Hatshepsut

she set the stage for woman rights and showed people woman can rule successfully

She builds the Djeser-Djeseru. We know it as The Mortuary Temple of Queen Hatshepsut. It is located at Deir el-Bahri, The Obelisks of Hatshepsut and The Red Chapel. She lived in the Palace of Ma'at. It was rectangular structure. The capital was Thebes, Amarna, and then again Thebes. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exist a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs. Extreme prosperity and renaissance in art and building projects mark the beginning of this period. Towards the end of the 19th Dynasty the increasing power of the priesthood corrupts the central government. During the 20th Dynasty tomb robbing is done by officials. The priesthood becomes hereditary and begins to assume secular power. The government breaks down.

Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exist a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs.

She was his aunt

Thutmose III is Hatshepsut stepson and Hatshepsut is Thutmose III aunt

Hatshepsut was actually a female pharaoh. She ruled from 1473 BC to 1458 BC. After her husband died, she took over the government and ruled for her stepson Tuthmosis III, who was only five years old at the time. She held power for about 20 years and during this time great temples were built and re-built.

Hatshepsut was the daughter of Thutmose I and his primary wife Ahmes. Her husband Thutmose II was the son of Thutmose I and a secondary wife named Mutneferet, who carried the title King's daughter and was probably a child of Ahmose I. Hatshepsut and Thutmose II had a daughter named Neferure. Thutmose II fathered Thutmose III with Iset, a secondary wife. Hatshepsut was the chief wife of Thutmose II, Thutmose III's father.

Hatshepsut meaning Foremost of Noble Ladies; was the fifth pharaoh of the Eighteenth dynasty of Egypt. Under Hatshepsut's reign, Egypt prospered. Unlike other rulers in her dynasty, she was more interested in ensuring economic prosperity and building and restoring monuments throughout Egypt and Nubia than in conquering new lands. She built the temple Djeser-djeseru ("holiest of holy places"), which was dedicated to Amon and served as her funerary cult, and erected a pair of red granite obelisks at the Temple of Amon at Karnak, one of which still stands today. Hatshepsut also had one notable trading expedition to the land of Punt in the ninth year of her reign. The ships returned with gold, ivory and myrrh trees, and the scene was immortalized on the walls of the temple.

Because her stepson Thutmose the the third was too young to rule so Hatsheput was considered the boy's regent but she continued being Pharaoh until she disappeared and her stepson claimes the title of the Pharaoh

Born circa 1508 B.C., Queen Hatshepsut reigned over Egypt for more than 20 years. She lived in the Palace of Ma'at. It was rectangular structure. The capital was Thebes, Amarna, and then again Thebes.

Thutmose II died after a 15 year reign, making Hatshepsut a widow before the age of 30. Hatshepsut had no sons -- only a daughter, Neferure -- and the male heir was an infant, born to a concubine named Isis.

She builds the Djeser-Djeseru. We know it as The Mortuary Temple of Queen Hatshepsut. It is located at Deir el-Bahri, The Obelisks of Hatshepsut and The Red Chapel. She lived in the Palace of Ma'at. It was rectangular structure. The capital was Thebes, Amarna, and then again Thebes. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exists a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs. Extreme prosperity and renaissance in art and building projects mark the beginning of this period. Towards the end of the 19th Dynasty the increasing power of the priesthood corrupts the central government. During the 20th Dynasty tomb robbing is done by officials. The priesthood becomes hereditary and begins to assume secular power. The government breaks down.

She ruled from the palace. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating.

Hatshepsut I think lol

Hatshepsut was a well known female pharaoh of Egypt.

She started out as regent for Thutmosis the III, but that wasn't enough. When he finally took over he did his best to wipe all mention of her name from the Egyptian landscape. Her beautiful temple at Deir el-Bahri was defaced but still exists as a significant example of ancient Egyptian architecture.

Obliterating her name had a magical significance to the ancient Egyptians. The existence and repetition of the Name kept one alive in the afterlife, removal by an enemy was an attack on the person in the afterlife.

