it means that it is only cosmetic (that is, it's just for looks, it doesn't do anything practical)
Everything
Fashion always appears when a society becomes modern and wealthy enough to have extra time and money to spend on luxuries and can therefore worry about aesthetics and not just functionally.
Knowledge of or understanding aesthetics
THings at affect our senses
well, It depends on what you mean by fashion, if you mean Fashion Shows, then no it's not allowed
The keyword "style" is significant in fashion trends and design aesthetics because it refers to the unique and distinctive way in which clothing and designs are put together. It encompasses elements such as color, silhouette, texture, and overall aesthetic that define a particular look or trend. Understanding and incorporating different styles is essential for creating visually appealing and cohesive fashion designs.
Fashion is art and creativity in a visual display of aesthetics. It demonstrates self-confidence and personal views. It shows your personality and your preferences. For example, not everyone is daring enough to wear high fashion clothing or low cut clothing. Fashion determines the modern view of style. Style, however, is timeless. Of course, fashion also generates money and business.
BEAM=Biology Electronics Aesthetics And Mechanics
fashion of 23th century
Fashion is not typically associated with intellectual giftedness, as it is primarily focused on creativity, style, and aesthetics rather than intellectual pursuits. However, individuals with intellectual giftedness can certainly excel in fields related to fashion, such as fashion design, textile technology, or fashion marketing, by leveraging their unique perspectives and problem-solving skills.
There is no such word, but there is Fashion. Fashion means like a style of how you dress.
Francesco Pellizzi has written: 'Res: Anthropology and Aesthetics, 16, Autumn 1988 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 12, Autumn 1986 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 34, Autumn 1998: Architecture (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 9, Spring 1985 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 48, Autumn 2005: Permanent/Impermanent (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 44, Autumn 2003: Anthropology and Aesthetics (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 38, Autumn 2000 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 39, Spring 2001: African Works (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 15, Spring 1988 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 11, Spring 1986 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 47, Spring 2005 (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 31, Spring 1997: The Abject (Res: Anthropology and Aesthetics)' 'Res: Anthropology and Aesthetics, 35, Spring 1999: Intercultural China (Res: Anthropology and Aesthetics)' 'RES'