"family"
Mildred refers to her television family as her "family" or "the family" in Ray Bradbury's "Fahrenheit 451." She is deeply engrossed in the immersive experience of her television shows, which she considers a substitute for real human connections. This obsession reflects her emotional detachment from her actual family and relationships.
George and Mildred's house is located in the fictional suburb of Peacock Crescent in the TV show "George and Mildred."
Mildred is excited because the ladies are coming over. Mildred plans on watching the television show White Clown when the ladies come over.
The parlor families are basically a tv show, they are ment to keep people occupied such as Mildred who is easily entertained with them.
He called the doctor, but the people who come were not doctors.
Mildred passes the time while overdosing on pills by watching TV and listening to the radio in her parlour. She also interacts with the walls and objects in her room, feeling as if they are alive and holding conversations with her.
The Making of Mildred Pierce - 2011 TV was released on: USA: 1 March 2011 Spain: 30 July 2011
Montag turned off the television and read a poem to Mildred and her friends. This action was seen as very unusual in their society where television was the main form of entertainment and literature was considered obsolete.
The women come to visit Mildred because they want to socialize and engage in mindless activities, such as watching television programs. They view Mildred as a friend and enjoy spending time with her in their superficial interactions. Additionally, Mildred's parlour walls provide them with entertainment and a means to escape from their own realities.
it's an abreviation , but people say it both ways t.v or television
a wall-to-wall circuit
Mildred's television show reflects her shallow and superficial engagement with reality, much like her conversations with Montag. Both the show and their dialogues lack depth and meaningful connection, focusing instead on entertainment and distraction. This highlights Mildred's emotional detachment and her preference for superficial interactions over genuine communication. Ultimately, both serve to illustrate the pervasive emptiness in their lives within the dystopian society.