glass

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(glăs) pronunciation
n.
  1. Any of a large class of materials with highly variable mechanical and optical properties that solidify from the molten state without crystallization, are typically made by silicates fusing with boric oxide, aluminum oxide, or phosphorus pentoxide, are generally hard, brittle, and transparent or translucent, and are considered to be supercooled liquids rather than true solids.
  2. Something usually made of glass, especially:
    1. A drinking vessel.
    2. A mirror.
    3. A barometer.
    4. A window or windowpane.
    1. glasses A pair of lenses mounted in a light frame, used to correct faulty vision or protect the eyes.
    2. A binocular or field glass. Often used in the plural.
    3. A device, such as a monocle or spyglass, containing a lens or lenses and used as an aid to vision.
  3. The quantity contained by a drinking vessel; a glassful.
  4. Objects made of glass; glassware.
adj.
  1. Made or consisting of glass.
  2. Fitted with panes of glass; glazed.

v., glassed, glass·ing, glass·es.

v.tr.
    1. To enclose or encase with glass.
    2. To put into a glass container.
    3. To provide with glass or glass parts.
  1. To make glassy; glaze.
    1. To see reflected, as in a mirror.
    2. To reflect.
  2. To scan (a tract of land or forest, for example) with an optical instrument.
v.intr.
  1. To become glassy.
  2. To use an optical instrument, as in looking for game.

[Middle English glas, from Old English glæs.]



is the usual term in both British English and American English for what are also called in British English (though not in American English) spectacles. In American English eyeglasses is often used in the same meaning, but this has long fallen out of use in Britain.

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Solid material, typically a mix of inorganic compounds, usually transparent or translucent, hard, brittle, and impervious to the natural elements (vitreous properties). It is made by cooling molten ingredients fast enough so no visible crystals form. A poor conductor of heat and electricity, glass takes on colours when certain metal oxides are included in the mix. Most glass breaks easily. Obsidian is a naturally occurring glass. Everyday glass (soda-lime or soda-lime-silica) is made of silica (silicon dioxide), soda (sodium carbonate), and limestone (calcium carbonate), with magnesia (magnesium oxide) for sheet glass or alumina (aluminum oxide) for bottle glass. Fused silica is an excellent glass but expensive because of pure silica's very high melting point. Borosilicate glass (e.g., Pyrex) is used for cookware and laboratory glassware because it expands very little when heated. Lead crystal is used for fine tableware. It has a heavy feel because of its lead oxide content and a sparkle due to its high refraction index. Even more specialized glasses include optical, photosensitive, metallic, and fibre-optic. Since glass has no sharp melting point, most types can be shaped while hot and plastic by many techniques, mostly blowing or molding. volcanic glass.

For more information on glass, visit Britannica.com.

Materials made by cooling certain molten materials in such a manner that they do not crystallize but remain in an amorphous state, their viscosity increasing to such high values that, for all practical purposes, they are solid. Materials having this ability to cool without crystallizing are relatively rare, silica, SiO2, being the most common example. Although glasses can be made without silica, most commercially important glasses are based on it. The most important properties are viscosity; strength; index of refraction; dispersion; light transmission (both total and as a function of wavelength); corrosion resistance; and electrical properties.

Chemically, most glasses are silicates. Silica by itself makes a good glass (fused silica), but its high melting point (1723°C or 3133°F) and its high viscosity in the liquid state make it difficult to melt and work. To lower the melting temperature of silica to a more convenient level, soda, Na2O, is added in the form of sodium carbonate or nitrate, for example. This has the desired effect, but unfortunately the resulting glass has no chemical durability and is soluble even in water (water glass). To overcome this problem, lime, CaO, is added to the glass to form the basic soda-lime-silica glass composition which is used for the bulk of common glass articles, such as bottles and sheet (window) glass. Although these are the main ingredients, commercial glass contains other oxides (aluminum and magnesium oxides) and ingredients to help in oxidizing, fining, or decolorizing the glass batch.

Special kinds of glass have other oxides as major ingredients. For example, boron oxide is added to silicate glass to make a low-thermal-expansion glass for chemical glassware which must stand rapid temperature changes, for example, Pyrex glass. Also, lead oxide is used in optical glass because it gives a high index of refraction.


The first examples of man-made glass date to the last quarter of the 3rd millennium B.C. when glass beads were first made in Mesopotamia and Egypt. A formative era in the history of glass-making is marked by the appearance of the first glass vessels in the middle of the 2nd millennium B.C. again in Mesopotamia and Egypt. The heyday of Egypt's glass industry came in the El Amarna period (first half of the 14th century B.C.)

Glass vessels were rare in Palestine and Syria in the Late Bronze Age, and only princes and the very rich could afford them. Some vessels were dedicated to temples and shrines (e.g., at Lachish and Beth Shean); others were found in tombs (e.g., at Beth Shemesh, Megiddo). All these vessels seem to have been imported from Egypt.

The process of casting glass in molds was also invented in the mid-2nd millennium B.C. A homogenous group of blue glass pendants in the shape of a nude female (possibly a fertility goddess) is represented in such widely separated sites as Nuzi (northern Mesopotamia), Alalakh (Plain of Antioch), Beth Shean, Megiddo and Lachish. They originated either in northern Mesopotamia or in Syria. There is no evidence that glass vessels were made in Palestine in the Late Bronze Age.

A decline set in with the end of the New Kingdom in Egypt and the end of the Middle Assyrian period (end of the 2nd millennium B.C.). For the subsequent period there is no positive evidence and it is only in the late 8th and 7th centuries B.C. that glass vessels are found again. The sole remarkable finds of this period from Palestine are glass inlay pieces found with the famous ivories in the palaces of the kings of Israel at Samaria. The role of the Phoenicians in producing or trading in glass in this and subsequent periods is a matter of controversy because of the lack of adequate data. The sole OT mention of glass is in Job 28:17.

Small amphoriscs, aryballoi, alabastra and juglets were produced on a large scale from the 6th to 4th centuries B.C. The center for this production seems to have been on the island of Rhodes. Vessels of this type, common all over the Mediterranean area, have been found in Palestine. Alexandria was apparently the leading centre of glass-making in the Hellenistic period but very few of its luxury products have been found in Palestine. In the NT, glass is mentioned only in the Book of Revelation (4:6; 15:2; 21:18, 21).


A hard, brittle inorganic substance, ordinarily transparent or translucent, produced by melting a mixture of silicates (such as sand) and a flux (such as lime and soda). Molten glass may be blown, cast, drawn, rolled, or pressed in a variety of shapes. Centuries ago, window glass was thin, generally of poor quality, often green or violet in hue, streaked with air bubbles. After about 1700, the manufacturing processes improved significantly so that the price of glass dropped significantly, the sizes of panes increased, and the use of window glass became more widespread. Also see annealed glass, art glass, broad glass, crown glass, cylinder glass, figured glass, float glass, ground glass, insulating glass, iridescent glass, jealous glass, laminated glass, leaded glass, muff glass, opalescent glass, organic-coated glass, painted glass, plate glass, processed glass, rolled glass, sheet glass, solar glass, stained glass, tempered glass, Tiffany glass, tinted glass, toughened glass, wire glass.



[Ma]

An artificial material produced by fusing silica sand with an alkali such as potash or sodium. It was probably developed from faience in the Near East during the 3rd millennium bc, but was not used for anything larger than beads until Hellenistic and Roman times.

