Elie Wiesel uses imagery such as "walking corpses" and "eyes that had already seen too much" to describe the prisoners in concentration camps. He also describes them as emaciated, haunted, and devoid of hope.
Wiesel uses the word "piteous" to describe the childlike state of his father in the concentration camp.
bridal bed
He was good
you could describe their clothes or how they move. if it were pairs you might say how they work together. use your imagination
He was good
The speaker uses imagery of a summer day, flowers in bloom, and music playing to describe the girl as vibrant, beautiful, and full of life.
Very coarse and bestial imagery. "Your daughter and the Moor are now making the beast with two backs."
He returns to the image of himself as a young boy
The author, Elie Wiesel, describes their cattle car as being like a "sealed cattle wagon." This metaphor signifies the dehumanizing conditions the prisoners faced during their transportation to the concentration camp, emphasizing their confinement, helplessness, and lack of basic rights.
Elie Wiesel used the image of "the abandoned homes" to symbolize loss, emptiness, and the destruction of normal life during the Holocaust. This image conveys a sense of desolation and the feeling of being uprooted from one's past.
Europeans might describe the encounter with the Taino using sensory imagery such as the smell of unfamiliar spices and tropical fruits, the sight of vibrant colors in clothing and decorations, the sound of exotic music and unfamiliar languages, and the feel of warm, humid air against their skin.
The prisoners were sentanced by the severity of their crimes.