how the houses that the narrator or little girl dreams of becomes an obsession she referrers to her dream house as Real house, the narrator is showing how she is not happy with the other houses even ashamed.
The three sisters who examine Esperanza's hand and foretell her future call to mind the Fates - the three ancient sisters in Greek mythology who spin, measure, and cut short the thread of every human life.
The garden near Esperanza's house comes into play at a significant time of her life. She's caught in that awkward period of adolescence where she still wants to act like a little kid, but she's also starting to think about grown-up things like sex. Sounds like she's poised for a loss-of-innocence moment in grand Garden of Eden style.
An example of hyperbole in "The House on Mango Street" is when Esperanza describes her new high-heeled shoes as "magic." This is an exaggerated statement meant to convey the idea that she feels transformed or special when wearing them.
The House on Mango Street was created in 1991-04.
"The house on Mango Street isn't good. You don't want to know the rest." - Sandra Cisneros, "The House on Mango Street"
"The House on Mango Street" contains vivid imagery that evokes the sights, sounds, and smells of the narrator's neighborhood. Images of the red clowns painted on the side of a row of houses, the broken down cars in the front yards, and the swirling skirts of a woman dancing at a wake all contribute to the rich sensory experience of the text.
In "The House on Mango Street," foreshadowing can be seen in the references to Sally's abusive husband, which hint at the challenges she will face in her marriage. Additionally, Esperanza's desire to leave Mango Street and seek a better life foreshadows her eventual growth and transformation as she pursues her dreams.
In the story of the House on Mango Street, the friends of Esperanza were Cathy and Sally.
In the novel "The House on Mango Street," the main character, Esperanza, moves to Mango Street with her parents, two younger siblings, and her brother. So a total of six family members moved to Mango Street.
Some literary devices used in "The House on Mango Street" include imagery, symbolism, metaphor, and repetition. Sandra Cisneros uses these devices to convey themes of identity, culture, and belonging in her novel.
No, The House on Mango Street is not the kind of house Esperanza always wanted. She dreams of a larger, more permanent home that is not associated with the poverty and limitations of Mango Street. The house on Mango Street represents the struggles and constraints she longs to break free from.
Sandra Cisneros, a Mexican-American writer from Chicago, wrote "The House on Mango Street."
Some examples of personification in "Louie, His Cousin and His Other Cousin" from "The House on Mango Street" include the reference to the car being a "horse" and "wild" to describe its behavior, the statement that the car broke down "like a horse" when it failed, and the use of the phrase "the roaches" to describe the police cars chasing the stolen car. These personifications help to create vivid and engaging imagery in the story.
Her previous homes were temporary and lacking in stability, while the house on Mango Street was meant to be permanent. The house on Mango Street was a symbolic representation of the family's aspirations for a better life, whereas her previous homes were a reminder of their struggles and limitations. The house on Mango Street offered Esperanza a sense of belonging and identity, which she did not find in her previous homes.