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"Paubari" refers to a term or title that may not have a widely recognized meaning in English. It may relate to cultural, regional, or specific contexts that are not well-documented in common sources. If you can provide more context or specify the region or subject related to "paubari," I would be glad to help further clarify its meaning or significance.

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Who are the characters of the ibalon story and their anlysis?

* *datu paubari* *alunsina* *bungot-banwa* *labaw dunggon* *angoy ginbitinan* *abyang durunuun* *humadapnon* *dumalapdap


Who Saved Halawod And Alunsina From Being Drowned In A Flood?

In the Visayan mythology, Bakunawa saved Halawod and Alunsina from being drowned in a flood. Bakunawa is a giant sea serpent believed to be responsible for causing eclipses in Philippine mythology.


What Are The Names Of The Three Sons Of Alunsina And Halowed?

The three sons of Alunsina and Halowed are named Labaw Donggon, Humadapnon, and Datu Paubari. They are central characters in various Visayan epics, particularly in the "Hinilawod" epic from the Panay Island in the Philippines. Each son embarks on their own adventures, showcasing themes of heroism, love, and the struggle against malevolent forces.


Who are the character of labaw donggon?

he died in the end.


Who are the characters in hinilawod?

Hinilawod was staged as deance-drame and was performed by Philippine Dagyaw Theater and Dance Company. The author i think wasn't known but the only living woman who could chant the entire Hinilawod was Lola Elena Gardoce, a Gawad CCP Awardee.


What are the problem in the story of ibalon?

Baltog - first hero of ibalon who defeated the Tandayag. Handyong - second hero who fought thousands of battles and defeated lots of monsters. Bantong - third hero of ibalon, a good friend of Handyong.


What is the Spanish influence in Philippine art?

The variety and abundance of Philippine literature evolved even before the colonial periods. Folk tales, epics, poems and marathon chants existed in most ethnolinguistic groups that were passed on from generations to generations through word of mouth. Tales associated with the Spanish conquest also took part in the country's rich cultural heritage. Some of these pre-colonial literary pieces showcased in traditional narratives, speeches and songs are Tigmo in Cebuano, bugtong in Tagalog, patototdon is Bicol and paktakon in Ilongo. Philippine epics and folk tales are varied and filled with magical characters. They are either narratives of mostly mythical objects, persons or certain places, or epics telling supernatural events and bravery of heroes, customs and ideologies of a community.Below are examples of ethno-epics popularized by different ethnic groups in the country : Biag ni Lam-ang (Life of Lam-ang) of the Ilocanos narrates the adventures of the prodigious epic hero, Lam-ang who exhibits extraordinary powers at an early age. At nine months he is able to go to war to look for his father's killers. Then while in search of lady love, Ines Kannoyan, he is swallowed by a big fish, but his rooster and his friends bring him back to life.The Agyu or Olahing of the Manobos is a three part epic that starts with the pahmara (invocation) then the kepu'unpuun ( a narration of the past) and the sengedurog (an episode complete in itself). All three parts narrate the exploits of the hero as he leads his people who have been driven out of their land to Nalandangan, a land of utopia where there are no landgrabbers and oppressors.Sandayo, of the Subanon tells of the story of the hero with the same name, who is born through extraordinary circumstances as he fell out of the hair of his mother while she was combing it on the ninth stroke. Thence he leads his people in the fight against invaders of their land and waterways.Aliguyon or the Hudhud of the Ifugaos tells of the adventures of Aliguyon as he battles his arch enemy, Pambukhayon among rice fields and terraces and instructs his people to be steadfast and learn the wisdom of warfare and of peacemaking during harvest seasons.Labaw Donggon is about the passionate exploits of the son of a goddess Alunsina, by a mortal, Datu Paubari. The polygamous hero battles the huge monster Manaluntad for the hand of Abyang Ginbitinan ; then he fights Sikay Padalogdog, the giant with a hundred arms to win Abyang Doronoon and confronts the lord of darkness, Saragnayan, to win Nagmalitong Yawa Sinagmaling Diwata. Reference-NCCAOther epics known to most Filipinos are the Ibalon of Bikol, Darangan which is a Muslim epic, the Kudamanof Palawan, the Alim of the Ifugao, Bantugan of the Maranao, theHinilawod of Panay, the and the Tuwaangof Manobos. The Tagalogs pride their Myth of Bernardo Carpio, a folk hero said to hold the mountains of San Mateo apart with his powerful arms to prevent them from colliding.There are shorter narratives that tell the origins of the people, the stars, the sky and the seas. A famous story that tells of the origin of man and woman is that of Sicalac (man) and Sicavay (woman) who came out of a bamboo after being pecked by a bird. This, and other stories of equal birthing of man and woman throughout the archipelago assert a woman's equal position with a man within the tribal systems. Reference-NCCADuring the Spanish colonial period, the country has encountered transformations in their daily customs. It affected not only the country's whole system but as well tainted the purity of their folklore traditions. And because of the western's strong influence and forceful implication of their civilization, the locals' forms of expression on national issues and self-consciousness were replaced through political essays, novels, poems and religious prose- a form of learning, however, that led to ultimate awakening of Filipinos regarding the unreasonable colonial rule in the country. Famous examples of these Spanish-adapted writings are the novels of Jose Rizal, El Filibusterismo and Noli Me Tangere.Nowadays, Filipino writers have continued to patronize the intellectual influence started by Rizal but to further aim at reviving the richness of the country's very own folk traditions and introducing it to new generations as a significant form of art.


What is the setting of how the world was created panayan?

How the World Was Created (Panayan)1One of the stories about the creation of the world, which the old folks of Panay,especially those living near the mountain, do not tire relating, tells us that in thebeginning there was no heaven or earth-only a bottomless deep and a world of mist.Everything was shapeless and formless-the earth, the sky, the sea, and the air werealmost all mixed up.2Then from the depth of this formless void, thereappeared two gods, -Tungkung Langit and Alunsina. Justwhere the two deities came from it was not known. However,it is related that Tungkung Langit fell in love with Alunsinaand, after so many years of courtship, they got married andhad their abode in the highest realm of the eternal spacewhere the water was constantly warm and the breeze wasforever cool. It was in this place where order and regularityfirst took place.3Tungkung Langit was an industrious, loving, and kindgod whose chief concern was how to impose order over thewhole confused set-up of things. He assumed responsibility for the regular cosmicmovement. On the other hand, Alunsina was a lazy, jealous, and selfish goddess whoseonly work was to sit by the window of their heavenly home, and amuse herself with herpointless thoughts. Sometimes, she would go down from the house, sit down by a poolnear their doorstep and comb her long, jet-black hair all day long.4One day Tungkung Langit told his wife that he would be away from home forsometime to put an end to the chaotic disturbances in the flow of time and in theposition of things. The jealous Alunsina, however, sent the sea breeze to spy onTungkung Langit. This made the latter very angry upon knowing about it.5Immediately after his return from the trip, he called this act to her attentionsaying that it was ungodly of her to be jealous, there being no other creature living in theworld except the two of them. This reproach was resented by Alunsina, and a quarrelbetween them followed.6Tungkung Langit lost his temper. In this rage, he divested his wife of powers anddrove her away. No one knew where Alunsina went; she merely disappeared.7Several days after Alunsina left, however, Tungkung Langit felt very lonely. Herealized what he had done. Somehow, it was too late even to be sorry about the wholematter. The whole place once vibrant with Alunsina's sweet voice, suddenly becamecold and desolate. In the morning, when he woke up he would find himself alone and inthe afternoon when he came home, he would feel the same loneliness creeping deep inhis heart because there was no one to meet him at the doorstep or soothe the achingmuscles of his arms.8For months, Tungkung Langit lived in utter desolation. He could not findAlunsina, try hard as he would. And so, in his desperation, he decided to do somethingin order to forget his sorrows. For months and months he thought. His mind seemedpointless, his heart, weary, and sick. But he must have to do something about hisloneliness.9One day, while he was sailing across the regions of the clouds, a thought cameto him. He would make a big basin of water below the sky so that he can see the imageof his wife, if she were just somewhere in the regions above. And lo! The sea appeared.However, Alunsina was never seen.10After a long time, the somber sight of the lonely sea irritated Tungkung Langit.So he came down to the Middleworld and created the land; then he planted this withgrasses, trees, and flowers. He took his wife's treasured jewels and scattered them inthe sky, hoping that when Alunsina would see them she might be induced to returnhome. The goddess' necklace became the stars, her comb the moon, and her crown thesun. However, despite all these Alunsina did not come back.11And up to this time, the folks in Panay say that Tungkung Langit is alone in hispalace in the skies. Sometimes, he would cry out of his pent-up emotions and his tearswould fall down upon the earth. The people say that rain is Tungkung Langit's tears andthat is why in some localities in the island of Panay, the first rain in May is received withmuch rejoicing and sacrifice. Incidentally, when it thunders hard, the old folks also saythat it is Tungkung Langit sobbing, calling for his beloved Alunsina to come back -entreating her so hard that his voice thunders across the fields and countryside.