The transparent, brittle, man-made material has often provoked the Celtic imagination. The Welsh Caer Wydyr [Fortress of Glass] implied a vision of the Otherworld. Conand's Tower, the Fomorian fortress on Tory Island (off Co. Donegal), is made of glass. Fabulous Irish voyagers such as Bran, St Brendan, and Máel Dúin encounter towers of glass. Merlin goes to sea in a glass house. Welshmen used the name Ynys Wydrin/ Gutrin/Witrin [glass island] for Glastonbury in pre-Saxon times, although the English place-name is not a translation of it. Old Irish glaine; Modern Irish gloine; Scottish Gaelic glaine; Manx gless; Welsh gwydr; Cornish gweder; Breton gwer.

glass, hard substance, usually brittle and transparent, composed chiefly of silicates and an alkali fused at high temperature.

Composition and Properties of Glass

Most glass is a mixture of silica obtained from beds of fine sand or from pulverized sandstone; an alkali to lower the melting point, usually a form of soda or, for finer glass, potash; lime as a stabilizer; and cullet (waste glass) to assist in melting the mixture. The properties of glass are varied by adding other substances, commonly in the form of oxides, e.g., lead, for brilliance and weight; boron, for thermal and electrical resistance; barium, to increase the refractive index, as in optical glass; cerium, to absorb infrared rays; metallic oxides, to impart color; and manganese, for decolorizing. The term "crystal glass," derived from rock crystal, was at first applied to clear, highly refractive glass; it has come to denote in the trade a high-grade, colorless glass and is sometimes applied to any fine hand-blown glass.

The Process of Glassmaking

The processes of glassmaking have remained essentially the same since ancient times. The materials are fused at high temperatures in seasoned fireclay containers, boiled down, skimmed, and cooled several hundred degrees; then the molten glass (called metal) is ladled or poured into molds and pressed, or is blown (sometimes into molds), or is drawn. The shaped glass is annealed to relieve stresses caused by manipulation, then is slowly cooled. The glass, formerly annealed on shelves in a melting furnace, is now usually carried on rollers through annealing ovens (lehrs).

Although today most hollow vessels such as light bulbs or containers are machine blown, fine ornamental hollow ware is still made by gathering a mass of glass at the end of a long, iron blowpipe, blowing it into a pear-shaped bulb, which is rolled on an oiled slab (marver), shaped with tools, and then reblown, often into a mold; the glass is reheated periodically in a small furnace (glory hole). It is finally transferred to an iron rod (punty) attached to the base of the vessel, and the lip is shaped and smoothed. Methods of decoration include cutting, copper-wheel engraving, etching with hydrofluoric acid, enameling, gilding, and painting.

Development of the Glass Industry

Humans have used glass since prehistoric times, at first fashioning small objects from natural glass such as obsidian, a volcanic glass, or from rock crystal, a colorless, transparent quartz whose brilliance and clarity are emulated in manufactured glass.

Ancient Glassmaking

The place and date of origin of manufactured glass are not known. The oldest known specimens of glass are from Egypt (c.2000 B.C.), where the industry was well established c.1500 B.C. Many varieties of glass were known during Roman times, including cameo glass, such as the Portland vase, and millefiore glass, produced from fused and molded bundles of thin glass rods of many colors. Glass was also used for window panes, mirrors, prisms, and magnifying glasses. Except for the work done in Constantinople, little is now known of the methods of glassmaking used in Europe from the fall of Rome until the 10th cent., when stained glass came into use.

Early European Glassmaking

Venice was the leader in making fine glassware for almost four centuries after the Crusades and attempted to monopolize the industry by strict control at Murano of glassworkers, who were severely penalized for betraying the secrets of the art. After the invention (c.1688) of a process for casting glass, France was for many years supreme in the manufacture of plate glass such as that used to line the Galerie des Glaces at Versailles. Late in the 17th cent. England began to make flint glass, whose lead oxide content imparted a brilliance and softness that made it suitable for cut glass.

Glassmaking in Colonial America

The first glass factory in America was built in 1608, and glass was carried in the first cargo exported to England. Although other glasshouses were operated in the colonies, especially in New Amsterdam, the first successful and enduring large-scale glasshouse was set up by the German-born manufacturer Caspar Wistar in New Jersey in 1739. Some of the finest colonial glassware was produced in the Pennsylvania glasshouses of the German-born manufacturer H. W. Stiegel.

