Cezanne lived in Aix-en-Provence, France. He was born there, and also died there. His education was the Aix-Marseille University, as well as at the Académie Suisse.
French post-impressionist painter (1839-1906).
Cézanne developed himself during the years. In his early years he was rather wild and painted very emotional paintings. It was Pissaro the most impressionist landscape painter who guided him for years; together they painted a lot of times plain air and in that period Cézanne started to use more solid colored forms in his works, as his reaction to the very loose way of impressionist painting with all the color dots working together, to make the total visual impression.
Cézanne himself formulated his goal as inventing a new classical painting art. He admired the old classical painters as Poussin or Chardin.
He was the first painter who analyzed the landscape in structures, to rebuild this in his paintings on the canvas.
He later inspired notable artists such as Picasso and Braque circa 1908-1910 when they invented Cubism, and Matisse.
Two quotes of Cézanne which illustrate his attitude to the old masters and to landscape painting he wanted to realize:
"
Everybody is going crazy over the Impressionists; what art needs is a Poussin (French classical artist) made over according to nature. There you have it in a nutshell."
from a conversation in Aix, in the studio of Cézanne in 1896; as quoted in "Cézanne", by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 67
"...painting certainly means more to me than everything else in the world. I think my mind becomes clearer when I am in the presence of nature. Unfortunately, the realization of my sensations is always a very painful process with me. I can't seem to express the intensity which beats in upon my senses. I haven't at my command the magnificent richness of color which enlivens Nature.... ...Look at that cloud; I should like to be able to paint that! Monet could. He had muscle." f
rom a conversation, in Aix near the river, in 1896; as quoted in "Cézanne", by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 74
Probably from pneumonia, having spent a long time in wet weather after falling.
There is usually one and the same answer to those questions 'Why did XXX become an artist?' Because he felt he had the talent and the urge. It is as simple as that!
If the interesting facts are unknown, I would not know them.
It was painted 1895/1900.
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Yes, he did. His wife's name was Marie-Hortense, née Fiquet.
Paul Cézanne's father, Louis-Auguste Cézanne (28 July 1798 - 23 October 1886), was the cofounder of a banking firm that prospered throughout the artist's life, affording him financial security eventually resulting in a large inheritance.
It is believed to have been painted 1895/1900.
He seeks to combine classical rules of realism with a modern sense of feeling. He thought he did not really succeed, but generations of artists have found a point of departure for them in his work.
He was not an impressionist. The important thing is that he developed painting from Impressionism and further.
Paul Cezanne uses primary colours, e.g. red, yellow, green.
Answer 2
Green is a secondary color.
Cézanne of course used both primary and secondary colors, and a few extra nuances to boot.
His first one-man show was held in the Vollard Gallery, Paris in 1895.
This cannot be answered in a general sense. When you look at a painting you can ask how the elements are used in this particular work.
It is difficult to date his early paintings exactly, but the first one might be Girl with a Parrot or The Two Children, from 1859/60.
A series of wall paintings representing the four seasons were transferred to canvas and are now at the Petit Palais, Paris, France. They were painted in 1859 or 1860 and are the first (or among the first) paintings by Cézanne known today.
he also in the early years of his life became a prefecinal hair dresser and was the first man ever to invent the colour bright green hair die. on google images search paul klee the artist who does hair and you will see his master pieces.
Vincent van Gogh used various types of brush strokes to produce the desired effects. Most commonly he is know for thick brush strokes (both long and short). He also used little points of color to form parts of his paintings.