
[Middle English glas, from Old English glæs.]
| glance, glimpse, glamour, gladiolus | |
| glassful, global, glue verb |
For more information on glass, visit Britannica.com.
Materials made by cooling certain molten materials in such a manner that they do not crystallize but remain in an amorphous state, their viscosity increasing to such high values that, for all practical purposes, they are solid. Materials having this ability to cool without crystallizing are relatively rare, silica, SiO2, being the most common example. Although glasses can be made without silica, most commercially important glasses are based on it. The most important properties are viscosity; strength; index of refraction; dispersion; light transmission (both total and as a function of wavelength); corrosion resistance; and electrical properties.
Chemically, most glasses are silicates. Silica by itself makes a good glass (fused silica), but its high melting point (1723°C or 3133°F) and its high viscosity in the liquid state make it difficult to melt and work. To lower the melting temperature of silica to a more convenient level, soda, Na2O, is added in the form of sodium carbonate or nitrate, for example. This has the desired effect, but unfortunately the resulting glass has no chemical durability and is soluble even in water (water glass). To overcome this problem, lime, CaO, is added to the glass to form the basic soda-lime-silica glass composition which is used for the bulk of common glass articles, such as bottles and sheet (window) glass. Although these are the main ingredients, commercial glass contains other oxides (aluminum and magnesium oxides) and ingredients to help in oxidizing, fining, or decolorizing the glass batch.
Special kinds of glass have other oxides as major ingredients. For example, boron oxide is added to silicate glass to make a low-thermal-expansion glass for chemical glassware which must stand rapid temperature changes, for example, Pyrex glass. Also, lead oxide is used in optical glass because it gives a high index of refraction.
Idioms beginning with glass:
glass ceiling
glass is half full, the
See also people who live in glass houses.
The first examples of man-made glass date to the last quarter of the 3rd millennium B.C. when glass beads were first made in Mesopotamia and Egypt. A formative era in the history of glass-making is marked by the appearance of the first glass vessels in the middle of the 2nd millennium B.C. again in Mesopotamia and Egypt. The heyday of Egypt's glass industry came in the El Amarna period (first half of the 14th century B.C.)
Glass vessels were rare in Palestine and Syria in the Late Bronze Age, and only princes and the very rich could afford them. Some vessels were dedicated to temples and shrines (e.g., at Lachish and Beth Shean); others were found in tombs (e.g., at Beth Shemesh, Megiddo). All these vessels seem to have been imported from Egypt.
The process of casting glass in molds was also invented in the mid-2nd millennium B.C. A homogenous group of blue glass pendants in the shape of a nude female (possibly a fertility goddess) is represented in such widely separated sites as Nuzi (northern Mesopotamia), Alalakh (Plain of Antioch), Beth Shean, Megiddo and Lachish. They originated either in northern Mesopotamia or in Syria. There is no evidence that glass vessels were made in Palestine in the Late Bronze Age.
A decline set in with the end of the New Kingdom in Egypt and the end of the Middle Assyrian period (end of the 2nd millennium B.C.). For the subsequent period there is no positive evidence and it is only in the late 8th and 7th centuries B.C. that glass vessels are found again. The sole remarkable finds of this period from Palestine are glass inlay pieces found with the famous ivories in the palaces of the kings of Israel at Samaria. The role of the Phoenicians in producing or trading in glass in this and subsequent periods is a matter of controversy because of the lack of adequate data. The sole OT mention of glass is in Job 28:17.
Small amphoriscs, aryballoi, alabastra and juglets were produced on a large scale from the 6th to 4th centuries B.C. The center for this production seems to have been on the island of Rhodes. Vessels of this type, common all over the Mediterranean area, have been found in Palestine. Alexandria was apparently the leading centre of glass-making in the Hellenistic period but very few of its luxury products have been found in Palestine. In the NT, glass is mentioned only in the Book of Revelation (4:6; 15:2; 21:18, 21).
A hard, brittle inorganic substance, ordinarily transparent or translucent, produced by melting a mixture of silicates (such as sand) and a flux (such as lime and soda). Molten glass may be blown, cast, drawn, rolled, or pressed in a variety of shapes. Centuries ago, window glass was thin, generally of poor quality, often green or violet in hue, streaked with air bubbles. After about 1700, the manufacturing processes improved significantly so that the price of glass dropped significantly, the sizes of panes increased, and the use of window glass became more widespread. Also see annealed glass, art glass, broad glass, crown glass, cylinder glass, figured glass, float glass, ground glass, insulating glass, iridescent glass, jealous glass, laminated glass, leaded glass, muff glass, opalescent glass, organic-coated glass, painted glass, plate glass, processed glass, rolled glass, sheet glass, solar glass, stained glass, tempered glass, Tiffany glass, tinted glass, toughened glass, wire glass.
