsis, allows the audience to experience a release of those emotions and gain a sense of emotional purification or relief.
The audience should feel the protagonist suffers more than he or she deserves.
anger, joy, revenge
According to Aristotle, the tragic flaw, or "hamartia," is a character trait in a tragic hero that leads to their downfall. This flaw is often hubris, or excessive pride, which causes the hero to ignore warnings or make fatal mistakes. Aristotle believed that the audience should feel pity and fear for the hero as they suffer the consequences of their flaw.
According to Aristotle, music could be made for people to feel a range of emotions, including pleasure, joy, and even catharsis through the expression of pathos. He believed that music has the power to evoke feelings that can lead to moral and emotional development. Aristotle also suggested that music could serve as a means for individuals to experience and understand their emotions more deeply, enhancing their overall well-being.
Aristotle's audience would say that an action is virtuous when it strikes a balance between extremes, as per his doctrine of the Golden Mean. They would also acknowledge the importance of ethics in achieving eudaemonia, or human flourishing.
Aristotle believed that a tragedy, as a form of art, should evoke fear and pity in the audience, leading to a purging or cleansing of these emotions. This process, known as catharsis, serves to provide a sense of emotional release and clarity, allowing the audience to experience a deeper understanding and connection with the human experience portrayed in the tragedy.
Aristotle directs his hand down due to his philosophy. He believed that the only reality is that of which one can truly experience, see, and feel.
According to Aristotle, music has the power to evoke a range of emotions and can influence the listener's mood and behavior. He believed that different musical modes could elicit specific feelings, such as sadness, joy, or fear. Music, in Aristotle's view, serves not only as a form of entertainment but also as a means of moral and emotional education, shaping the character of individuals and society. Ultimately, he saw music as a significant tool for emotional expression and psychological influence.
joy