Clint Eastwood

Clint Eastwood
Eastwood in 2007
Born	Clinton Eastwood, Jr. May 31, 1930 (1930-05-31) (age 79) San Francisco, California, U.S.
Occupation	Actor, film director, film producer, composer
Years active	1954–present
Spouse(s)	Maggie Johnson (1953–1984) Dina Ruiz (1996–present)
Domestic partner(s)	Sondra Locke (1975–1989) Frances Fisher (1990–1995)

Clinton "Clint" Eastwood, Jr. (born May 31, 1930) is an American actor, film director, film producer and composer. He has received five Academy Awards, five Golden Globe Awards, a Screen Actors Guild Award and five People's Choice Awards—including one for Favorite All-Time Motion Picture Star.^[1]

Eastwood is primarily known for his alienated, morally ambiguous, anti-hero acting roles in violent action and western films, particularly in the 1960s, 1970s and 1980s. Following his role on the long-running television series Rawhide, he went on to star as the Man With No Name in the Dollars trilogy of Spaghetti Westerns and as Inspector Harry Callahan in the Dirty Harry film series. These roles have made him an enduring icon of masculinity.^[2] Eastwood is also known for his comedic efforts in Every Which Way but Loose (1978) and Any Which Way You Can (1980), his two highest-grossing films after adjustment for inflation.^[3]

For his work in the films Unforgiven (1992) and Million Dollar Baby (2004), Eastwood won Academy Awards for Best Director, producer of the Best Picture and received nominations for Best Actor. He also received Oscar nominations as Best Director for Mystic River (2003) and Letters from Iwo Jima (2007), along with a Golden Globe for his direction of Bird (1988). These films in particular, as well as others such as Play Misty for Me (1971), The Outlaw Josey Wales (1976), Escape from Alcatraz (1979), In the Line of Fire (1993), The Bridges of Madison County (1995) and Gran Torino (2008) have all received great critical acclaim and commercial success. He has directed most of his movies since the early 1970s and all of his films dating back to 1993's A Perfect World.

He also served as the non-partisan mayor of Carmel-by-the-Sea, California from 1986-1988, tending to support small business interests on the one hand and environmental protection on the other.

Early life

Eastwood was born in San Francisco, California, to Clinton Eastwood Sr., a steelworker and migrant worker, and Margaret Ruth Eastwood (née Runner) (1909 - 2006), a factory worker. Clint was born a relatively large baby at 11 pounds and 6 ounces and was named "Samson" by the nurses in the hospital because of his size.^[4][5] Eastwood has English, Scottish, Dutch and Irish ancestry.^[6] He was raised in a "middle class Protestant home"^[7] and moved often as his father worked at a variety of jobs along the West Coast.^[8] The family settled in Piedmont, California, during Eastwood's teens, and he attended Piedmont Junior High School and then Piedmont Senior High School from January 1945 to January 1946.

Oakland Technical High School

Eastwood was not interested in academic studies and records indicate he had to attend summer school classes to maintain grades.^[9] Although he had many friends, many of them rich unlike himself, he was something of a rebel, and despite having athletic and musical talents shunned playing on school teams and in school bands.^[9] Because of his height and athletic abilities, people believed he would have made a good basketball player, but he was more interested in individualistic middle-class sports like tennis and golf, a passion he retains today.^[9]He then enrolled at Oakland Technical High School, where he caught the attention of drama teachers who encouraged him to enlist in school plays, but he showed no interest, and according to Clint, "fast cars and easy women" were all he had on his mind.^{[10] [11]} Instead, he joined auto mechanic courses and aircraft maintenance, and rebuilt a plane and car engine.^[11] Cars were of major importance to Eastwood and he and his wealthy friends enjoyed drag racing, joyriding and raced Fords and Chevies. He also became a keen pianist, and according to a friend, "would actually play the piano until his fingers were bleeding".^[11]

By early 1949, his father had moved jobs to a plant in Seattle and Eastwood had to move in with a friend, Harry Pendleton, to finish his studies. He graduated from Oakland soon after in 1949. Around this time he was invited to a house party in Malibu, where he met the film director Howard Hawks, who, along with John Ford, would later influence his own career.^[12] Eastwood then rejoined his family in Seattle and he worked at the Weyerhaeuser Company pulp mill in Springfield, Oregon with his father when he was 19 for just over a year.^[13] Eastwood then worked briefly as a lifeguard after obtaining a certificate from a Red Cross course,^[14] and played ragtime piano at a bar in Oakland.^[15]

Eastwood had intended to go to Seattle University to major in music but in 1950, during the Korean War, he was drafted into the U.S. Army. He was posted to Fort Ord where his certificate as a lifeguard saw him appointed as a life-saving and swimming instructor. In fear of being posted to Korea, Eastwood kept a low profile and excelled as an instructor, and was promoted to corporal. During this time he visited Carmel for the first time and remarked that "someday I'd like to live here", although later confessed that he had caught the unwanted attention of a 23 year old school teacher from Carmel, a one night stand, who stalked him and threatened to kill herself.^[16]

Point Reyes where Eastwood survived a plane crash in October 1951

In October 1951, he was aboard a Douglas AD-1 military flight that crashed into the Pacific Ocean north of San Francisco (Drake's Bay). It had departed from Seattle for Mather Air Force Base near Stockton and when the intercommunications system failed, the plane was forced to belly land in the sea at dusk two miles off Point Reyes. He escaped serious injury, and with the help of an inflatable raft, swam to shore. The crash hit headline news on October 1, 1951 on the front page of the San Francisco Chronicle.^[17] He later had to testify at a hearing investigating the cause of the crash and this helped keep him from being shipped to Korea with the rest of his unit.^[18][19] During his military service, Eastwood became friends with fellow soldiers and future actors Martin Milner and David Janssen.

Eastwood left Fort Ord in the spring of 1951 and moved back up to Seattle where he worked as a lifeguard for sometime. However, as he had little money and few friends in Seattle and moved down to Los Angeles.^[20] During this time, Eastwood picked up a romance with a girl named Maggie Johnson and by day he worked managing an apartment house which he then moved into in Beverly Hills and worked at the Signal Oil gas station by night.^[21] He signed up to study at Los Angeles City College and quickly became engaged to Maggie and was married shortly before Christmas 1953 in South Pasadena and honeymooned in Carmel, with friend Harry Pendleton as his best man.^[21][22]

Film career

Early work:1950s

Becoming an actor

According to the CBS press release for Rawhide, a Universal international film company happened to be shooting in Fort Ord and an enterprising assistant had spotted Eastwood and invited him to meet the director.^[23] However, the key figure, according to his official biography was a man named Chuck Hill, who was stationed in Fort Ord and had contacts in Hollywood.^[23] While in Los Angeles, Hill had reacquainted with Eastwood and with the help of an attractive telephone operator who took a shining to him, managed to succeed in sneaking Eastwood into a Universal studio and showed him to cameraman Irving Glassberg.^[23]Glassberg was impressed with his appearance and stature and believed him to be, "the sort of good looking young man that has traditionally done well in the movies".^[23]

