Iago uses everyone in the play. It is the only way that he can relate to people. He uses Roderigo as a source of money. He uses Cassio to set up Desdemona. He uses Desdemona's kindness to give him an opportunity to use Othello, and he uses Othello in order to destroy both him and Desdemona. He then uses Roderigo to destroy Cassio. He uses his wife Emilia to get Desdemona's handkerchief.
Iago is a psychopath. He does not care about anyone except himself and he is extremely adept at manipulating others. He is so good at appearing to be whatever he wants to be that everyone is taken in and thinks he is an "honest fellow".
Othello.
If you're referring to Iago, then he was in Othello.
Iago is a major character in Shakespeare's play Othello.
Iago (not Lago!) says in the play 'Othello' "I am not what I am". This is insinuating that he is acting and hiding the person who he really is. He is pretending to be someone he is not.
122
Desdemona goes to Lago for advice about what to do about Othello's accusations. This is when Othello asks Emilia to go and find Desdemona while accusing her of harlotry.
Iago's plan in Shakespeare's "Othello" was to manipulate Othello into believing that his wife, Desdemona, was unfaithful in order to seek revenge on Othello for promoting Cassio over him. He wanted to destroy Othello's happiness and reputation.
Rodrigo is stabbed by cassio and killed. Bianca does not die.
At the beginning of the play, they make a lot of noise under Brabantio's window, and when they get his attention, they make scurrilous accusations against Othello, that he has ravished Desdemona.
Othello could have avoided all the pain Iago's lies caused him by simply believeing in the love Desdemona had for him. If Othello were to have been less insecure and jealous than Iago would not have been able to trick him.
no they are just trying to get othello jealous and get him away from Desdemona.
In Shakespeare's play "Othello," the character Iago's name is typically pronounced as "ee-AH-go" or "YAH-go," with the emphasis on the second syllable. This pronunciation reflects the Italian origins of the name, aligning with the play's Venetian setting. The correct pronunciation is important for capturing the character's complexity and cunning nature.