Hamlet

In Shakespeare's play Hamlet, the quote "get thee to a nunnery" is significant because it reflects Hamlet's conflicted feelings towards Ophelia. It can be interpreted as Hamlet telling Ophelia to go to a convent to protect her from the corruption and deceit of the world, or as a harsh rejection of her. This quote highlights Hamlet's disillusionment with love and his distrust of women, adding to the complexity of his character.

The character Ur-Hamlet is significant in Shakespeare's play "Hamlet" because he is believed to be the original source of inspiration for the character of Prince Hamlet. Ur-Hamlet represents the archetype of the avenging son seeking justice for his father's murder, a theme that is central to the play.

The "get thee to a nunnery" scene in Hamlet is significant because it reveals Hamlet's conflicted feelings towards Ophelia and his distrust of women. Hamlet's harsh words suggest his belief that women are deceitful and untrustworthy, reflecting his overall disillusionment with the world. Additionally, the scene highlights Hamlet's internal struggle with his own emotions and his inability to trust others.

Hamlet's line from Act 3 Scene 1 is "Nymph, in thy orisons be all my sins remembered." "Nymph" is a nickname for a girl, suggesting that she is divinely pretty. "Orisons" are prayers. Hamlet comes across Ophelia who is apparently reading a book of a religious nature (Her father has given her this particular book with instructions to stand around reading it where Hamlet will pass by; the idea of having her read the book is to explain why she is just standing there. In Polonius's words it will "colour [her] loneliness".) Hamlet sees this and assumes that she is praying. What he says means "Lady, in thy prayers may all my sins be remembered", or "Lady, may all my sins be remembered in your prayers." He is basically asking her to pray for him and for the forgiveness of his sins.

This is at once a conventional thing to say but also a way of asking her to forgive whatever it is that he has done to make her refuse to see him and to turn back all of his letters. Hamlet does not know why Ophelia has suddenly turned against him--he may believe that it is because of bursting into her bedroom half-undressed like he did. By asking her to pray for forgiveness of his sins, he may be reminding her of the line from the Lord's Prayer, "Forgive us our trespasses as we forgive those who trespass against us."

Hamlet swears the man to secrecy in order to prevent any interference or obstruction in his plan to uncover the truth about his father's death. By keeping the information confidential, Hamlet can carefully strategize his actions without the risk of being exposed or thwarted by others. Additionally, Hamlet may also seek to maintain control over the situation and ensure that his intentions remain unknown to potential adversaries.

The Tapestry in Hamlet refers to the play within the play, also known as "The Mousetrap." This play is performed by Hamlet in an attempt to confirm Claudius' guilt in the murder of King Hamlet. The Tapestry serves as a metaphorical device within the play to mirror the events taking place in the actual story of Hamlet, highlighting themes of deception, manipulation, and the blurred lines between reality and performance.

Spoiler alert: Osric does not die at the end of Hamlet. He's one of the few characters left standing in Shakespeare's tragic play. So, don't worry about shedding tears for Osric - he's alive and kicking (at least until the final curtain falls).

Rosencrantz and Guildenstern ultimately meet their demise when they are sent to England with a letter ordering the execution of Hamlet. Unbeknownst to them, Hamlet discovers this plot and alters the letter, leading to the execution of Rosencrantz and Guildenstern instead. Their fate underscores the themes of betrayal and the tragic consequences of manipulation in Shakespeare's play.

Sweetie, I hate to break it to you, but you must be reading a very interesting version of Hamlet if you're finding cyclops in there. Shakespeare didn't include any one-eyed giants in his play. Maybe you should double-check your sources or lay off the mead before diving into the Bard's work.

Oh, dude, that quote "an eye for an eye" is from Act 4, Scene 5 of Hamlet. It's when Laertes is all fired up and ready to seek revenge for his father's death. Like, revenge is a big theme in that play, you know?

The quote "fatigue makes cowards of us all" is attributed to General George S. Patton, a prominent military leader known for his leadership during World War II. Patton's statement emphasizes the impact of exhaustion on decision-making and courage, highlighting how physical and mental fatigue can weaken individuals' resolve and bravery in challenging situations. This quote has been widely used to underscore the importance of maintaining physical and mental resilience in the face of adversity.

I am assuming that you are asking for the second line of Hamlet's famous soliloquy and not the second line in the play. Here are the first five lines of the monologue:

To be, or not to be--that is the question:

Whether 'tis nobler in the mind to sufferThe slings and arrows of outrageous fortuneOr to take arms against a sea of troublesAnd by opposing end them. To die, to sleep--

There is no definitive answer to the biggest hamlet in the world as the classification of a hamlet can vary by region. However, one of the largest hamlets in the world is said to be Narok in Kenya, with a population exceeding 40,000 residents.

Horatio was brought to Elsinore by the ghost of Hamlet's father, King Hamlet, who appeared to him and two of his fellow soldiers while they were on watch. Horatio was called by the ghost to tell Prince Hamlet that the ghost was his father and that he had been murdered by his brother, Claudius. Horatio was then tasked with convincing Hamlet that the ghost was telling the truth.

Once Horatio had told the prince what the ghost had said, he suggested that Hamlet should act as if he were insane in order to ensure his safety and to help him uncover the truth of his father's death. Horatio also advised Hamlet to feign madness and use it to his advantage to find out the truth about his father's death. He also suggested that Hamlet should not act too hastily as he could be putting himself in danger if he made the wrong choices.

Basically, Hamlet asks Horatio for help in keeping an eye on Claudius during the 'Mousetrap' play.

Ophelia's father is Polonius, who is Claudius' advisor. Polonius is killed by Hamlet when he is hiding behind a tapestry, spying on Hamlet as he talks to his mother, Gertrude. After Polonius' death, Ophelia goes mad and eventually dies after she falls from a tree into a brook and drowns.

Yes, in Shakespeare's play "Hamlet," Claudius dies as a result of a deliberate plan of action by Hamlet. Hamlet seeks revenge for his father's murder, which Claudius orchestrated, and plans to kill him. However, the final sequence of events leading to Claudius's death involves a combination of Hamlet's actions and circumstances beyond his control.

1. Not everyone agrees on what makes "good" literature good (even if it's written by shakespeare).

2. Popularity is not alway equal to artistic quality

3. You are allowed to have your own opinions about literature

"The Hamlet" by William Faulkner is the first novel in the Snopes trilogy, focusing on the rise of the Snopes family in Frenchman's Bend, Mississippi. The novel explores themes of power, ambition, greed, and class dynamics as the Snopes family manipulates their way into the community, causing chaos and disruption. The story is told through multiple perspectives, delving into the complex relationships and motivations of the characters.

Laertes wants to return to his native country of Ithaca in the epic poem "The Odyssey" by Homer.

"Hamlet: A man may fish with a worm that has eat of a king, and eat of the fish that has fed of that worm.

King: What dost thou mean by this?

Hamlet: Nothing but to show you how a king may go a-progress through the guts of a beggar."

I assume this to be the passage in question. Hamlet is not interested in the concept of a food chain, nor is he telling Claudius some interesting facts about biology. He is trying to unnerve him. People don't like to think of their bodies being food for something else at all. Hamlet is not only talking about this unpleasant but undeniable fact, but at the same time is using it to put Claudius on a level with beggars, which is difficult for a snob like Claudius to take.

In the previous passage, he talks about how the same worms eat beggars as do kings. "Your fat king and your lean beggar are but variable service--two dishes, but to one table." In this one he extends the idea so the king has indirectly become the beggar's food, an ignominious end for a proud man.

Hamlet will continue to explore this interesting question of what happens to our bodies after we die in the gravedigger scene. "To what base uses we return, Horatio. Why may not imagination trace the noble dust of Alexander till 'a find it stopping a bunghole?"