Glassberg arranged for director Arthur Lubin to meet Eastwood at the gas station where he was working in the evenings in Los Angeles.^[23]Lubin, like Glassberg was highly impressed, remarking, "so tall and slim and very handsome looking".^[24] He swiftly arranged for Eastwood's first audition but was rather less enthusiastic, remarking, "He was quite amateurish. He didn't know which way to turn or which way to go or do anything".^[24] Neverless, he told Eastwood not to give up, and suggested he attend drama classes, and later arranged for an initial contract for Eastwood in April 1954 at $100 a week.^[24]Some people in Hollywood, including his wife Maggie, were suspicious of Lubin's intentions towards Eastwood; he was homosexual and maintained a close friendship with Eastwood in the years that followed.^[25] After signing, Eastwood was required to perform in front of staff members, including actress Myrna Hansen. He played Alan Squier, a disillusioned English intellectual from The Petrified Forest and in one scene was required to strip in front of the Universal staff.^[26] He was initially criticised for his speech and awkward manner; he was soft-spoken and in performing in front of people was cold, stiff and awkward.^[27] Fellow talent school actor John Saxon, described Eastwood as, "being like a kind of hayseed.. Thin, rural, with a prominent Adam's Apple, very laconic and slow speechwise."^[28]The new trainee was certainly not naturally disposed to being a leading man. He lacked creative imagination in the improvisations and although he had a sense of humor and was successful with women offscreen, it didn't transcend into his early acting.^[28]

Universal Studios:Training and development

Eastwood's very first role as a lab assistant in Revenge of the Creature (1954)

In May 1954, Eastwood made his first real audition, trying out for a part in Six Bridges to Cross, a film about the Brinks robbery that would mark the debut of actor Sal Mineo. Director Joseph Pevney was not impressed by his acting and rejected him for any role.^[28] Later he tried out for Brigadoon, The Constant Nymph, Bengal Brigade and The Seven Year Itch in May 1954, Sign of the Pagan (June), Smoke Signal (August) and Abbott and Costello Meet the Keystone Kops (September), all without success.^[28]Eastwood was eventually given a minor role by director Jack Arnold in the film Revenge of the Creature, a film set in the Amazon jungle, which was the sequel to The Creature from the Black Lagoon which had been released just months earlier.^[29] Eastwood played the role of Jennings, a white-coated lab technician who assists the doctor (John Agar) in researching the "creature" and has a liking to white rats used in testing, keeping one in his pocket. His scene was shot in one day on Friday, 30 July, 1954 at Stage No. 16 in Universal, although much of the rest of the film was shot at the Oceanarium in Jacksonville, Florida.^[29]

Following this, the young Eastwood and his wife Maggie moved into an apartment at Villa Sands at 4040 Arch Drive off Ventura Boulevard to be closer to the Universal lot, also occupied by fellow Universal actresses Gia Scala and Lili Kardell.^[30] It also gave Eastwood an opportunity to continue his swimming as it had notable swimming facilities, and the apartment block became a venue for many swimsuit photoshoots, including a memorable one of Anita Ekberg in a leopard skin bikini.^[30] Maggie helped supplement the income by working as a model, and toyed with the idea of acting.^[31] In Christmas 1954, he agreed to play the part of a scarecrow in the annual musical given to the children of the employees of the Universal studio.^[32] Meanwhile, Eastwood was coached by Jess Kimmel and Jack Kosslyn, and UCLA professor, Dr. Daniel Vandraegen who specialized in correcting bad speech. Eastwood had an early tendency to speak almost in a sibilant whisper and was advised to project his voice. These traits never fully went away, but actually worked in his favor in his later films, especially as the Man with No Name in which he often hissed his lines through clenched teeth.^[32]Although Clint was self-conscious on camera, he demonstrated a strength in displaying anger onscreen, and in one improvised scene during training with Betty Jane Howarth, it left her in tears.^[33]

At this time, Eastwood was likened to Gary Cooper and that he resembled a tall, rangy version of James Dean with his high forehead and unruly quiff.^[34] Eastwood was a great admirer of Dean and his rebel image.^[34] However, one day he was introduced to James Dean at Lili Kardell's apartment and Dean showed little enthusiasm, prompting Eastwood to yank him to his feet and chort, "Goddamn it, fellow, stand up when I speak to you", although he was apparently kidding.^[34]Eastwood also met Charlton Heston for the first time at a gym, mistaking him for Chuck Connors.^[35]

In September 1954, Eastwood worked for three weeks on Arthur Lubin's Lady Godiva of Coventry in which he donned a medeival costume, and then in February 1955, won a role playing "Jonesy", a sailor in Francis in the Navy and his salary was raised to $300 a week for the four weeks of shooting.^[36] He again appeared in a Jack Arnold film, Tarantula, with a small role as a squadron pilot, again uncredited.^[37]In May 1955, Eastwood put four hours work into the film Never Say Goodbye, in which he again plays a white coated technician uttering a single line and again had a minor uncredited role as a ranch hand (his first western film) in August 1955 with Law Man, also known as Stars in the Dust.^[38]He gained experience behind the set, watching productions and dubbing and editing sessions of other films at Universal Studios, notably the Rock Hudson film A Place in the Sun.^[38]Universal presented him with his first TV role with a small television debut on NBC's Allen in Movieland on July 2, 1955, starring actors such as Tony Curtis and Benny Goodman.^[39] Although his records at universal revealed his development, Universal along with Miss El Salvador and Miss Ceylon, terminated his contract on October 25, 1955, leaving Eastwood gutted and blaming casting director Robert Palmer, on whom he would exact revenge years later when Palmer came looking for employment at his Malpaso Company. Eastwood rejected him.^[40]

"No Man's Land": 1956-1958

On the recommendation of Betty Jane Howarth, Eastwood soon joined new publicity representatives, the Marsh Agency, who had represented actors such as Adam West and Richard Long.^[25] Althought Eastwood's contract with Lubin had ended, he was important in landing Eastwood his biggest role to date; a featured role in the Ginger Rogers - Carol Channing western comedy, The First Travelling Saleslady.^[41] Eastwood played a recruitment officer for Teddy Roosevelt's Rough Riders. He would also play a pilot in another of Lubin's productions, Escapade in Japan and would make several TV appearances under Lubin even into the early 1960s.^[41] As Eastwood grew in success, he never spoke to Lubin again until 1992, shortly after winning his Oscar for The Unforgiven, when Eastwood promised a lunch that never happened.^[41]

Without the contract of Lubin in the meantime, however, Eastwood was struggling.^[41] He was advised by Irving Leonard financially and under his influence changed talent agencies in rapid succession, the Kumin-Olenick Agency in 1956, and Mitchell Gertz in 1957. He landed a small role as temperamental army officer for a segment of ABC's Reader's Digest series, broadcast in January 1956, and later that year, a motorcycle gang member on a Highway Patrol episode.^[41] In 1957, Eastwood played a cadet who becomes involved in a skiing search and rescue in the 'White Fury' installment of the West Point series. He also appeared in an episode of the prime time series Wagon Train and a suicidal gold prospector in Death Valley Days.^[42] In 1958 he played a Navy lieutenant in a segment of Navy Log and in early 1959 made a notable guest appearance as a cowardly villain, intent on marrying a rich girl for money, in Maverick.^[42]

