Metre
The key term for a repeating pattern of rhythm and rhyme is "meter." Meter refers to the rhythmic structure of a poem, created by the pattern of stressed and unstressed syllables in each line, and rhyme scheme refers to the pattern of rhymes at the end of lines in a poem.
"Bars" refers to a musical term indicating the organization of music into measures, often associated with a rhythmic pattern. In the poem, "bars" in the city sounds heard after dark may refer to the rhythmic and repetitive sounds of nightlife such as music, conversations, and traffic.
In music, "shuffle" refers to a rhythmic pattern where the beats are unevenly spaced, creating a swinging or syncopated feel.
In poetry, "trimester" typically refers to a division of a poem into three parts or sections, each representing a distinct phase or theme. This structure can create a rhythmic pattern or enhance the poem's overall meaning by allowing the poet to explore different aspects of a subject. The term is not commonly used in poetry, but when applied, it emphasizes a tripartite organization.
An iambic poem is a type of meter in poetry where a line has a rhythmic pattern of unstressed and stressed syllables. It is not necessarily a lyric poem, as the term "lyric poem" refers to a poem that expresses the thoughts and feelings of the poet in a musical and emotional way. However, iambic meter is commonly used in lyric poetry.
Meter is the term used to describe the rhythm of a poem, which refers to the pattern of stressed and unstressed syllables in a line of poetry. Meter helps create the overall flow and musicality of the poem.
A caesura is a rhythmic break within a line of verse, often marked by punctuation like a comma or dash. It creates a pause for emphasis or dramatic effect within the flow of the poem.
In music, the term "groove" refers to the rhythmic feel or pattern that makes a song or piece of music catchy and easy to dance or move to. It is the underlying beat or pulse that drives the music forward and creates a sense of flow and cohesion.
An ostrinato is a musical term that refers to a repeated pattern or phrase, typically in the bass or a rhythmic motif. A classic example of an ostinato is the ground bass in Pachelbel's "Canon in D," where the bass line is repeated throughout the piece while the upper voices vary. Another example is the "Boléro" by Maurice Ravel, which features a persistent rhythmic pattern that builds in intensity over time.
Thalakarakkam is a term from Indian classical music, particularly in the context of Carnatic music. It refers to a specific rhythmic pattern or cycle that musicians use as a framework for improvisation and composition. The term emphasizes the importance of rhythm in musical performance, showcasing the intricate interplay between melody and beat.
The poetic term for matching patterns of sound is "rhyme." Rhyme occurs when words have similar sounds at the end of two or more lines in a poem. This can create a harmonious or rhythmic effect in the writing.
The term "backbeat" refers to emphasizing the second and fourth beats in quadruple meter, creating a strong rhythmic emphasis on those beats.