An artificial material produced by fusing silica sand with an alkali such as potash or sodium. It was probably developed from faience in the Near East during the 3rd millennium bc, but was not used for anything larger than beads until Hellenistic and Roman times.
The transparent, brittle, man-made material has often provoked the Celtic imagination. The Welsh Caer Wydyr [Fortress of Glass] implied a vision of the Otherworld. Conand's Tower, the Fomorian fortress on Tory Island (off Co. Donegal), is made of glass. Fabulous Irish voyagers such as Bran, St Brendan, and Máel Dúin encounter towers of glass. Merlin goes to sea in a glass house. Welshmen used the name Ynys Wydrin/ Gutrin/Witrin [glass island] for Glastonbury in pre-Saxon times, although the English place-name is not a translation of it. Old Irish glaine; Modern Irish gloine; Scottish Gaelic glaine; Manx gless; Welsh gwydr; Cornish gweder; Breton gwer.
Composition and Properties of Glass
Most glass is a mixture of silica obtained from beds of fine sand or from pulverized sandstone; an alkali to lower the melting point, usually a form of soda or, for finer glass, potash; lime as a stabilizer; and cullet (waste glass) to assist in melting the mixture. The properties of glass are varied by adding other substances, commonly in the form of oxides, e.g., lead, for brilliance and weight; boron, for thermal and electrical resistance; barium, to increase the refractive index, as in optical glass; cerium, to absorb infrared rays; metallic oxides, to impart color; and manganese, for decolorizing. The term "crystal glass," derived from rock crystal, was at first applied to clear, highly refractive glass; it has come to denote in the trade a high-grade, colorless glass and is sometimes applied to any fine hand-blown glass.
The Process of Glassmaking
The processes of glassmaking have remained essentially the same since ancient times. The materials are fused at high temperatures in seasoned fireclay containers, boiled down, skimmed, and cooled several hundred degrees; then the molten glass (called metal) is ladled or poured into molds and pressed, or is blown (sometimes into molds), or is drawn. The shaped glass is annealed to relieve stresses caused by manipulation, then is slowly cooled. The glass, formerly annealed on shelves in a melting furnace, is now usually carried on rollers through annealing ovens (lehrs).
Although today most hollow vessels such as light bulbs or containers are machine blown, fine ornamental hollow ware is still made by gathering a mass of glass at the end of a long, iron blowpipe, blowing it into a pear-shaped bulb, which is rolled on an oiled slab (marver), shaped with tools, and then reblown, often into a mold; the glass is reheated periodically in a small furnace (glory hole). It is finally transferred to an iron rod (punty) attached to the base of the vessel, and the lip is shaped and smoothed. Methods of decoration include cutting, copper-wheel engraving, etching with hydrofluoric acid, enameling, gilding, and painting.
Development of the Glass Industry
Humans have used glass since prehistoric times, at first fashioning small objects from natural glass such as obsidian, a volcanic glass, or from rock crystal, a colorless, transparent quartz whose brilliance and clarity are emulated in manufactured glass.
Ancient Glassmaking
The place and date of origin of manufactured glass are not known. The oldest known specimens of glass are from Egypt (c.2000 B.C.), where the industry was well established c.1500 B.C. Many varieties of glass were known during Roman times, including cameo glass, such as the Portland vase, and millefiore glass, produced from fused and molded bundles of thin glass rods of many colors. Glass was also used for window panes, mirrors, prisms, and magnifying glasses. Except for the work done in Constantinople, little is now known of the methods of glassmaking used in Europe from the fall of Rome until the 10th cent., when stained glass came into use.
Early European Glassmaking
Venice was the leader in making fine glassware for almost four centuries after the Crusades and attempted to monopolize the industry by strict control at Murano of glassworkers, who were severely penalized for betraying the secrets of the art. After the invention (c.1688) of a process for casting glass, France was for many years supreme in the manufacture of plate glass such as that used to line the Galerie des Glaces at Versailles. Late in the 17th cent. England began to make flint glass, whose lead oxide content imparted a brilliance and softness that made it suitable for cut glass.