During this period, Eastwood applied for assorted day jobs, dug pools and began working out hard in the gym.^[42] He attended further acting classes held by Jack Kosslyn who students also included people like Nick Adams, Irish McCalla, Jamie Farr and Jeanne Baird and other developing actors. Eastwood also displayed an early toughness in real life when on one evening Eastwood, his wife, Floyd Simmons and another couple had gone to dinner at Trader Vic's and were theatened at gunpoint before entering the restaurant by a gang of Latin thugs. Whilst his friends were ready to hit the ground, Clint stood his ground and growled, "Go on and pull that trigger, you little son of a bitch, and I'll kill you before I hit the ground".^[43] The thugs ran off.^[43] On another occasion, Clint and friend Fritz Manes were at a bar on Highland Avenue where Clint's long, wavy hair caught the attention of a group of sailors who taunted him and called him a "Hollywood faggot".^[43] One of them landed a punch to Eastwood's face, but Eastwood surprised them, putting two of the men in hospital and injuring the others.^[44]

Eastwood was credited for his roles in several more films. He auditioned for the film The Spirit of St. Louis, a Billy Wilder biopic about aviator Charles Lindbergh. He was rejected and the role in the end went to Jimmy Stewart who just put on makeup to make him look younger. He did however have a small part as an aviator in the French picture Lafayette Escadrille, and played an ex-renegade in the Confederacy in Ambush at Cimarron Pass, his biggest screen role to date opposite Scott Brady. His part was shot in nine days for Regal Films Inc. Out of frustration, he dismissed the film as "probably the lousiest Western ever made", and said, "It was sooo bad. I just kept sinking lower and lower in my seat and just wanted to quit".^[45] Around the time the film was released Eastwood described himself as feeling "really depressed" and regards it as the lowest point in his career.^[45]He seriously considered quitting the acting profession and returning to school to start doing something with his life.^[45]

Rawhide (1959 - 1964)

Eastwood as Rowdy Yates in Rawhide

Floyd Simmons recommended that Eastwood sign with his agent Bill Shiffrin, a hard man, noted for his work with other young, muscular actors. Shiffrin informed Clint that CBS were casting an hour-long Western series and urged him to attend the studio. There he met up with Sonia Chernus, a story editor now working for NBC and while conversing with her, an executive, Robert Sparks, spotted Eastwood in the canteen. The first thing he said was, "How tall are you exactly"? Clint replied, "6'4".^[46] The executive invited him into his office and later arranged for a screen test with Charles Marquis Warren overlooking, in which Eastwood had to recite one of Henry Fonda's monologues from the William Wellman western, The Ox-Bow Incident.^[47] A week later, Shiffrin rang Eastwood and informed him he had won the part of Rowdy Yates in Rawhide. He had successfully beaten competition such as Bing Russell and had got the break he had been looking for.^[47]

Filming began in Arizona in the summer of 1958. His rivalry onscreen with Eric Fleming's character, Gil Favor, was reportedly initially echoed offscreen between the two actors. However, Eastwood has denied that the two ever had a scuffle and especially after Fleming's death by drowning in Peru some years later, has revealed he had much respect for his co-star.^[48]The writer, Charles Marquis Warren, however, described Eastwood's co-star as, "a miserable human being, not only a lousy performer but a colossal egotist".^[49]Although Eastwood was positive with progression at last with his career and becoming a household name across the United States, he was not especially happy with the nature of his Rowdy Yates character. At this time, Eastwood was 30, and Rowdy was too young and too cloddish for Clint to feel comfortable with the part. Although boyishness was a key element in his casting, Eastwood disliked the juvenile overtones of the character and privately described Yates as "the idiot of the plains"^[50]According to co-star Paul Brinegar, who played Wishbone, Eastwood was, "very unhappy about playing a teenager type".^[51]

Eastwood soon ended his contract with Bill Shiffrin and hired Lester Salkow as his talent agent between 1961 and 1963. In regards to his contracts though, it was Irving Leonard and the attorney Frank Wells who played an important role. They structured Eastwood's earnings, (now at $750 per episode) to avoid paying undue taxes and guaranteed the paychecks from CBS well into the future.^[52] Leonard in particular tightly controlled his finances to the extent that when he wanted to buy a car he had to request permission.^[53] He and Maggie continued to live inexpensively but bought a home in Sherman Oaks off Beverly Glen, a modest hillside ranch. His first interview with TV Guide for Rawhide came in August 1959 in which they concentrated on his physical fitness, taking photographs of him doing pushups at home as Eastwood advised readers to keep in shape, warned against carbohydrates and recommended skipping beverages loaded with sugar and eating plenty of fruit and vegetables and vitamins.^[54]

It took just three weeks for Rawhide to reach the top 20 in the TV ratings and soon rescheduled the timeslot half an hour earlier from 7.30 -8.30 pm every Friday, guaranteeing more of a family audience.^[55] For several years it was a major success, and reached its peak as number 6 in the ratings between October 1960 and April 1961.^[55]However, success was not without its price. The Rawhide years were undoubtedly the most gruelling of his life, and at first, from July until April, they filmed six days a week for an average of twelve hours a day.^[55]Although it never won Emmy stature, Rawhide earned critical acclaim and won the American Heritage Award as the best Western series on TV and it was nominated several times for best episode by the Writer's and Director's Guilds.^[55]However, the quality of the storylines in each episode ranged dramatically from the brutal and subjects such as gypsy curses to predictable, silly comedy.^[55]Eastwood during this period received some criticism and was considered too laidback by some directors who believed he relied on his looks and just didn't work hard enough.^[56] Gene Fowler Jr. described Clint as "lackadaisical" in his attitude, whilst one of the series' most prolific crewmen, Tommy Carr described him as, "lazy, and would cost you a morning. I never started a day with Clint Eastwood in the first scene, because you knew he was gonna be late, at least a half hour or an hour."^[56]Laziness, ironically, would later work in his favor and attract the attention of Italian director Sergio Leone and launch Eastwood's successful career in film. Karen Sharpe, an actress, explained the laziness might have been because of his womanizing and would often disappear into his trailer with a lady friend (despite being married) and after having sex, he'd be too tired to do his afternoon scenes.^[56]Although Eastwood did demonstrate growing abilities as an actor, developing on ability to demonstrate surprising authority and balancing humor with emotional nuance, he was not much noticed for his acting abilities at the time.^[57]

Despite his busy schedule, soon after singing A Drover's Life on Rawhide and later Beyond the Sun, Eastwood would have a strong desire to pursue his major passion, music. Although jazz was his main interest, he was also a country and western enthusiast.^[58] He went into the studio and by late 1959 had produced the album Cowboy Favorites which was released on the Cameo label.^[58] The album included some classics such as Bob Wills's San Antonio Rose and Cole Porter's Don't Fence Me In and despite his attempts to plug the album by going on a tour, it never reached the Billboard Hot 100.^[58] Later in 1963, Cameo producer Kal Mann would bluntly tell him that "he would never make it big as a singer".^[59] Neverless, during the off season of filming Rawhide, Eastwood and Brinegar, sometimes joined by Sheb Wooley would go on touring rodeos, state fairs and festivals and in 1962 their act entitled Amusement Business Cavalcade of Fairs earned them as much as $15,000 a performance.^[59] Brinegar also accompanied Eastwood on his first trip outside the country in early 1962 to Japan to increase their publicity, leaving his wife at home.

