A limerick must have 5 lines whose first two lines must rhyme with the last and whose third and fourth line must rhyme (rhyme scheme AABBA).
An example:
There was an old man from Peru
Who dreamed he was eating his shoe
He woke in the night
With a terrible fright
To find it was perfectly true.
Limericks also traditionally have a specific meter, often anapestic (u u /), and there are usually three metered feet (three syllables each) in lines 1, 2 and 5, and two metered feet in lines 3 and 4, although the exact syllables and meter vary a little... getting the rhythm of the lines is more important, and so we might say a word faster or slower as we fall into the rhythm of it. In the example above, for instance, there are only 5 syllables in line 4 and 6 syllables in line 5. But in saying it, we have a tendency to draw out the "woke" almost like it were the word "awoke," to make it fit the meter. Lines 1, 2, and 5 in this example also only have eight syllables because of the catalectic (headless) feet at the beginning of each line.
A free verse poem can have any number of stanzas, as there are no specific rules or requirements for stanzas in free verse poetry. It is up to the poet to decide on the structure and form of the poem.
Free verse poems do not have specific rules or structures that dictate the use of stanzas. However, they may still contain stanzas if the poet chooses to organize the poem in that way for a specific effect or purpose. Ultimately, the decision to include stanzas in a free verse poem is left to the poet's discretion.
structured verse
Two or more lines that make up a section of a poem. They are usually separated by a space. In a song or hymn you would probably call it a verse.
There are 8 stanzas
If talking of the organization then it is free verse and the stanzas are by the changes of events.
121 verses that is 121 stanzas
I'm pretty sure there's 9 stanzas
there are 5 stanzas there are 10 lines
A free verse poem can be divided into stanzas of varying lengths. The structure is more fluid compared to traditional forms, allowing the poet to experiment with breaks and line breaks to create emphasis and convey meaning in a more organic way.
There are 6 stanzas in "in Paris with you" by James fenton
eight syllables in one verse four verses in one stanza four stanzas in one calavera