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i actually wrote a death poem so imma just tell yall.
take a knife and cut me up
if you hate me then you wont stop
make me feel the pain within
as your slitting through my skin
makes me feel weaker as i bleed
for your mercy make me plead
hear me screaming in the dark
as you leave your painful mark
blood is running down my face
as my beauty you erase
trying to cut through my every vein
on your shirt your leaving stains
i wish you knew i didnt care
if you cut me everywhere
you can slit my skin apart
but you cant cut
through my broken heart.
What else can I help you with?
Can you write me an iambic pentameter love poem?
can you write me an iambic pentameter love poem by sunday? can you make it look like its written by a 11 year old, please? thanks. x
How can I ensure my writing flows with grace, using an iambic pentameter checker?
To ensure your writing flows gracefully with iambic pentameter, you can use an iambic pentameter checker tool to analyze the rhythm and meter of your writing. This tool will help you identify any inconsistencies or errors in the iambic pattern, allowing you to make necessary adjustments to improve the flow and grace of your writing.
What pattern is used to make a shakespearean sonnet?
They are iambic pentameter with a rhyme scheme of ababcdcdefefgg.
How can I use an iambic checker to ensure the rhythm of my poetry is in iambic pentameter?
To ensure your poetry follows iambic pentameter, use an iambic checker tool to scan your lines for the correct pattern of stressed and unstressed syllables. This tool will help you identify any deviations from the iambic rhythm and make necessary adjustments to maintain the desired meter in your poetry.
What effect Shakespeare's uneven use of iambic pentameter have on the reader?
Certain lines stand out. Making them seem more important than others
Why did Shakespeare choose to write this play in the meter of iambic pentameter?
besides the fact that everyone used it so it was natural, the @p3x answer is, "He wanted it to have a more natural, lyrical flow that is pleasing to the ear."
What part of speech is stressed in an iambic pentameter?
ANSWER:To learn if your poem is in iambic pentameter, an understanding of iambic and pentameter is required.Iambic:To achieve the " iambic " you need a word that you choose not to emphasize followed immediately by a word that you choose to emphasize.For example: the boyTo make ' the boy ' iambic, the word ' the ' must be spoken lightly [unemphasized] and the word ' boy ' must be spoken firmly [emphasized].That is: the boyOther examples: a lamb; my pie; yan-keePentameter:Place five iambics consecutively and you have pentameter.Example of iambic pentameter from modified Shakespeare:to be or not to be that is to seeto be / or not / to be / that is / to see1 / 2 / 3 / 4 / 5
Why did shakespeare write in iambic pentameter?
In 1573, as part of his new religious reforms (because he had just become Pope in 1572) Pope Gregory XIII instituted the Catholic practice that all secular poetry was required to be written in iambic pentameter in order to encourage primarily religious work. By the time William Shakespeare was of age to begin seriously writing poetry, it had become common practice to use primarily iambic pentameter in any work worthy of reading. Because of this, he adopted the practice of writing in iambic pentameter. Interestingly, the pattern of stressed and unstressed syllables in iambic pentameter mirrors the way most people naturally speak. This writing pattern, embraced by Shakespeare, makes the Old English verse sound more conversational, and more familiar to modern listeners.
What are some examples of iambic pentameter in song lyrics?
nig
In hamlet why is there accents on words?
The play is written partially in iambic pentameter which is 10 syllables per line that are unstressed syllables followed by a stressed one so to make it work he has to put accents on certain parts of words a lot of the time it is -ed.
What is the intended effect of the iambic pentameter?
It usually only has an effect if it is read aloud. Iambic pentameter affects how the rhythm of the line goes when it is read. Some poetry is written to be read, and if it is just observed on a page, it loses some of its power. Well that doesnt really explain what Iambic Pentameter is ..... Iambs are pairs of syllables which can be short and long, or unstressed and stressed. When spoken aloud, an iamb follows a "ba-DUM" pattern, with the first syllable being short or unstressed and the second syllable being long or stressed. In iambic pentameter, there are five iambs in each line, creating a "ba-DUM ba-DUM ba-DUM ba-DUM ba-DUM" sound which is very regular and rhythmic. The verses may also be designed to rhyme with each other, using a variety of rhyming schemes ranging from creating rhyming couplets to complex interconnected rhymes which unfold over the course of the composition. ambic pentameter is a form of rhythm which appears in poetry, songs, and some prose compositions. It is most closely associated with poetry, especially English poetry, which lends itself very well to this particular form of rhythm. One of the most notable writers who worked in iambic pentameter was William Shakespeare, who was fond of it for both his sonnets and his plays, in which characters classically spoke in verse. (although Shakespeare also wrote in Pro's) Many forms of meter use iambs, because they are easy and natural to say. When poets compose new work, they think about the way that syllables will sound together, looking for words which harmonize and create the iambic pattern, whether they are working in iambic pentameter or another form of meter. If the syllables clash with each other, they can make the piece feel stiff, stilted, or unsettling, which can be undesirable unless it is a deliberate effect which is designed to evoke specific emotions in the reader or listener.