Glassmaking in Colonial America
The first glass factory in America was built in 1608, and glass was carried in the first cargo exported to England. Although other glasshouses were operated in the colonies, especially in New Amsterdam, the first successful and enduring large-scale glasshouse was set up by the German-born manufacturer Caspar Wistar in New Jersey in 1739. Some of the finest colonial glassware was produced in the Pennsylvania glasshouses of the German-born manufacturer H. W. Stiegel.
Beginnings of the Modern Era
The invention of a glass-pressing machine (c.1827), used by the American manufacturer Deming Jarves in his Boston and Sandwich Glass Company (1825-88), permitted the manufacturing of inexpensive and mass-produced glass articles. Nevertheless, in the 19th and 20th cent., there has remained a sense of pride in individual craftsmanship. The American artist Louis C. Tiffany was responsible for the design and manufacture of an extraordinary iridescent glass used in a variety of objects in the late 1800s. Exceptionally fine blown glassware has been designed by such artists as René Lalique and Maurice Marinot in France, Edvard Hald and Simon Gate in Sweden, as well as Sidney Waugh in the United States.
Contemporary Applications of Glass
Glass has become invaluable in modern architecture, illumination, electrical transmission, instruments for scientific research, optical instruments, household utensils, and even fabrics. New forms of glass, new applications, and new methods of production have revolutionized the industry. Recently developed forms of glass include safety glass, which is usually constructed of two pieces of plate glass bonded together with a plastic that prevents the glass from scattering when broken; fiberglass, which is made from molten glass formed into continuous filaments and used for fabrics or for electrical insulation; and foam glass, which is made by trapping gas bubbles in glass to yield a spongy material for insulating purposes. Certain uses of glass are now being superseded by newly developed plastics.
See also window.
Bibliography
See G. O. Jones, Glass (2d ed. 1971); L. D. Pyle et al., Introduction to Glass Science (1972); R. H. Doremus, Glass Science (1973); I. Fanderlik, Optical Properties of Glass (1983); P. Bansal, Handbook of Glass Properties (1986).
When I dropped the plate, pieces of glass shattered everywhere.
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Glass (in the sense of glass windows rather than a drinking glass) frequently represents the invisible social or emotional barriers we erect between ourselves and others. A dream in which glass breaks can thus mean a breaking down of barriers. (See also Window).
1. a hard, brittle, often transparent material, usually consisting of the fused amorphous silicates of potassium or sodium, and of calcium, with silica in excess.
2. a container, usually cylindrical, made from glass.

Glass is an amorphous (non-crystalline) solid material. Glasses are typically brittle and optically transparent.
The most familiar type of glass, used for centuries in windows and drinking vessels, is soda-lime glass, composed of about 75% silica (SiO2) plus Na2O, CaO, and several minor additives. Often, the term glass is used in a restricted sense to refer to this specific use.
In science, however, the term glass is usually defined in a much wider sense, including every solid that possesses a non-crystalline (i.e., amorphous) structure and that exhibits a glass transition when heated towards the liquid state. In this wider sense, glasses can be made of quite different classes of materials: metallic alloys, ionic melts, aqueous solutions, molecular liquids, and polymers. For many applications (bottles, eyewear) polymer glasses (acrylic glass, polycarbonate, polyethylene terephthalate) are a lighter alternative to traditional silica glasses.
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Silica (the chemical compound SiO2) is a common fundamental constituent of glass. In nature, vitrification of quartz occurs when lightning strikes sand, forming hollow, branching rootlike structures called fulgurite.
The history of creating glass can be traced back to 3500 BCE in Mesopotamia.[1] The term glass developed in the late Roman Empire. It was in the Roman glassmaking center at Trier, now in modern Germany, that the late-Latin term glesum originated, probably from a Germanic word for a transparent, lustrous substance.[2]
While fused quartz (primarily composed of SiO2) is used for some special applications, it is not very common due to its high glass transition temperature of over 1200 °C (2192 °F).[3] Normally, other substances are added to simplify processing. One is sodium carbonate (Na2CO3), which lowers the glass transition temperature. However, the soda makes the glass water soluble, which is usually undesirable, so lime (calcium oxide [CaO], generally obtained from limestone), some magnesium oxide (MgO) and aluminium oxide (Al2O3) are added to provide for a better chemical durability. The resulting glass contains about 70 to 74% silica by weight and is called a soda-lime glass.[4] Soda-lime glasses account for about 90% of manufactured glass.
