Peter Gabriel's first foray into soundtracks was for Alan Parker's contemplative film Birdy and is a successful companion piece, providing a backdrop that is moody and evocative. Nearly half of the album's dozen tracks incorporate threads from material found on Gabriel's 1982 Security set, including "Close Up," which makes use of keyboard passages from "Family Snapshot," and "The Heat," which is a reworking of "The Rhythm of the Heat" and builds to a frenzied percussive crescendo. Material specially written for this project includes the murky opening track, "At Night," the tribal "Floating Dogs," and "Slow Marimbas," a track which would become part of future live performances. The fact that Birdy is comprised of all instrumentals means that listeners whose familiarity with Gabriel is limited to "Sledgehammer" and "In Your Eyes" will be largely disappointed. However, its meditative nature makes it fine, reflective listening for the more adventurous. ~ Tom Demalon, All Music Guide
Jon Hassell, Peter Gabriel (Flute), Peter Gabriel (Drums), Peter Gabriel (Keyboards), Peter Gabriel (Vocals), Peter Gabriel (Producer), Peter Gabriel (Main Performer), Peter Gabriel (Liner Notes), Peter Gabriel (Score), Tony Cousins (Remastering), Manny Elias (Performer), Larry Fast, John Giblin (Performer), Daniel Lanois (Producer), Tony Levin, Jerry Marotta, Morris Pert (Performer), David Rhodes, David Stallbaumer (Engineer), Drummers of Ekome, Richard Chappell (Engineer), Ralph Nelson (Photography), Marc Bessant (Graphic Design), Dan Blore (Sleeve Restoration), Edel Griffith (Assistant Engineer), Amanda Harcourt (Assistant), Kerry Hayes (Photography), Susie Millns (Design Coordinator), Dan Roe (Assistant Engineer), Mic Smith (Research), Mic Smith (Introduction)
Birdy is the first soundtrack and sixth album overall by Britishrock musician Peter
Gabriel, for the movie of the same name, released in 1985 (see 1985 in music). The album marked Gabriel's first work with producer Daniel
Lanois. It was remastered with most of Gabriel's catalog in 2002.
In addition to composing new pieces for the soundtrack, Gabriel also used instrumental themes and sections from earlier works
to form the basis of some tracks. There were, however, no songs with lyrics on the album.
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