Who introduced iambic pentameter?
Iambic pentameter is a meter in poetry, consisting of lines with five feet (hence "pentameter") in which the iamb (or "iambus") is the dominant foot (hence "Iambic"). Iambic rhythms are quite easy to write in English and iambic pentameter is among the most common metrical forms in English poetry. Like other meters, it has its origins in Greek poetry. William Shakespeare, like many of his contemporaries, wrote poetry and drama in iambic pentameter. Here is an example from his Sonnet XVIII: Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: When read aloud, such verse naturally follows a beat. There is some debate over whether works such as Shakespeare's was originally performed with the rhythm prominent, or whether it was disguised by the patterns of normal speech as is common today. In written form, the rhythm looks like this: da-DUM da-DUM da-DUM da-DUM da-DUM (weak STRONG / weak STRONG / weak STRONG / weak STRONG / weak STRONG) Shall I com - PARE thee TO a SUM mer's DAY Although strictly speaking, iambic pentameter refers to five iambs in a row (as above), in practice, most poets vary their iambic pentameter a great deal, while maintaining the iamb as the most common foot. The second foot of a line of iambic pentameter is almost never altered. The first foot, on the other hand, is the most likely to be changed, often in order to highlight a particular word or mark a shift in a poem. An iambic inversion, in which a trochee is substituted for an iamb in the first foot, is perhaps the most common alteration of the iambic pentameter pattern. Here is the first quatrain of a sonnet by John Donne that demonstrates how poets use variations in their iambic pentameter: Batter my heart three-personed God, for you as yet but knock, breathe, shine and seek to mend. That I may rise and stand o'erthrow me and bend Your force to break, blow, burn and make me new. The rhythm is: DUM da | da DUM | da DUM | da DUM | da DUM da DUM | da DUM | DUM DUM | da DUM | da DUM da DUM | da DUM | da DUM | DUM DUM |dada DUM da DUM | da DUM | DUM DUM | da DUM | da DUM Donne uses a trochaic inversion in the first line to stress the key verb, "batter," and then sets up a clear iambic pattern with the rest of the line (da DUM da DUM da DUM da DUM). He uses spondees in the third foot to slow down the rhythm when he lists verbs in lines 2 and 4. The parallel rhythm and grammar of these lines highlights the comparison Donne sets up between what God does to him "as yet" (knock, breathe, shine and seek to mend"), and what he asks God to do ("break, blow, burn and make me new"). Donne also uses enjambment between lines 3 and 4 to speed up the flow as he builds to his desire to be made new. To further the quickening effect of the enjambment, Donne puts an anapest (dada DUM) in the final foot, carrying you to the next line. The other common departure from standard iambic pentameter is the addition of a final unstressed syllable. This is known as a weak or feminine ending. The most famous line of iambic pentameter of them all is hendecasyllabic (eleven syllables): To be, or not to be: that is the question. Here, the rhythm is : da DUM | da DUM | da DUM | DUM da | da DUM | da Also note the trochaic inversion of the fourth foot, helped by the caesura following the second 'to be.' Most poets who have a great facility for iambic pentameter frequently vary the rhythm of their poetry as Donne and Shakespeare do here, both to create a more interesting overall rhythm and to highlight important thematic elements. In fact, the skillful variation of iambic pentameter, rather than the consistent use of it, may well be what distinguishes the rhythmic artistry of poets like Donne, Shakespeare, Milton, and the 20th century sonneteer Edna St. Vincent Millay. The answer is: 'Henry Howard, Earl of Surrey, introduced the metre, along with the sonnet and other Italian humanist verse forms, to England in the early 16th century. Thomas Sackville and Thomas Norton used blank verse for the first English tragic drama, Gorboduc (first performed 1561), and Christopher Marlowe developed its musical qualities and emotional power in Tamburlaine, Doctor Faustus, and Edward II.' from http://www.britannica.com/shakespeare/article-9015598 Although this is a description of blank verse, blank verse is in iambic pentameter and Henry Howard, Earl of Surrey is the first person to use it as an adaptation of the alexandrine meter. See also http://theliterarylink.com/versification.html ------------ Chaucer used iambic pentameter in the 14th century!