Most common glass has other ingredients added to change its properties. Lead glass or flint glass is more 'brilliant' because the increased refractive index causes noticeably more specular reflection and increased optical dispersion. Adding barium also increases the refractive index. Thorium oxide gives glass a high refractive index and low dispersion and was formerly used in producing high-quality lenses, but due to its radioactivity has been replaced by lanthanum oxide in modern eye glasses.[citation needed] Iron can be incorporated into glass to absorb infrared energy, for example in heat absorbing filters for movie projectors, while cerium(IV) oxide can be used for glass that absorbs UV wavelengths.[5]
Another common glass ingredient is "cullet" (recycled glass). The recycled glass saves on raw materials and energy; however, impurities in the cullet can lead to product and equipment failure.
Fining agents such as sodium sulfate, sodium chloride, or antimony oxide may be added to reduce the number of air bubbles in the glass mixture.[4] Glass batch calculation is the method by which the correct raw material mixture is determined to achieve the desired glass composition.
Following the glass batch preparation and mixing, the raw materials are transported to the furnace. Soda-lime glass for mass production is melted in gas fired units. Smaller scale furnaces for specialty glasses include electric melters, pot furnaces, and day tanks.[4]
After melting, homogenization and refining (removal of bubbles), the glass is formed. Flat glass for windows and similar applications is formed by the float glass process, developed between 1953 and 1957 by Sir Alastair Pilkington and Kenneth Bickerstaff of the UK's Pilkington Brothers, who created a continuous ribbon of glass using a molten tin bath on which the molten glass flows unhindered under the influence of gravity. The top surface of the glass is subjected to nitrogen under pressure to obtain a polished finish.[9] Container glass for common bottles and jars is formed by blowing and pressing methods. Further glass forming techniques are summarized in the table Glass forming techniques.
Once the desired form is obtained, glass is usually annealed for the removal of stresses. Surface treatments, coatings or lamination may follow to improve the chemical durability (glass container coatings, glass container internal treatment), strength (toughened glass, bulletproof glass, windshields), or optical properties (insulated glazing, anti-reflective coating).
The use of glass in buildings is a transparent feature to allow light to enter into rooms and floors, illuminating enclosed spaces and framing an exterior view through a window. It is also a material for internal partitions and external cladding.
New chemical glass compositions or new treatment techniques can be initially investigated in small-scale laboratory experiments. The raw materials for laboratory-scale glass melts are often different from those used in mass production because the cost factor has a low priority. In the laboratory mostly pure chemicals are used. Care must be taken that the raw materials have not reacted with moisture or other chemicals in the environment (such as alkali or alkaline earth metal oxides and hydroxides, or boron oxide), or that the impurities are quantified (loss on ignition).[10] Evaporation losses during glass melting should be considered during the selection of the raw materials, e.g., sodium selenite may be preferred over easily evaporating SeO2. Also, more readily reacting raw materials may be preferred over relatively inert ones, such as Al(OH)3 over Al2O3. Usually, the melts are carried out in platinum crucibles to reduce contamination from the crucible material. Glass homogeneity is achieved by homogenizing the raw materials mixture (glass batch), by stirring the melt, and by crushing and re-melting the first melt. The obtained glass is usually annealed to prevent breakage during processing.[10][11]
In order to make glass from materials with poor glass forming tendencies, novel techniques are used to increase cooling rate, or reduce crystal nucleation triggers. Examples of these techniques include aerodynamic levitation (cooling the melt whilst it floats on a gas stream), splat quenching (pressing the melt between two metal anvils) and roller quenching (pouring the melt through rollers).
See also: Optical lens design, Fabrication and testing of optical components
Some glasses that do not include silica as a major constituent may have physico-chemical properties useful for their application in fiber optics and other specialized technical applications. These include fluoride glasses, aluminosilicates, phosphate glasses, borate glasses, and chalcogenide glasses.
There are three classes of components for oxide glasses: network formers, intermediates, and modifiers. The network formers (silicon, boron, germanium) form a highly cross-linked network of chemical bonds. The intermediates (titanium, aluminium, zirconium, beryllium, magnesium, zinc) can act as both network formers and modifiers, according to the glass composition. The modifiers (calcium, lead, lithium, sodium, potassium) alter the network structure; they are usually present as ions, compensated by nearby non-bridging oxygen atoms, bound by one covalent bond to the glass network and holding one negative charge to compensate for the positive ion nearby. Some elements can play multiple roles; e.g. lead can act both as a network former (Pb4+ replacing Si4+), or as a modifier.