So people know she was a queen and because when your queen you should wear a royal hat so people now who you are. im on xbox send me friend request i am AFUNNYNORM

By: Max Laurie

She build the Djeser-Djeseru. We know it as The Mortuary Temple of Queen Hatshepsut. It is located at Deir el-Bahri. She lived in the Palace of Ma'at. It was rectangular structure. The capital was Thebes, Amarna, and then again Thebes. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exist a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs. Extreme prosperity and renaissance in art and building projects mark the beginning of this period. Towards the end of the 19th Dynasty the increasing power of the priesthood corrupts the central government. During the 20th Dynasty tomb robbing is done by officials. The priesthood becomes hereditary and begins to assume secular power. The government breaks down.

The architect Senmut designed the temple with rows of colonnades that reflect vertical patterns displayed by the cliff backdrop. In this way the temple is a successful example of architectural harmony between man and nature. A ramp connects the three levels of the temple, and on either side of the lower end of the incline were T-shaped papyrus pools. On the ground level the ramp was in antiquity lined with 200 sandstone statues of sphinxes with Hatshepsut's head. The were made of sandstone.

Hatshepsut was the daughter of Thutmose I and his primary wife Ahmes.

yes, her son thutmose 111 was plotting against her

Thutmose II died after a 15 year reign, making Hatshepsut a widow before the age of 30. Hatshepsut had no sons, only a daughter, Neferure and the male heir was an infant, born to a concubine named Isis.

She builds the Djeser-Djeseru. We know it as The Mortuary Temple of Queen Hatshepsut. It is located at Deir el-Bahri, The Obelisks of Hatshepsut and The Red Chapel. She lived in the Palace of Ma'at. It was rectangular structure. The capital was Thebes, Amarna, and then again Thebes. In terms of trade, Hatshepsut was not blind to the need of bolstering Egypt's economy' and indeed, the Punt expedition is but the climax of her consistent trading enterprises with Lebanon, Crete, Syria, West Africa, South Africa, Aswan and the reopening of mines in Mt. Sinai. She traded Ivory, gold, silver and other goods for eating. Hatshepsut's legacy is also extant in the enduring architectural innovations she incorporated into her building program. The design of Djeser-Djeseru is a prime example; although there exists a few doubtful precursors of the terraced template originality of the design cannot be gainsaid.' The thematic structure of the three terraces, from her role as pharaoh, to legitimization of her rule and achievements, to the worship of the deities is indisputably her own invention, as were the ramps linking them, imitating the glory of a sun's ray. Thutmose III modeled his mortuary temple on Hatshepsut's whilst Akhenaten incorporated the design of the ramps into his own buildings. Similarly, the design of Hatshepsut's tomb, with the three successive passageways leading to the burial chamber, her royal sarcophagus, her resting stations for Amun's barque were likewise replicated by her successors. Therefore, Hatshepsut's reign was characterized by a myriad of architectural innovations that became her legacy, to be admiringly integrated into the buildings of the future generations of pharaohs. Extreme prosperity and renaissance in art and building projects mark the beginning of this period. Towards the end of the 19th Dynasty the increasing power of the priesthood corrupts the central government. During the 20th Dynasty tomb robbing is done by officials. The priesthood becomes hereditary and begins to assume secular power. The government breaks down

She was the first king pharaoh because she was strong. She also put is use the trade route and became the constructor of the 18th dynasty. After tutmoses 11 died, tutmoses 111 was too young to rule. She put on the fake beard and ruled as a man and she was good at that. Since Thutmose III was too young to assume the throne unaided, Hatshepsut served as his regent. Initially, Hatshepsut bore this role traditionally until, for reasons that are unclear, she claimed the role of pharaoh. Technically, Hatshepsut did not 'usurp' the crown, as Thutmose the III was never deposed and was considered co-ruler throughout her life, but it is clear that Hatshepsut was the principal ruler in power. He was her nephew.

Hatshepsut was the chief wife of Thutmose II, who died while his heir was only a child. She ascended to the throne alongside their son, Thutmose III, as co-ruler. Modern scholars, however, cite that Hatshepsut as a strong ruler that far overshadowed her son as the fifth pharaoh of the Eighteenth Dynasty. Her drive to challenge tradition was fueled by her claim that her father, Thutmose I, intended her to be his intended heir to the throne.