By the third season of Rawhide, the Hollywood press began to speculate on Eastwood tiring of the series and that he was anxious to move on. A July 1961 article by Hank Grant in the Hollywood Reporter described him as , "Calm on the outside and boiling on the inside" and played upon Eastwood's apparent frustration that he hadn't been able to accept a single feature since joing the CBS series because of his contract, and he had said, "Maybe they really figure me as the sheepish, nice guy I portray in the series, but even a worm has to turn sometime."^[60]He did though make several guest appareance in the meantime on TV, including a cameo in Mr Ed poking fun at himself as a neighbor of Mr. Ed in an episode directed by his old mentor Arthur Lubin and the western comedy series Maverick, in which he fought James Garner in the "Duel at Sundown" episode. Although Rawhide continued to attract notable actors such as Lon Chaney Jr, Mary Astor , Ralph Bellamy, Burgess Meredith, Dean Martin and Barbara Stanwyck, by late 1963 Rawhide was beginning to decline in popularity and lacked freshness in the script.^[61] In regards to the character of Rowdy Yates, he had evolved to upstage that of Gil Favor and became increasingly tough like him, not a trait in which his character had began.^[62] Rawhide would last until 1966, but a change of direction in Eastwood's career would occur in late 1963.

1964-1969: Emergence of a Western film icon

In late 1963, an offer was made to Eastwood's co-star Eric Fleming on Rawhide to star in an Italian made western, originally to be named The Magnificent Stranger (A Fistful of Dollars) to be directed in a remote region of Spain by a relative unknown at the time, Sergio Leone. However, the money was not much, and Fleming always set his sights high on Hollywood stardom, and rejected the offer immediately.^[63] A variety of actors, including Charles Bronson, Steve Reeves, Richard Harrison, Frank Wolfe, Henry Fonda, James Coburn and Ty Hardin^[64] were considered for the main part in the film^[65], and the producers established a list of lesser-known American actors, and asked the aforementioned Richard Harrison for advice. Harrison had suggested Clint Eastwood, whom he knew could play a cowboy convincingly. Harrison later said: "Maybe my greatest contribution to cinema was not doing Fistful of Dollars, and recommending Clint for the part".^[66]

Leone had watched Rawhide upon the advice of Claudia Sartori, an agent working at the William Morris Agency in Rome, and he watched Episode 91, Incident of the Black Sheep, dubbed into Italian.^[63] Leone was intended to focus on Fleming but found himself entirely distracted in looking at Eastwood. Leone said, "What fascinated me about Clint, above all, was his external appearance. I noticed the lazy, laidback way he just came on and stole every single scene from Fleming. His laziness is what came over so clearly."^[63]However, Leone's claim that he was entirely distracted by watching Eastwood is somewhat contradicted by the fact he was urged by Sartori to rewatch the episode after Fleming turned down the part and to concentrate on Eastwood.^[67]

Through Irving Leonard, the offer was made to Eastwood. However, Ruth Marsh of the Marsh Agency that had supported Clint since the 1950s and his wife Maggie conspired to manoeuvre past Leonard, when he had refused the funds to provide a reel of Eastwood in Rawhide to the Italian producers.^[67] They sent a reel to Jolly Film and the agent Filippo Fortini who she had agency contacts with via actor Philippe Hersent , who was the husband of writer Geneviève Hersent and the Italian intermediary of the Marsh Agency.^[67] Eastwood initially thought the same as Fleming had, after all he was already in a Western and tired of it, and wanted to take months off playing golf and relaxing.^[67]However he was urged to read the script; a lone stranger rides into a Mexican frontier town controlled and fought over by two gangs and double-crosses them by playing them off against each other whilst accepting money from both sides. After just ten pages, Eastwood recognised that it was based on Akira Kurosawa's Yojimbo. Eastwood had initially described the dialogue as "atrocious" but thought the storyline was an intelligent one.^[67]Seeing potential, Irving Leonard cut Fortini out of the deal, so that the William Morris Agency would receive credit.^[68] The agreement offered Clint $15,000, an air ticket and paid expenses for 11 weeks of filming.^[68] Eastwood saw it as an opportunity to escape Rawhide and the states and saw it as a paid vacation and signed the contract which also threw in a bonus of a Mercedes automobile upon completion.^[68]

Eastwood wearing the poncho and hat in A Fistful of Dollars (1964)

Never meeting Leone in advance, Eastwood arrived in Rome in May 1964 and was met by the Marsh agency contact there, writer Geneviève Hersent rather than Fortini, Leone's assistants and a few journalists.^[68] Eastwood met Leone later that day upon which he had shown disaste for his all-American style of dress but had been more impressed with meeting him in the flesh than seeing him on TV. Leone recollected, "Clint arrived, dressed with exactly the same bad taste as American students. I didn't care. It was his face and his way of walking that I was interested in".^[69]Eastwood was instrumental in creating the Man With No Name character's distinctive visual style that would appear throughout the Dollars trilogy. He had brought with him the black jeans he had purchased from a shop on Hollywood Boulevard which he had bleached out and roughened up, the hat from a Santa Monica wardrobe firm, a leather bracelet and two Indian leather cases with two serpents,^{[70] [69]} and the trademark black cigars came from a Beverly Hills shop, though Eastwood himself is a non-smoker and hated the smell of cigar smoke.^[71] Leone decided to use them in the film and heavily emphasised the "look" of the mysterious stranger to appear in the film. Leone commented, "The truth is that I needed a mask more than an actor, and Eastwood at the time only two facial expressions: one with the hat, and one without it".^[72][70] . Eastwood said about playing the Man With No Name character in the film,

"I wanted to play it with an economy of words and create this whole feeling through attitude and movement. It was just the kind of character I had envisioned for a long time, keep to the mystery and allude to what happened in the past. It came about after the frustration of doing Rawhide for so long. I felt the less he said the stronger he became and the more he grew in the imagination of the audience.^[73]

A model of Eastwood as the Man with No Name.

The first interiors for the film were shot at the Cinecittà studio on the outskirts of Rome, before quickly moving to a small village in Andalucia, Spain in an area which had also been used for filming Lawrence of Arabia (1962) just a few years earlier.^[74] This would become a benchmark in the development of the spaghetti westerns. Since the film was an Italian/German/Spanish co-production, there was a major language barrier on the set. Eastwood communicated with the Italian cast and crew mostly through stuntman Benito Stefanelli, who acted as an interpreter for the production.

Set of The Good, Bad and the Ugly in Almeria today

Leone hired Eastwood to star in his trilogy, followed by For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1967). Leone depicted a more lawless and desolate world than traditional westerns. All three films were hits, particularly the third, making Eastwood a major star, redefining the image of the American cowboy, though his character was actually a gunslinger and bounty hunter.

Stardom brought more roles in the "tough guy" mold. Eastwood was paid $800,000 in 1968 for the war epic Where Eagles Dare opposite Richard Burton. The same year, he starred in the American revisionist western Hang 'Em High and Don Siegel's Coogan's Bluff, in which he played a lonely deputy sheriff who came to the big city of New York. The film was controversial for its portrayal of violence, but it launched a collaboration between Eastwood and Siegel that lasted more than ten years, and set the prototype for the macho hero that Eastwood would play in the Dirty Harry films. He was cast as Two-Face in the Batman television series, but the series was cancelled before he played the part.

In 1969, Eastwood branched out by starring in his first and only musical, Paint Your Wagon. He and fellow non-singer Lee Marvin played gold miners who share the same wife (played by Jean Seberg). Although the film received mixed reviews, it was nominated for the Golden Globe Award for Best Motion Picture – Musical or Comedy.

1970s: A balance of western, action and comedy

In 1970, Eastwood appeared in the war movie, Kelly's Heroes with Donald Sutherland and Telly Savalas, and in the Siegel-directed western, Two Mules for Sister Sara with Shirley MacLaine. Both movies combined tough-guy action with offbeat humor. In The Beguiled, another movie directed by Siegel, Eastwood played a wounded Union soldier held captive by the sexually repressed matron of a southern girls' school.

Eastwood as Inspector "Dirty" Harry Callahan in Dirty Harry

1971 proved to be a professional turning point in Eastwood's career. His own production company, Malpaso, gave Eastwood the artistic control that he desired, allowing him to direct his first film, Play Misty for Me, a thriller in which he played a DJ who is haunted by a crazed female admirer (played by Jessica Walter). Nevertheless, it was his portrayal of the hard-edged police inspector Harry Callahan in Dirty Harry that propelled Siegel's most successful movie at the box-office. Dirty Harry is arguably Eastwood's most memorable character. The film has been credited with inventing the "loose-cannon cop genre" that is imitated to this day. Eastwood's tough, no-nonsense cop touched a cultural nerve with many who were fed up with crime in the streets.

In 1974, Eastwood teamed with Jeff Bridges in the buddy action flick Thunderbolt and Lightfoot. The movie was written and directed by Michael Cimino, who had previously written Magnum Force (1973), the first of four Dirty Harry sequels.

Eastwood directed two allegorical westerns during the 1970s: High Plains Drifter (1973) and The Outlaw Josey Wales (1976). High Plains Drifter would be the first of six movies Eastwood made with friend Geoffrey Lewis and Josey Wales would be the first of six movies he starred in with companion Sondra Locke. The film also featured his real-life son Kyle Eastwood, then seven years old. Eastwood also frequently collaborated with Bill McKinney, Albert Popwell, Pat Hingle, George Kennedy, William O'Connell, Sam Bottoms, Roy Jenson, and Dan Vadis throughout the 1970s and 1980s.

In 1975, Eastwood brought another talent to the screen: rock-climbing. In The Eiger Sanction, in which he directed and starred, Eastwood — a 5.9 climber — performed his own rock-climbing stunts.^{[citation needed]} This film has become a cult classic among rock-climbers.^{[citation needed]} The third Dirty Harry film, The Enforcer (1976), featured Tyne Daly as Eastwood's female partner.

In 1977, Eastwood directed and starred in The Gauntlet, in which he played a down-and-out cop who falls in love with a prostitute whom he's assigned to escort from Las Vegas to Phoenix in order for her to testify against the mob. Steve McQueen and Barbra Streisand were originally cast as the film's stars. However, fighting between the two forced them to drop out of the project, with Eastwood and Locke replacing them.

In 1978, Eastwood starred in Every Which Way But Loose an uncharacteristic, offbeat comedy role. Eastwood played Philo Beddoe, a trucker and brawler who roamed the American West, searching for a lost love, while accompanying his best brother/manager Orville and his pet orangutan, Clyde. Arguably, Clyde stole the show. While it was panned by the critics, the movie became a blockbuster hit, becoming the second-highest grossing film of the year.

In 1979, Eastwood starred in the fact-based movie Escape from Alcatraz, his last collaboration with Don Siegel. He portrayed prison escapee Frank Morris, who was sent to the tough prison Alcatraz in 1960, devised a meticulous plan to escape from "The Rock," and, in 1962, broke out with two other prisoners and entered San Francisco Bay.

1980s

Eastwood in 1981

In 1980, Eastwood starred in two films: first playing the main attraction in a traveling Wild West Show in Bronco Billy; he reprised his role in the sequel to Every Which Way But Loose entitled Any Which Way You Can. Despite bad reviews from critics, the sequel also became another box-office success and was among the top five highest-grossing films of the year.

In 1982, Eastwood directed, produced and starred in the Cold War-themed Firefox. The fourth Dirty Harry film Sudden Impact (1983), is widely considered to be the darkest, "dirtiest" and most violent film of the series. Also, it was the highest-grossing film of the franchise, making Eastwood a viable star for the 1980s. This would be the last time he starred in a film with frequent leading lady Sondra Locke. President Ronald Reagan referred to his famous "Go ahead, make my day." line in one of his speeches.

Three of Eastwood's films in the 1980s featured his real-life children. His son Kyle starred as his nephew in Honkytonk Man (1982). His daughter Alison had a small role as an orphan in Bronco Billy, and a much bigger role as his daughter in the provocative thriller Tightrope (1984), in which Eastwood starred as a single-father cop lured by the promise of kinky sex.

Eastwood starred in the period comedy City Heat (1984) with Burt Reynolds and the military drama Heartbreak Ridge (1986). He revisited the western genre directing and starring in Pale Rider (1985), an homage to the western film classic Shane, which premiered at the Cannes Film Festival.

"Go ahead, make my day."

Eastwood's fifth and final Dirty Harry film, The Dead Pool (1988), was a commercial success, but was generally panned by critics. It co-starred Liam Neeson, Patricia Clarkson, and a young Jim Carrey, who later appeared with Eastwood in the poorly received comedy Pink Cadillac (1989) alongside Bernadette Peters and Eastwood's future girlfriend Frances Fisher, with whom he has since appeared in two more films. Also during this time, he began working on smaller, more personal projects, first directing Bird (1988), a biopic starring Forest Whitaker as jazz musician Charlie "Bird" Parker, a genre of music that Eastwood has always been personally interested in. Eastwood received two Golden Globes—the Cecil B. DeMille Award for his lifelong contribution and the Best Director award for Bird, which also earned him a Golden Palm nomination at the Cannes Film Festival.

1990s

In 1990, Eastwood directed and co-starred with Charlie Sheen in The Rookie, a cop action film featuring Raul Julia and Sonia Braga as villains. That same year he starred as a character closely based on the legendary film-maker John Huston in White Hunter, Black Heart, an adaptation of Peter Viertel's roman à clef about the making of the classic The African Queen. The latter received some critical attention but only a limited release. Overall, neither film was well-received.

Eastwood rose to prominence yet again in the early 1990s. He revisited the western genre in the self-directed 1992 film, Unforgiven, taking on the role of an aging ex-gunfighter long past his prime. The film, also starring such esteemed actors as Gene Hackman, Morgan Freeman, and Richard Harris, laying the groundwork for such later westerns as Deadwood by re-envisioning established genre conventions in a more ambiguous and unromantic light. A great success both in terms of box office and critical acclaim, it was nominated for nine Academy Awards, including Best Actor for Eastwood and Best Original Screenplay for David Webb Peoples. It won four, including Best Picture and Best Director for Eastwood. As of 2009, Unforgiven is the last western film that Eastwood has made.