The presence of non-bridging oxygens lowers the relative number of strong bonds in the material and disrupts the network, decreasing the viscosity of the melt and lowering the melting temperature.
The alkali metal ions are small and mobile; their presence in glass allows a degree of electrical conductivity, especially in molten state or at high temperature. Their mobility, however, decreases the chemical resistance of the glass, allowing leaching by water and facilitating corrosion. Alkaline earth ions, with their two positive charges and requirement for two non-bridging oxygen ions to compensate for their charge, are much less mobile themselves and also hinder diffusion of other ions, especially the alkalis. The most common commercial glasses contain both alkali and alkaline earth ions (usually sodium and calcium), for easier processing and satisfying corrosion resistance.[13] Corrosion resistance of glass can be achieved by dealkalization, removal of the alkali ions from the glass surface by reaction with e.g. sulfur or fluorine compounds. Presence of alkaline metal ions has also detrimental effect to the loss tangent of the glass, and to its electrical resistance; glasses for electronics (sealing, vacuum tubes, lamps...) have to take this in account.
Addition of lead(II) oxide lowers melting point, lowers viscosity of the melt, and increases refractive index. Lead oxide also facilitates solubility of other metal oxides and therefore is used in colored glasses. The viscosity decrease of lead glass melt is very significant (roughly 100 times in comparison with soda glasses); this allows easier removal of bubbles and working at lower temperatures, hence its frequent use as an additive in vitreous enamels and glass solders. The high ionic radius of the Pb2+ ion renders it highly immobile in the matrix and hinders the movement of other ions; lead glasses therefore have high electrical resistance, about two orders of magnitude higher than soda-lime glass (108.5 vs 106.5 Ohm·cm, DC at 250 °C). For more details, see lead glass.[14]
Addition of fluorine lowers the dielectric constant of glass. Fluorine is highly electronegative and attracts the electrons in the lattice, lowering the polarizability of the material. Such silicon dioxide-fluoride is used in manufacture of integrated circuits as an insulator. High levels of fluorine doping lead to formation of volatile SiF2O and such glass is then thermally unstable. Stable layers were achieved with dielectric constant down to about 3.5–3.7.[15]
In the past, small batches of amorphous metals with high surface area configurations (ribbons, wires, films, etc.) have been produced through the implementation of extremely rapid rates of cooling. This was initially termed "splat cooling" by doctoral student W. Klement at Caltech, who showed that cooling rates on the order of millions of degrees per second is sufficient to impede the formation of crystals, and the metallic atoms become "locked into" a glassy state. Amorphous metal wires have been produced by sputtering molten metal onto a spinning metal disk. More recently a number of alloys have been produced in layers with thickness exceeding 1 millimeter. These are known as bulk metallic glasses (BMG). Liquidmetal Technologies sell a number of zirconium-based BMGs. Batches of amorphous steel have also been produced that demonstrate mechanical properties far exceeding those found in conventional steel alloys.[16][17][18]
In 2004, NIST researchers presented evidence that an isotropic non-crystalline metallic phase (dubbed "q-glass") could be grown from the melt. This phase is the first phase, or "primary phase," to form in the Al-Fe-Si system during rapid cooling. Interestingly, experimental evidence indicates that this phase forms by a first-order transition. Transmission electron microscopy (TEM) images show that the q-glass nucleates from the melt as discrete particles, which grow spherically with a uniform growth rate in all directions. The diffraction pattern[clarification needed] shows it to be an isotropic glassy phase. Yet there is a nucleation barrier, which implies an interfacial discontinuity (or internal surface) between the glass and the melt.[19][20]
Electrolytes or molten salts are mixtures of different ions. In a mixture of three or more ionic species of dissimilar size and shape, crystallization can be so difficult that the liquid can easily be supercooled into a glass. The best studied example is Ca0.4K0.6(NO3)1.4.
Some aqueous solutions can be supercooled into a glassy state, for instance LiCl:RH2O in the composition range 4<R<8.
A molecular liquid is composed of molecules that do not form a covalent network but interact only through weak van der Waals forces or through transient hydrogen bonds. Many molecular liquids can be supercooled into a glass; some are excellent glass formers that normally do not crystallize.
A widely known example is sugar glass.
Under extremes of pressure and temperature solids may exhibit large structural and physical changes which can lead to polyamorphic phase transitions.[21] In 2006 Italian scientists created an amorphous phase of carbon dioxide using extreme pressure. The substance was named amorphous carbonia(a-CO2) and exhibits an atomic structure resembling that of silica.[22]
Concentrated colloidal suspensions may exhibit a distinct glass transition as function of particle concentration or density.[23][24][25]
Glass-ceramic materials share many properties with both non-crystalline glass and crystalline ceramics. They are formed as a glass, and then partially crystallized by heat treatment. For example, the microstructure of whiteware ceramics frequently contains both amorphous and crystalline phases. Crystalline grains are often embedded within a non-crystalline intergranular phase of grain boundaries. When applied to whiteware ceramics, vitreous means the material has an extremely low permeability to liquids, often but not always water, when determined by a specified test regime.[26][27]
The term mainly refers to a mix of lithium and aluminosilicates which yields an array of materials with interesting thermomechanical properties. The most commercially important of these have the distinction of being impervious to thermal shock. Thus, glass-ceramics have become extremely useful for countertop cooking. The negative thermal expansion coefficient (CTE) of the crystalline ceramic phase can be balanced with the positive CTE of the glassy phase. At a certain point (~70% crystalline) the glass-ceramic has a net CTE near zero. This type of glass-ceramic exhibits excellent mechanical properties and can sustain repeated and quick temperature changes up to 1000 °C.[26][27]
As in other amorphous solids, the atomic structure of a glass lacks any long range translational periodicity. However, due to chemical bonding characteristics glasses do possess a high degree of short-range order with respect to local atomic polyhedra.[28]
In physics, the standard definition of a glass (or vitreous solid) is a solid formed by rapid melt quenching.[29][30][31][32][33] However, the term glass is often used to describe any amorphous solid that exhibits a glass transition temperature Tg. If the cooling is sufficiently rapid (relative to the characteristic crystallization time) then crystallization is prevented and instead the disordered atomic configuration of the supercooled liquid is frozen into the solid state at Tg. Generally, the structure of a glass exists in a metastable state with respect to its crystalline form, although in certain circumstances, for example in atactic polymers, there is no crystalline analogue of the amorphous phase.[34]
Some people consider glass to be a liquid due to its lack of a first-order phase transition[35][36] where certain thermodynamic variables such as volume, entropy and enthalpy are discontinuous through the glass transition range. However, the glass transition may be described as analogous to a second-order phase transition where the intensive thermodynamic variables such as the thermal expansivity and heat capacity are discontinuous.[37] Despite this, the equilibrium theory of phase transformations does not entirely hold for glass, and hence the glass transition cannot be classed as one of the classical equilibrium phase transformations in solids.[32][33]
| What is the nature of the transition between a fluid or regular solid and a glassy phase?
"The deepest and most interesting unsolved problem in solid state theory is probably the theory of the nature of glass and the glass transition." P.W. Anderson[38] |
Glass is an amorphous solid. It exhibits an atomic structure close to that observed in the supercooled liquid phase but displays all the mechanical properties of a solid.[35][39] The notion that glass flows to an appreciable extent over extended periods of time is not supported by empirical research or theoretical analysis (see viscosity of amorphous materials).
Although the atomic structure of glass shares characteristics of the structure in a supercooled liquid, glass tends to behave as a solid below its glass transition temperature.[40] A supercooled liquid behaves as a liquid, but it is below the freezing point of the material, and in some cases will crystallize almost instantly if a crystal is added as a core. The change in heat capacity at a glass transition and a melting transition of comparable materials are typically of the same order of magnitude, indicating that the change in active degrees of freedom is comparable as well. Both in a glass and in a crystal it is mostly only the vibrational degrees of freedom that remain active, whereas rotational and translational motion is arrested. This helps to explain why both crystalline and non-crystalline solids exhibit rigidity on most experimental time scales.
The observation that old windows are sometimes found to be thicker at the bottom than at the top is often offered as supporting evidence for the view that glass flows over a timescale of centuries. The assumption being that the glass was once uniform, but has flowed to its new shape, which is a property of liquid.[41] However, this assumption is incorrect; once solidified, glass does not flow anymore. The reason for the observation is that in the past, when panes of glass were commonly made by glassblowers, the technique used was to spin molten glass so as to create a round, mostly flat and even plate (the crown glass process, described above). This plate was then cut to fit a window. The pieces were not, however, absolutely flat; the edges of the disk became a different thickness as the glass spun. When installed in a window frame, the glass would be placed with the thicker side down both for the sake of stability and to prevent water accumulating in the lead cames at the bottom of the window.[42] Occasionally such glass has been found thinner side down or thicker on either side of the window's edge, the result of carelessness during installation.[43]
Mass production of glass window panes in the early twentieth century caused a similar effect. In glass factories, molten glass was poured onto a large cooling table and allowed to spread. The resulting glass is thicker at the location of the pour, located at the center of the large sheet. These sheets were cut into smaller window panes with nonuniform thickness, typically with the location of the pour centred in one of the panes (known as "bull's-eyes") for decorative effect. Modern glass intended for windows is produced as float glass and is very uniform in thickness.
Several other points can be considered which contradict the "cathedral glass flow" theory:
The above does not apply to materials that have a glass transition temperature close to room temperature, such as certain plastics used in daily life like polystyrene and polypropylene. Over time, they may well show viscoelastic behaviour, and this is a serious concern when applying these materials in construction.
Glass is in widespread use largely due to the production of glass compositions that are transparent to visible wavelengths of light. In contrast, polycrystalline materials do not in general transmit visible light.[45] The individual crystallites may be transparent, but their facets (grain boundaries) reflect or scatter light resulting in diffuse reflection. Glass does not contain the internal subdivisions associated with grain boundaries in polycrystals and hence does not scatter light in the same manner as a polycrystalline material. The surface of a glass is often smooth since during glass formation the molecules of the supercooled liquid are not forced to dispose in rigid crystal geometries and can follow surface tension, which imposes a microscopically smooth surface. These properties, which give glass its clearness, can be retained even if glass is partially light-absorbing i.e. colored.[46]
Glass has the ability to refract, reflect, and transmit light following geometrical optics, without scattering it. It is used in the manufacture of lenses and windows. Common glass has a refraction index around 1.5. According to Fresnel equations, the reflectivity of a sheet of glass is about 4% per surface (at normal incidence in air), and the transmissivity of one element (two surfaces) is about 92%. Glass also finds application in optoelectronics e.g., for light-transmitting optical fibers.
Color in glass may be obtained by addition of electrically charged ions (or color centers) that are homogeneously distributed, and by precipitation of finely dispersed particles (such as in photochromic glasses).[47] Ordinary soda-lime glass appears colorless to the naked eye when it is thin, although iron(II) oxide (FeO) impurities of up to 0.1 wt%[48] produce a green tint which can be viewed in thick pieces or with the aid of scientific instruments. Further FeO and Cr2O3 additions may be used for the production of green bottles. Sulfur, together with carbon and iron salts, is used to form iron polysulfides and produce amber glass ranging from yellowish to almost black.[49] A glass melt can also acquire an amber color from a reducing combustion atmosphere. Manganese dioxide can be added in small amounts to remove the green tint given by iron(II) oxide. When used in art glass or studio glass glass is colored using closely guarded recipes that involve specific combinations of metal oxides, melting temperatures and 'cook' times. Most colored glass used in the art market is manufactured in volume by vendors who serve this market although there are some glass makers with the ability to make their own color from raw materials.
From the 19th century, various types of fancy glass started to become significant branches of the decorative arts. Cameo glass was revived for the first time since the Romans, initially mostly used for pieces in a neo-classical style. The Art Nouveau movement in particular made great use of glass, with René Lalique, Émile Gallé, and Daum of Nancy important names in the first French wave of the movement, producing colored vases and similar pieces, often in cameo glass, and also using lustre techniques. Louis Comfort Tiffany in America specialized in secular stained glass, mostly of plant subjects, both in panels and his famous lamps. From the 20th century, some glass artists began to class themselves as in effect sculptors working in glass, and as part of the fine arts.
Several of the most common techniques for producing glass art include: blowing, kiln-casting, fusing, slumping, pate-de-verre, flame-working, hot-sculpting and cold-working. Cold work includes traditional stained glass work as well as other methods of shaping glass at room temperature. Glass can also be cut with a diamond saw, or copper wheels embedded with abrasives, and polished to give gleaming facets; the technique used in creating Waterford crystal.[50] Art is sometimes etched into glass via the use of acid, caustic, or abrasive substances. Traditionally this was done after the glass was blown or cast. In the 1920s a new mould-etch process was invented, in which art was etched directly into the mould, so that each cast piece emerged from the mould with the image already on the surface of the glass. This reduced manufacturing costs and, combined with a wider use of colored glass, led to cheap glassware in the 1930s, which later became known as Depression glass.[51] As the types of acids used in this process are extremely hazardous, abrasive methods have gained popularity.
Another technique is devitrification.
