New Realism
In the late nineteenth century there came a rise in the working class. Middle-class workers, as well as women, gained power and began to have a larger voice in society. The middle-class started to get more political power, including starting a campaign to allow more people, including women, to be able to vote. Theatre had previously been mainly about the lives of the upper-class, and very rarely questioned problems in society or government. This was mainly because of the great control held over theatre by kings and government. Through this gained power and freedom, playwrights began to address topics that had previously been considered taboo to them. This was also the time of scientific and technological advances of Freud, Einstein, and Edison. Freud reflected on the inner-workings of the human mind, he analyzed dreams and psychological motivations. Realist playwrights used Freud's findings to create more in-depth, realistic characters than had previously been seen. Einstein's theory relativity brought about the questioning of the world around them of things that were originally thought to be fixed. All things moral and intellectual were questioned, including religion, the inner-workings of human beings, and the universe itself. Edison's electric light enabled more lighting options in theatres than had previously been available through the use of candles or gas lighting.
Henrik Ibsen (1828-1906)
Henrik Ibsen, a Norwegian playwright, is often called the "Father of Modern Drama" or the "Father of Realism". Ibsen began his career writing romantic dramas, but as society began to change, Ibsen saw a chance to write a different type of play. Ibsen was direct, h...
This was an example of new realisim
Who decided to place it where it is, who owns and who owned it?
It was an opposite to Romanticism that formed in the second half of the 18th century
realism - hard true life google the rest
1960
Eric P. Charles has written: 'A new look at new realism' -- subject(s): Psychology and philosophy, Realism
Where the acting is realistic enough to be understood by the audience, but where the emotions and gestures of the actors are exaggerated. Like in Ancient Greek Theatre.
Caroline New has written: 'Co-Counselling' 'Making Realism Work: Realist Social Theory and Empirical Research (Critical Realism: Interventions)'
New Alexandra Theatre was created in 1900.
New London Theatre was created in 1847.
New Empire Theatre was created in 1986.
New Amsterdam Theatre was created in 1903.
The New Daisy Theatre was created in 1936.