Beginnings of the Modern Era

The invention of a glass-pressing machine (c.1827), used by the American manufacturer Deming Jarves in his Boston and Sandwich Glass Company (1825-88), permitted the manufacturing of inexpensive and mass-produced glass articles. Nevertheless, in the 19th and 20th cent., there has remained a sense of pride in individual craftsmanship. The American artist Louis C. Tiffany was responsible for the design and manufacture of an extraordinary iridescent glass used in a variety of objects in the late 1800s. Exceptionally fine blown glassware has been designed by such artists as René Lalique and Maurice Marinot in France, Edvard Hald and Simon Gate in Sweden, as well as Sidney Waugh in the United States.

Contemporary Applications of Glass

Glass has become invaluable in modern architecture, illumination, electrical transmission, instruments for scientific research, optical instruments, household utensils, and even fabrics. New forms of glass, new applications, and new methods of production have revolutionized the industry. Recently developed forms of glass include safety glass, which is usually constructed of two pieces of plate glass bonded together with a plastic that prevents the glass from scattering when broken; fiberglass, which is made from molten glass formed into continuous filaments and used for fabrics or for electrical insulation; and foam glass, which is made by trapping gas bubbles in glass to yield a spongy material for insulating purposes. Certain uses of glass are now being superseded by newly developed plastics.

See also window.

Bibliography

See G. O. Jones, Glass (2d ed. 1971); L. D. Pyle et al., Introduction to Glass Science (1972); R. H. Doremus, Glass Science (1973); I. Fanderlik, Optical Properties of Glass (1983); P. Bansal, Handbook of Glass Properties (1986).


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pronunciation

IN BRIEF: A hard brittle usually transparent substance.

pronunciation When I dropped the plate, pieces of glass shattered everywhere.

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Glass (in the sense of glass windows rather than a drinking glass) frequently represents the invisible social or emotional barriers we erect between ourselves and others. A dream in which glass breaks can thus mean a breaking down of barriers. (See also Window).


1. a hard, brittle, often transparent material, usually consisting of the fused amorphous silicates of potassium or sodium, and of calcium, with silica in excess.
2. a container, usually cylindrical, made from glass.

  • g. embolism — small particles of glass from a vial may be injected suspended in a fluid.
  • ground g. — may be used in an attempt to poison animals maliciously but has little effect. May cause transient enteritis.
  • g. housing — glass cover of the x-ray tube; contains the anode and cathode and the vacuum that makes generation and control of the x-ray beam possible.
  • soluble g. — glass in which the magnesium and calcium content have been modified from that in normal glass so that it is much more soluble in water or ruminal contents. Used in the form of a reticular retention bolus as a vehicle for therapeutic agents such as antibiotics or anthelmintics which are delivered to the animal over a period of weeks or months.
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Moldavite, a natural glass formed by meteorite impact, from Besednice, Bohemia
Roman Cage Cup from the 4th century A.D.
Oldest mouth-blown window-glass in Sweden (Kosta Glasbruk, 1742). In the middle is the pontil mark from the glassblower's pipe.

Glass is an amorphous (non-crystalline) solid material. Glasses are typically brittle and optically transparent.

The most familiar type of glass, used for centuries in windows and drinking vessels, is soda-lime glass, composed of about 75% silica (SiO2) plus Na2O, CaO, and several minor additives. Often, the term glass is used in a restricted sense to refer to this specific use.

In science, however, the term glass is usually defined in a much wider sense, including every solid that possesses a non-crystalline (i.e., amorphous) structure and that exhibits a glass transition when heated towards the liquid state. In this wider sense, glasses can be made of quite different classes of materials: metallic alloys, ionic melts, aqueous solutions, molecular liquids, and polymers. For many applications (bottles, eyewear) polymer glasses (acrylic glass, polycarbonate, polyethylene terephthalate) are a lighter alternative to traditional silica glasses.