In 1993, Eastwood played Frank Horrigan, a guilt-ridden Secret Service agent in the thriller In the Line of Fire, co-starring John Malkovich and Rene Russo and directed by Wolfgang Petersen. As of 2009 it is his last acting role in a film he did not direct himself. This film was a blockbuster and among the top 10 box-office performers in that year. That same year Eastwood directed and starred with Kevin Costner in A Perfect World. In 1995, Eastwood received the Irving G. Thalberg Memorial Award at the Academy Awards. He continued to expand his repertoire by playing opposite Meryl Streep in the love story The Bridges of Madison County (1995). Based on a best-selling novel, it was also a hit at the box-office and grossed $182 million.^[75] The film, which Eastwood also produced and directed, was nominated for the Golden Globe Award for Best Motion Picture – Drama as well as an Oscar.

Afterward, Eastwood turned to more directing work, including Midnight in the Garden of Good and Evil (1997), which starred John Cusack, Kevin Spacey and Jude Law as well as Eastwood's daughter Alison and former frequent costar Geoffrey Lewis. That same year, he starred in the successful political thriller Absolute Power with Gene Hackman, Ed Harris, Laura Linney, Scott Glenn, and Dennis Haysbert. His next film was the badly received drama True Crime (1999), featuring his wife Dina and one of his daughters.

2000s

In 2000, Eastwood directed and starred in Space Cowboys, which also starred Tommy Lee Jones, Donald Sutherland, and James Garner. In the film, he plays Frank Corvin, a retired NASA engineer called upon to save a dying Russian satellite. The film was also one of the year's commercial hits. In 2002, Eastwood played an ex-FBI agent on the track of a sadistic killer in Blood Work, which was derived from a book by Michael Connelly. In 2003, he received a Lifetime Achievement Award from the Screen Actors Guild and directed the crime drama Mystic River about murder, vigilantism, and sexual abuse starring Sean Penn, Kevin Bacon, Tim Robbins and Lawrence Fishburne. The film was a commercial success and won two Academy Awards, as well as nominations for Best Director and Best Picture.

In 2005, Eastwood found critical and commercial success when he directed, produced, scored, and starred in the boxing drama Million Dollar Baby. Eastwood played a cantankerous trainer who forms a bond with the female boxer (Hilary Swank) he reluctantly trains after being persuaded by his lifelong friend (Morgan Freeman). The film won the Academy Award for Best Picture, as well as earning Eastwood a Best Actor nomination and a win for Best Director. Swank and Freeman also won Oscars for their performances, and the trio was nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture. Eastwood also received a Grammy nomination for the score he composed for the film. Million Dollar Baby grossed more than $216 million at the box office and was his highest-grossing film at the time.^[76]

Eastwood in 2007

In 2006, Eastwood directed two films about the battle of Iwo Jima in World War II. The first one, Flags of Our Fathers, focused on the men who raised the American flag on top of Mount Suribachi. The second one, Letters from Iwo Jima, dealt with the tactics of the Japanese soldiers on the island and the letters they wrote to family members. Both films were highly praised by critics and garnered several Oscar nominations, including Best Director and Best Picture for Letters from Iwo Jima.

In 2008, Eastwood directed the Oscar-nominated drama Changeling, which starred Angelina Jolie. Later that year, he ended his "self-imposed acting hiatus"^[77] with Gran Torino. Eastwood directed, starred, held a producer role, and co-wrote the theme song for the film.^[78] It grossed close to $30 million during its wide-release opening weekend in January 2009, making Eastwood, at age 78, the oldest leading man to reach #1 at the box office. Gran Torino has grossed over $268 million worldwide in theaters as of August 6, 2009^[79] and is the highest-grossing film of Eastwood's career so far without adjustment for inflation.

Eastwood has said that Gran Torino will almost certainly be the last time he acts in a movie.^[80]

Other projects

Eastwood's handprints on Hollywood Boulevard

Eastwood has his own Warner Bros. Records-distributed imprint, Malpaso Records, as part of his deal with Warner Bros. This deal was unchanged when Warner Music Group was sold by Time Warner to private investors. Malpaso has released all of the scores of Eastwood's films from The Bridges of Madison County onward. It also released the album of a 1996 jazz concert he hosted, titled Eastwood after Hours — Live at Carnegie Hall.

Eastwood had tried for some time to direct an episode of Rawhide, even being promised at one point the possibility of doing so. However, because of differences between the president of the studio and show producers, Eastwood's opportunity fell through.^{[citation needed]} In 1985, he made his only foray into TV direction to date with the Amazing Stories episode Vanessa In The Garden, starring Harvey Keitel and Sondra Locke; this was his first collaboration with writer/executive producer Steven Spielberg (Spielberg later produced A Perfect World, Flags of Our Fathers, and Letters from Iwo Jima). Eastwood has chosen a wide variety of films to direct, some clearly commercial, others highly personal. Eastwood produces many of his films, and is well known in the industry for his efficient, low-cost approach to making films; he has said that "everything I do as a director is based upon what I prefer as an actor."^[81] Over the years, he has developed relationships with many other filmmakers, working over and over with the same crew, production designers, cinematographers, editors, and other technical people. Similarly, he has a long-term relationship with the Warner Bros. studio, which finances and releases most of his films. However, in a 2004 interview appearing in The New York Times, Eastwood noted that he still sometimes has difficulty convincing the studio to back his films. In the 2000s, Eastwood also began composing music for some of his films.^[82] He is one of the subjects profiled in the documentary Fog City Mavericks, which interviews Eastwood alongside other fellow San Francisco Bay Area filmmakers such as George Lucas and Francis Ford Coppola. As producer, director, and actor, Eastwood has worked exclusively with legendary film poster designer Bill Gold. Gold designed (and often photographed) posters for 35 Clint Eastwood films, from Dirty Harry (1971) to Million Dollar Baby (2004).

