Intertextual refers to the relationship between different texts and how they influence or reference each other. It involves the ways in which one text can be connected to or influenced by another through references, allusions, or direct quotations.
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Intertextuality is used to shape texts through other texts. Allusion, translation, plagiarism, calque, quotation, and parody are all intertextual figures.
Arrested Development
Carol Anne Costabile-Heming has written: 'Intertextual exile' -- subject(s): Intertextuality, Literature, Knowledge, Literature and society, Political and social views
I'm going to give a short answer: About 5 years ago I published a collection of over 1,125 selected quotations on Propaganda, Persuasion and Deception. It's available as a free PDF download at several places on the web. Search for it under Propaganda, Persuasion and Deception, by Laird Wilcox. I think you'll find it very useful.
Intertextual criticism is a method of analyzing texts by examining the ways in which they refer to and are influenced by other texts. It focuses on how a text's meaning is shaped by its relationship to other works, genres, or cultural references. By exploring these connections, scholars can gain insights into the complex network of references that contribute to a text's overall meaning.
The song "Take Care" by Drake features the use of imagery to depict emotions and experiences, such as referencing the "lonely nights" and "good times." Additionally, there is an intertextual reference to the song "I'll Take Care of You" by Gil Scott-Heron which adds depth to the lyrics. The use of repetition in the chorus with the phrase "take care" serves as a motif throughout the song.
In "Companions of the Night" by Vivian Vande Velde, there is an allusion to Bram Stoker's "Dracula" through the story's exploration of vampire lore and mythology. Additionally, there are allusions to classic vampire literature and films, such as "Interview with the Vampire" by Anne Rice, creating a rich intertextual layer to the narrative. The novel cleverly references these iconic vampire works to enhance its own storytelling.
Yes, T.S. Eliot's "The Waste Land" is a quintessential example of modernism. Published in 1922, the poem embodies key modernist characteristics, such as fragmentation, disillusionment, and a break from traditional forms and narratives. Through its diverse voices, intertextual references, and exploration of themes like despair and the search for meaning in a post-war world, "The Waste Land" reflects the complexities and uncertainties of modern life.
Dennis Brown has written: 'The modernist self in twentieth-century English literature' -- subject(s): English literature, History and criticism, Modernism (Literature), Self in literature 'Intertextual dynamics within the literary group--Joyce, Lewis, Pound, and Eliot' -- subject(s): Authorship, Collaboration, Criticism and interpretation, English literature, History, History and criticism, Influence (Literary, artistic, etc.), Intertextuality, Modernism (Literature), Psychoanalysis and literature, Psychological aspects, Psychological aspects of English literature
James Joyce was influenced by a wide range of previous works in writing Ulysses, including Homer's Odyssey, Dante's Divine Comedy, and works by Shakespeare, Milton, and many other literary figures. He also drew inspiration from Irish folklore, mythology, and history, as well as various philosophical and psychological theories of his time. Overall, Ulysses is a highly intertextual and experimental work that reflects Joyce's engagement with a diverse array of literary and cultural traditions.
In Mary Shelley's "Frankenstein," the Ancient Mariner is not a character but a reference to Samuel Taylor Coleridge's poem "The Rime of the Ancient Mariner." The poem serves as an allegorical backdrop that parallels Victor Frankenstein's own journey and the themes of guilt, isolation, and the consequences of transgression. Just as the Ancient Mariner recounts his haunting tale of suffering and remorse, Victor shares his tragic story, highlighting the dangerous pursuit of knowledge and the resulting alienation. This intertextual reference enriches the exploration of human experience and moral responsibility in Shelley's narrative.