Formal art focuses on the elements of design, such as line, shape, color, and texture, emphasizing the aesthetic and structural aspects of the artwork itself. It is often characterized by a systematic approach to composition and form, prioritizing visual harmony and balance. Conceptual art, on the other hand, prioritizes the idea or concept behind the artwork over its physical form, often challenging traditional notions of art and encouraging viewers to engage with deeper meanings and interpretations. Together, these two approaches illustrate the diverse ways in which art can be understood and appreciated.
Sensory, formal, technical, expressive, and reflective
Informal art refers to artistic expressions that emerge outside traditional institutions and formal education settings, often created by self-taught artists or community groups. It encompasses various forms, including street art, folk art, and crafts, emphasizing creativity, personal narratives, and cultural identity. This type of art often reflects the social, political, and cultural contexts of the creators and is accessible to a broader audience. Informal art challenges conventional definitions of art by valuing spontaneity and authenticity over technical skill or formal training.
The last question to address in a formal art critique should focus on the artwork's broader significance or impact: "What does this work contribute to the larger context of art or society?" This question encourages reflection on the artwork's relevance, themes, and its potential influence on viewers or contemporary discourse. It allows for a synthesis of previous observations and invites a deeper understanding of the piece's place within the art world.
Art that has no visible subject is often referred to as abstract art. This genre emphasizes colors, shapes, forms, and gestural marks rather than representational forms, allowing for personal interpretation and emotional response. Abstract art can evoke feelings and ideas without directly depicting objects or scenes from the real world. It challenges viewers to engage with the artwork on a more conceptual level.
The kind of art that communicates exclusively through formal means such as line, shape, color, and texture is known as abstract art. This genre emphasizes visual elements rather than representational forms or narratives, focusing on the intrinsic qualities of the materials and their arrangement. By doing so, abstract art encourages viewers to engage with their emotions and perceptions in a more direct and immediate way.
conceptual art was influence by the ending of the modernism
Traditional art is a depiction of something, where skill and choice of material are of the essence. Conceptual art stresses the idea, the concept, behind the artwork, where the execution is secondary. Here is a good section on Conceptual Art : the-artists.org/artistsbymovement/Conceptual-Art/
Conceptual art originated in America in 1961. it came to England in 1969.
Zhen Chen has written: 'Transexperiences' -- subject(s): Conceptual art, Conceptual art., Interviews
Robert C. Morgan has written: 'The end of the art world' -- subject(s): Art criticism, Art, Modern, History, Modern Art 'Conceptual art' -- subject(s): Conceptual art 'Between modernism and conceptual art' -- subject(s): Arts, Modern, Modern Arts
Paul. Wood has written: 'Otley in old picture postcards' 'Art and education' 'Conceptual art' -- subject(s): Conceptual art, Modern Art 'Otley Museum'
Conceptual art was originated by Marcel Duchamp in 1917 with a form of conceptual art called 'readymades' which started with his piece "Fountain".Conceptual art first became modern art in the mid 1960's when the Conceptual Art Movement began, and last until the 1970's. Conceptual Art is still a huge component of modern art; although some still argue that it is not really art.
Sophie Richard has written: 'Unconcealed, the international network of conceptual artists 1967-77' -- subject(s): Conceptual art, European Art, Art, Exhibitions, Art museums, Collectors and collecting, Commercial Art galleries
conceptual art movement
Italian artist Ul de Rico was the head of the conceptual design and also did the scenery art.
The concept of conceptual design is idealist. Idealist indicates that a lot of creative thought went into the design which makes the creation unique and one of a kind. Conceptual design is a fairly new concept and is not found in the art, art deco or design books.
You might say it goes back to Marcel Duchamp in Paris in the 1910s. There is a very good (and short) introduction to Conceptual Art here : see related link below: