An Italian Sonnet consists of 14 lines divided into an octet (8 lines) and a sestet (6 lines). The rhyme scheme for an Italian Sonnet is typically ABBAABBA for the octet and either CDCDCD or CDECDE for the sestet.
Rhyme scheme. An Italian sonnet is clearly divided into an octet (an eight-line section) and a sestet (a six line section). The octet always has the rhyme pattern ABBAABBA. English sonnets, on the other hand, although they are sometimes in an octet/sestet form, are often in the form of three quatrains and a couplet. They are less likely to use repeated rhymes in the quatrains.
The type of lyric poetry that includes a volta is a sonnet. A volta is a shift in thought or argument in the poem, often occurring between the octet and sestet in an Italian (Petrarchan) sonnet, or after the octave in an English (Shakespearean) sonnet.
A sonnet has fourteen lines as a rule. The Petrarchan sonnet is divided into an octet of eight lines, which sets up the point to be considered, and the sestet of six lines, which comments on it. Such a structure can also be found in Shakespearean sonnets, which generally appear as three quatrains of four lines and a couplet of two. In some cases the first two quatrains act as an octet and the remainder as a sestet. In others all three quatrains express the situation and only the couplet comments on it.
The first 8 lines of a sonnet are called the octet.
Well, a sonnet is a poem of exactly 14 lines. There is no exact synonym, but I suppose "poem" comes closest. Sonnets are usually 3 quatrains and a couplet, but sometimes and octet plus a sestet. But that probably doesn't help with synonyms.
A volta, also known as the turn, is a shift or a change in thought or argument in a sonnet. It typically occurs between the octet and the sestet in an Italian or Petrarchan sonnet, or at the third quatrain in an English or Shakespearean sonnet. The volta marks a transition in the poem's subject matter or tone, offering a new perspective or resolving a conflict presented earlier in the poem.
Sonnet form can provide structure and discipline for expressing complex ideas or emotions. Its specific rhyme scheme and meter can create a sense of unity and coherence, while the constraints of the form can challenge a writer to craft language in a precise and impactful way. Additionally, the tradition and history of the sonnet can add depth and meaning to a poem.
Sonnets always have 14 lines. The difference is in their format. The Shakespearean(or Elizabethean) sonnet has 3 quatrains which means 3 'blocks' of 4 lines and at the end it has 2 lines (a duet). A suggested rhyme scheme could be ABAB CDCD EFEF GG. ABAB is one quatrain. The Italian sonnet on the other hand consists of an octet followed by a sestet. An octet is a ''block'' of 8 lines and a sestet is a ''block'' of six lines. Notice that in a sonnet these 'blocks' don't have a line being skipped between them, they are just the way in which they are grouped.
The term "sonnet" derives from the Provençal word sonet and the Italian word "sonetto," both meaning "little song." By the thirteenth century, it had come to signify a poem of fourteen lines that follows a strict rhyme scheme and specific structure. The conventions associated with the sonnet have evolved over its history
A sonnet is a poem with distinct rhyming characteristics, initially a format for ballads (songs). Normal sonnets contain 14 lines. Some of the more famous sonnets were 154 poems by William Shakespeare, first published in 1609.
All of Shakespeare's sonnets were the same length. By its very nature a sonnet is only 14 lines long. Shakespeare adhered to what is now called the Elizabethan Sonnet structure. It is composed of three quatrains (four lines with an ABAB rhyme scheme) with a couplet (two ryhming lines, CC) at the end. Thematically, there is generally a turn at the 9th line, a change in tone, voice or mood of the poem's speaker. The couplet tends to offer resolution or conclusion to the sonnet. There are several other forms of sonnet, including the Petrachan, or Italian, which is made up of an octet followed by a sestet, or the Spensarian, named after Edmund Spenser, with its own elaborate rhyme scheme.