My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends--
It gives a lovely light!
Edna St. Vincent Millay's poem First Fig is playful and defiant - even cheeky would not be too strong a word for its tone.
The 1920's saw the new century's first wave of hedonism. The horrors of the first World War, and then the Spanish 'Flu persuaded many young people (especially in the USA) to live for the moment without a thought for tomorrow (between 1914 and 1921 many young people had discovered that tomorrow never comes). The amorality of this period scandalised the forces of conservatism in contemporary society.
A useful poem to compare with this one is a similarly short piece from the same period, credited to Eric Gill in England:
"If the skirts get any shorter,"
Said the Flapper, with a sob,
"There'll be two more cheeks to powder,
And one more place to bob."
Edna St. Vincent Millay gleefully identified herself with the modern sensualism, establishing herself as a spokeswoman for the new woman, with her cults of freelove, financial independence, and smoking. The gambit won Millay a quick and easy notoriety.
Later in her career Millay became an altogether more serious sort of poet - she was one of the first public intellectuals to criticise the USA's early appeasement of the Nazi régime. But sadly, her reputation as a good-time girl stayed with her - and few people took her seriously.
sarcastic
The fragmented structure and introspective tone of the poem "What lips my lips have kissed, and where, and why" by Edna St. Vincent Millay reflect Modernist characteristics. The focus on fleeting emotions, personal reflection, and the theme of loss and longing are also typical aspects of Modernist poetry.
how does millay use rhyme and rhythm to create a musical tone in her poetry
The focus of the poem "Afternoon on a Hill" by Edna St. Vincent Millay is on the beauty and tranquility of nature. The poet describes a peaceful moment in nature where she feels a deep connection to the environment around her, emphasizing the calming effects of being in such a serene setting.
Phonetically (not pinyin), it sounds like: ee fin zhongee = first inflection "--" (flat tone)fin = first inflection "--" (flat tone)zhong = first inflection "--" (flat tone)
wai (fourth/high tone) - jai (first/mid tone)
"Tone" in Norwegian means note or sound.
Franchot Tone is pronounced as "Fran-sho Tohn." The first part, "Franchot," rhymes with "piano," while "Tone" is pronounced like the English word "tone."
yi (first tone), er (fourth tone), san (first tone), si (4th tone), Wu (3rd tone), lio (4th tone), qi (1st tone), ba (1st tone) jio (3rd tone) shi (2nd tone) tones: 1st-high, level pitch 2nd-rising pitch 3rd-low dipping pitch 4th-abruptly falling in pitch pronunciation: ee, are, san, su, woo, Leo, chee, ba, jeo, sure
The first step is to identify key words and phrases in the text that contribute to the tone. Look for words that convey emotions or attitudes, and consider how they influence the overall tone of the writing.
In Mandarin Chinese, there are four main tones: first tone (high and level), second tone (rising), third tone (falling-rising), and fourth tone (sharp-falling). There is also a neutral tone and a half-third tone, making a total of six "tones" for pronunciation.
The rhetorical energy and political tone of Public Enemy's "Fight the Power" is first established by