Eastwood will be directing the Nelson Mandela bio-pic Invictus, a film based on a 2008 book by John Carlin (Playing the Enemy: Nelson Mandela and the Game that Made a Nation - ISBN 978-1-59420-174-5), starring Morgan Freeman as Nelson Mandela and Matt Damon as rugby team captain Francois Pienaar. Carlin sold the film rights to Morgan Freeman.^[83] Eastwood and Warner Bros. have purchased the film rights to James R. Hansen's First Man: The Life of Neil A. Armstrong, the authorized biography of astronaut Neil Armstrong. No production date has been announced. As of September 2009, he is in talks to direct Peter Morgan's Hereafter for Warner Bros. Eastwood had announced that he has all but retired from acting, although maintained that "if a good western script turns up, you never know..."^{[citation needed]} In 2008, he starred in Gran Torino, which was not a western. Eastwood currently donates funds toward the new CSUMB campus library. In early 2007, Eastwood announced that he will produce a Bruce Ricker documentary about jazz legend Dave Brubeck. The film is tentatively titled Dave Brubeck – In His Own Sweet Way. It will trace the development of Brubeck's latest composition, the Cannery Row Suite. This work was commissioned by the Monterey Jazz Festival and premiered at the 2006 festival. Eastwood's film crews captured early rehearsals, sound checks, and the final performance. Ricker and Eastwood are currently working on a documentary about Tony Bennett, as well, titled The Music Never Ends.^[84]

Politics

Eastwood registered as a Republican in order to vote for Dwight D. Eisenhower in 1952 and he supported Richard Nixon's 1968 and 1972 presidential campaigns, but later criticized Nixon's morality during Watergate (see the February 1974 edition of Playboy). He usually describes himself as a libertarian in interviews, fiscally conservative yet socially liberal.^[85] At times, he has supported Democrats in California, such as the liberal and environmentally-concerned Representative Sam Farr in 2002. Indeed, Eastwood contributed $1,000 to Farr's successful re-election campaign that year^[86] and on May 23, 2003, the iconic actor-director hosted a $5,000-per-ticket fundraiser for California's Democratic governor, Gray Davis.^[87] Later that year, Eastwood offered to film a commercial in support of California's embattled governor,^[88] while in 2001, the star visited Davis' office to support an alternative energy bill written by another Democrat, California State Assemblyman Fred Keeley.^[89]

In general, Eastwood has favored less governmental interference in both the private economy and the private lives of individuals. He has disapproved of a reliance on welfare, instead feeling that government should help citizens make something of themselves via education and incentive. He has, however, approved of unemployment insurance, bail-outs for homeowners saddled with unaffordable mortgages, a continued American automobile industry, electric and hybrid cars, free prescription drugs, government-ordained educational standards, environmental conservation, land preservation, alternative energy, and moderate gun control measures such as California's Brady Bill. A longtime liberal on civil rights, Eastwood has stated that he has always been pro-choice on abortion (see the March 1997 edition of Playboy). He has also endorsed the notion of marriage equality (i.e. allowing gays to marry),^[90] just as he had once contributed to groups supporting the Equal Rights Amendment for women. Eastwood disapproved of America's wars in Korea (1950-1953), Vietnam (1964-1973), and Iraq (2003-present), believing that the U.S. should not be overly militaristic or playing the role of global policeman. In all, he considers himself too individualistic to be either right-wing or left-wing, having sometimes described himself as a "political nothing" and a "moderate" (see the February 1974 edition of Playboy). Eastwood has also stated that he doesn't see himself as conservative, but that he isn't "ultra-leftist," either.^[90]

Eastwood with President Ronald Reagan in the late 1980s

Eastwood made one successful foray into elected politics, becoming the Mayor of Carmel-by-the-Sea, California (population 4,000), a wealthy small town and artist community on the Monterey Peninsula, for one term. During his tenure, he completed Heartbreak Ridge and Bird.^[91]

In 2001, he was appointed to the California State Park and Recreation Commission by Democratic Governor Gray Davis.^[92] He was reappointed in 2004 by Governor Arnold Schwarzenegger,^[93] whom he supported in the elections of 2003 and 2006 (although Eastwood disapproved of the recall of Davis in 2003). Soon afterwards Governor Schwarzenegger announced a proposal to close 80 percent of California State Parks.

Eastwood, the vice chairman of the commission, and commission chairman, Bobby Shriver, Schwarzenegger's brother-in-law, led a California State Park and Recreation Commission panel in its unanimous opposition in 2005 to a six-lane, 16-mile (26 km), toll road that would cut through San Onofre State Beach, north of San Diego, and one of Southern California's most cherished surfing beaches. Eastwood and Shriver also supported a 2006 lawsuit to block the toll road and urged the California Coastal Commission to reject the project, which it did in February 2008.^[94]

Take Pride in America Spokesman Eastwood in Carmel-by-the-Sea, California

In March 2008, Eastwood and Shriver, whose terms had expired, were not reappointed.^[94] The Natural Resources Defense Council (NRDC) asked for a legislative investigation into the decision to not re-appoint Eastwood and Shriver, citing their opposition to the toll road extension.^[95] According to the NRDC and The New Republic, Eastwood and Shriver were not reappointed again in 2008 because both Eastwood and Shriver opposed the freeway extension of California State Route 241, that would cut through the San Onofre State Beach.^[96][97] This extension is likewise supported by Governor Schwarzenegger.^[96][97] Schwarzenegger's press release appointing Alice Huffman and Lindy DeKoven to replace Eastwood and Shriver makes no mention of a reason for the commission change.^[98][99]

Governor Schwarzenegger appointed Eastwood (along with actor and director Danny DeVito, actor and director Bill Duke, producer Tom Werner and producer and director Lili Zanuck) to the California Film Commission in April 2004.^[100]

During the 2008 United States Presidential Election, Eastwood endorsed John McCain for President, citing the fact that he had known McCain since 1973.^[101] He publicly criticized Hillary Clinton for a duck-hunting photo op, saying, "I was thinking: 'The poor duck, what the hell did she do that for?' I don't go for hunting. I just don't like killing creatures. Unless they're trying to kill me. Then that would be fine."^[102] Upon the election of Barack Obama, Eastwood stated "Obama is my president now and I am going to be wishing him the very best because it is what is best for all of us." ^[103]

Personal life

Relationships and family

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Eastwood married model and fellow college student Maggie Johnson on December 19, 1953, six months after being set up on a blind date. They had two children: Kyle Eastwood (born May 19, 1968) and Alison Eastwood (born May 22, 1972). During the marriage, he fathered a daughter, Kimber (born June 17 1964), with Roxanne Tunis. Johnson filed for a legal separation in 1978. Eastwood and Johnson finalized their divorce in May 1984. Both Kimber and Alison Eastwood appeared in their father's film Absolute Power.

Eastwood had a long-running, public relationship with actress Sondra Locke, who appeared with him in six films: The Outlaw Josey Wales, The Gauntlet, Every Which Way but Loose, Bronco Billy, Any Which Way You Can, and Sudden Impact. Their relationship broke down acrimoniously in 1989. Locke filed a palimony suit against Eastwood, and the litigation dragged for a decade. Locke and Eastwood finally resolved the dispute with a non-public settlement in 1999.

During the time he was living with Locke, Eastwood also had a relationship with flight attendant Jacklyn Reeves, from whom he had a son, Scott, and a daughter Kathryn. The fact that Scott and Kathryn Reeves were the actor's children was not publicly known until it was reported by the National Enquirer in the mid-1990s. Since then, the son (now known as Scott Eastwood) has grown close to his father and has also become an actor.^[104]

Following his breakup with Locke, Eastwood moved in with Frances Fisher. They appeared together in Unforgiven, and had a daughter, Francesca Fisher-Eastwood, born on August 7, 1993. Fisher moved out of their shared home in 1995, but later appeared with Eastwood in True Crime.

Eastwood with wife Dina in 2007

Eastwood married anchorwoman Dina Ruiz, 35 years his junior, on March 31, 1996 in Las Vegas, Nevada. His son Kyle served as best man. The couple's daughter, Morgan Eastwood, was born on December 12, 1996.