Objects made out of glass include not only traditional objects such as vessels (bowls, vases, bottles, and other containers), paperweights, marbles, beads, but an endless range of sculpture and installation art as well. Colored glass is often used, though sometimes the glass is painted, innumerable examples exist of the use of stained glass.
Apart from historical collections in general museums, modern works of art in glass can be seen in a variety of museums, including the Chrysler Museum, the Museum of Glass in Tacoma, the Metropolitan Museum of Art, the Toledo Museum of Art, and Corning Museum of Glass, in Corning, NY, which houses the world's largest collection of glass art and history, with more than 45,000 objects in its collection.[52]
The Harvard Museum of Natural History has a collection of extremely detailed models of flowers made of painted glass. These were lampworked by Leopold Blaschka and his son Rudolph, who never revealed the method he used to make them. The Blaschka Glass Flowers are still an inspiration to glassblowers today.[53]
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Dansk (Danish)
n. - glas, barometer, spejl, rude
v. tr. - betragte i kikkert, spejle
v. intr. - sætte glas i
idioms:
Nederlands (Dutch)
glas, spiegel, glaswerk, barometer, (mv) toneel-/ verrekijker, (mv) bril, ruit, broeikas, zandloper, loep, voorzien van glas, weerspiegelen, met verrekijker waarnemen, glazen
Français (French)
n. - verre (le matériau), verre (à boire), verrerie, miroir (arch), longue-vue, baromètre
v. tr. - vitrer
v. intr. - devenir vitreux, utiliser un instrument optique
adj. - en verre
idioms:
Deutsch (German)
n. - Glas, Trinkglas, Spiegel, Barometer, Fernglas, Brille
v. - verglasen, reflektieren
adj. - Glas-, gläsern
idioms:
Ελληνική (Greek)
n. - γυαλί, ποτήρι, καθρέφτης, (πληθ.) ματογυάλια, γυαλιά, (μεγεθυντικός) φακός
v. - τζαμώνω
adj. - γυάλινος, τζαμένιος, υαλοπίνακας, τζαμώνω
idioms:
Italiano (Italian)
vetro, bicchiere, occhiali, cannocchiale, binocolo, specchio, stoviglie, barometro, di vetro
idioms:
Português (Portuguese)
n. - vidro (m), copo (m), conteúdo (m) de um copo, espelho (m), lente (f)
v. - envidraçar, espelhar, feito de vidro
adj. -
idioms:
Русский (Russian)
стекло, стакан, рюмка, бокал, очки, стеклянный
idioms:
Español (Spanish)
n. - gafas, binocular, vaso, copa, cristal, vidrio, espejo, cristalería, barómetro, ventana, lente, contenido de un vaso
v. tr. - colocar paneles de vidrio, cubrir o recubrir con vidrio, mirar con un lente
v. intr. - reflejarse en un vidrio u otra superficie
adj. - de vidrio, vítreo, hecho de vidrio, compuesto de paneles de vidrio
idioms:
Svenska (Swedish)
n. - glas (ämnet), glas(föremål), (dricks)glas, kikare, spegel, förstoringsglas, barometer, timglas, fönsterruta, växthus, glas (sjö.)
v. - glasa, spegla
adj. - glas-
中文(简体)(Chinese (Simplified))
玻璃, 透镜, 玻璃杯, 装玻璃于, 反映, 成玻璃状
idioms:
中文(繁體)(Chinese (Traditional))
n. - 玻璃, 透鏡, 玻璃杯
v. tr. - 裝玻璃於, 反映
v. intr. - 成玻璃狀
idioms:
한국어 (Korean)
n. - 유리, 거울, 안경
v. tr. - 유리를 덮다, 비추어서 보다, 눈을 흐리게 하다
v. intr. - 유리를 끼우다, 비춰지다
idioms:
日本語 (Japanese)
n. - ガラス, コップ, グラス, ガラス製品, コップ一杯, 眼鏡, 双眼鏡, 鏡, 温度計, 望遠鏡
v. - ガラスをはめる
idioms:
العربيه (Arabic)
(الاسم) زجاج (فعل) يزجج
עברית (Hebrew)
n. - זכוכית, כוס, משקפת, ראי, מד-לחץ-אוויר, שעון-חול, כלי זכוכית, משקפיים (ברבים)
v. tr. - זיגג, השקיף במשקפת, השתקף (ספרותית)
v. intr. - נעשה זגוגי (מבט), השתמש במכשיר אופטי, למשל לחיפוש חיות-ציד
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