Eastwood has two grandchildren, Clinton (Kimber's son, born February 21, 1984) and Graylen (Kyle's daughter, born March 28, 1994). Speaking in 2008 said of his fatherhood in his late seventies, Eastwood said: "I'm a much better father now than when I was younger because then I was working all around the world and I was desperate to find the brass ring, so I worked constantly. Now my daughter takes precedence over everything and, even though I've done a lot of work in the past year, I haven't ignored her or have not been involved in her school activities. I go to all the softball games and look ridiculous out there because almost everybody's got a much younger father than me. But it's fun. I think you appreciate everything a lot more when you get to my age. I never started out thinking I would have a big family. But now, it's very important to me, and family relationships take precedence over work".^[105]

Leisure

Eastwood owns the exclusive Tehàma Golf Club, located in Carmel-by-the-Sea. The invitation-only club reportedly has around 300 members and a joining price of $500,000. He is an investor of the world famous Pebble Beach Golf Links.^[106] Eastwood is also the owner of the Mission Ranch Hotel and Restaurant^[107], located in Carmel-by-the-Sea. He is an experienced pilot and sometimes flies his own helicopter to the studio to avoid traffic.

Eastwood is an audiophile, known for his love of jazz. He owns an extensive collection of LPs which he plays on a Rockport turntable. His interest in music was passed on to his son Kyle, now a jazz musician. Eastwood co-wrote "Why Should I Care" with Linda Thompson and Carole Bayer Sager which was recorded by Diana Krall.^[108] He has voiced a lack of interest in hunting, saying, "I don't go for hunting. I just don't like killing creatures. Unless they're trying to kill me. Then that would be fine."^[109] He loves to play golf and donates his time every year to charitable causes at major tournaments.

In 1975 Eastwood publicly proclaimed his participation in Transcendental Meditation when he appeared on the Merv Griffin Show with the founder of Transcendental Meditation, Maharishi Mahesh Yogi.^[110]

Image and popularity

See Clint Eastwood in popular culture

Filmography

Awards and honors

Eastwood is one of two people to have been twice nominated for Best Actor and Best Director for the same film (Unforgiven and Million Dollar Baby) the other being Warren Beatty (Heaven Can Wait and Reds). Along with Beatty, Robert Redford, Richard Attenborough, Kevin Costner, and Mel Gibson, he is one of the few directors best known as an actor to win an Academy Award for directing. On February 27, 2005, at age 74, he became one of only three living directors (along with Miloš Forman and Francis Ford Coppola) to have directed two Best Picture winners. He is also, at age 74, the oldest recipient of the Academy Award for Best Director.

Eastwood directed five actors in Academy Award-winning performances: Gene Hackman in Unforgiven, Tim Robbins & Sean Penn in Mystic River, and Morgan Freeman and Hilary Swank in Million Dollar Baby.

Clint Eastwood received the AFI Life Achievement Award in 1996 and received an honorary degree from AFI in 2009.

Eastwood has received numerous other awards, including an America Now TV Award as well as one of the 2000 Kennedy Center Honors. He received an honorary degree from University of the Pacific in 2006, and an honorary degree from University of Southern California in 2007. In 1995 he received the honorary Irving G. Thalberg Memorial Award for lifetime achievement in film producing.^[111] In 2006, he received a nomination for a Grammy Award in the category of Best Score Soundtrack Album For Motion Picture, Television or Other Visual Media for Million Dollar Baby. In 2007, Eastwood was the first recipient of the Jack Valenti Humanitarian Award, an annual award presented by the MPAA to individuals in the motion picture industry whose work has reached out positively and respectfully to the world. He received the award for his work on the 2006 films Flags of Our Fathers and Letters from Iwo Jima.^[112]

On December 6, 2006, California Governor Arnold Schwarzenegger and First Lady Maria Shriver inducted Eastwood into the California Hall of Fame located at The California Museum for History, Women, and the Arts.

In early 2007, Eastwood was presented with the highest civilian distinction in France, Légion d'honneur, at a ceremony in Paris. French President Jacques Chirac told Eastwood that he embodied "the best of Hollywood".^[113]

On September 22, 2007, Eastwood was awarded an honorary Doctor of Music degree from the Berklee College of Music at the Monterey Jazz Festival, on which he serves as an active board member. Upon receiving the award he gave a speech, claiming, "It's one of the great honors I’ll cherish in this lifetime."^[114] He was also honored with the "Cinema for Peace Award 2007 for Most Valuable Movie of the Year" for "Flags of our Fathers" and "Letters from Iwo Jima".

Eastwood received the 2008 Best Actor award from the National Board of Review of Motion Pictures for his performance in Gran Torino.^[115]

On 29 April 2009, the Japanese government announced that Eastwood was to receive the Order of the Rising Sun, Gold Rays with Neck Ribbon, which represents the third highest of eight classes associated with this award.^[116]

Academy Awards

Won

• 1992 Best Director – Unforgiven
• 1992 Best Picture – Unforgiven
• 1994 Irving G. Thalberg Memorial Award
• 2004 Best Director – Million Dollar Baby
• 2004 Best Picture – Million Dollar Baby

Nominated

• 1992 Best Actor – Unforgiven
• 2003 Best Director – Mystic River
• 2003 Best Picture – Mystic River
• 2004 Best Actor – Million Dollar Baby
• 2006 Best Director – Letters from Iwo Jima
• 2006 Best Picture – Letters from Iwo Jima

Discography

Eastwood is also a musician, pianist and composer. He composed the film scores of Mystic River, Grace Is Gone (2007), and Changeling, and the original piano compositions for In the Line of Fire.

Albums

Singles

Notes

Bibliography

• McGilligan, Patrick (1999). Clint: The Life and Legend. Harper Collins. ISBN 0-00-638354-8.. 
• Schickel, Richard (1996). Clint Eastwood: A Biography. Knopf. ISBN 9780679429746, ISBN 0-679-42974-3. 

Further reading

• Engel, Leonard (2007). Clint Eastwood, Actor and Director: New Perspectives. University of Utah Press. ISBN 9780874809008, ISBN 0-87480-900-2. 
• Johnstone, Iain (2007). The Man with No Name: The Biography of Clint Eastwood. Plexus Publishing, Limited. ISBN 9780859653879, ISBN 0-85965-387-0. 
• McGilligan, Patrick (1999). Clint: The Life and Legend. Perseus Books Group. ISBN 9780786708437, ISBN 0-7867-0843-3. 
• Schickel, Richard (1996). Clint Eastwood: A Biography. Knopf. ISBN 9780679429746, ISBN 0-679-42974-3. 
• Thompson, Douglas (2005). Clint Eastwood: Billion Dollar Man. John Blake. ISBN 1857825721, ISBN 978-1-85782-572-5. 

External links

Wikimedia Commons has media related to: Clint Eastwood

• Clint Eastwood at the Internet Movie Database
• Clint Eastwood Icon Photo Gallery at AMCTV.com
• Charlie Rose show: An hour with Clint Eastwood
• 2007 In-depth interview with Clint Eastwood from The Observer
• Entertainment Weekly Photo Gallery: Clint Eastwood
• Clint Eastwood Forums
• Last Man Standing: On Clint Eastwood The Nation