Contents

Silicate glass

Silica (the chemical compound SiO2) is a common fundamental constituent of glass. In nature, vitrification of quartz occurs when lightning strikes sand, forming hollow, branching rootlike structures called fulgurite.

History

The history of creating glass can be traced back to 3500 BCE in Mesopotamia.[1] The term glass developed in the late Roman Empire. It was in the Roman glassmaking center at Trier, now in modern Germany, that the late-Latin term glesum originated, probably from a Germanic word for a transparent, lustrous substance.[2]

Glass ingredients

Quartz sand (silica) is the main raw material in commercial glass production

While fused quartz (primarily composed of SiO2) is used for some special applications, it is not very common due to its high glass transition temperature of over 1200 °C (2192 °F).[3] Normally, other substances are added to simplify processing. One is sodium carbonate (Na2CO3), which lowers the glass transition temperature. However, the soda makes the glass water soluble, which is usually undesirable, so lime (calcium oxide [CaO], generally obtained from limestone), some magnesium oxide (MgO) and aluminium oxide (Al2O3) are added to provide for a better chemical durability. The resulting glass contains about 70 to 74% silica by weight and is called a soda-lime glass.[4] Soda-lime glasses account for about 90% of manufactured glass.

Most common glass has other ingredients added to change its properties. Lead glass or flint glass is more 'brilliant' because the increased refractive index causes noticeably more specular reflection and increased optical dispersion. Adding barium also increases the refractive index. Thorium oxide gives glass a high refractive index and low dispersion and was formerly used in producing high-quality lenses, but due to its radioactivity has been replaced by lanthanum oxide in modern eye glasses.[citation needed] Iron can be incorporated into glass to absorb infrared energy, for example in heat absorbing filters for movie projectors, while cerium(IV) oxide can be used for glass that absorbs UV wavelengths.[5]

  1. Fused silica glass, vitreous silica glass: silica (SiO2). Has very low thermal expansion, is very hard and resists high temperatures (1000–1500 ºC). It is also the most resistant against weathering (alkali ions leaching out of the glass, while staining it). It is used for high temperature applications such as furnace tubes, melting crucibles, etc.
  2. Soda-lime-silica glass, window glass: silica 72% + sodium oxide (Na2O) 14.2% + magnesia (MgO) 2.5% + lime (CaO) 10.0% + alumina (Al2O3) 0.6%. Is transparent, easily formed and most suitable for window glass. It has a high thermal expansion and poor resistance to heat (500–600 ºC). Used for windows, containers, light bulbs, tableware.
  3. Sodium borosilicate glass, Pyrex: silica 81% + boric oxide (B2O3) 12% + soda (Na2O) 4.5% + alumina (Al2O3) 2.0%. Stands heat expansion much better than window glass. Used for chemical glassware, cooking glass, car head lamps, etc. Borosilicate glasses (e.g. Pyrex) have as main constituents silica and boron oxide. They have fairly low coefficients of thermal expansion (7740 Pyrex CTE is 3.25×10–6/°C[6] as compared to about 9×10−6/°C for a typical soda-lime glass[7]), making them more dimensionally stable. The lower CTE also makes them less subject to stress caused by thermal expansion, thus less vulnerable to cracking from thermal shock. They are commonly used for reagent bottles, optical components and household cookware.
  4. Lead-oxide glass, crystal glass: silica 59% + soda (Na2O) 2.0% + lead oxide (PbO) 25% + potassium oxide (K2O) 12% + alumina 0.4% + zinc oxide (ZnO) 1.5%. Has a high refractive index, making the look of glassware more brilliant (crystal glass). It also has a high elasticity, making glassware 'ring'. It is also more workable in the factory, but cannot stand heating very well.
  5. Aluminosilicate glass: silica 57% + alumina 16% + boric oxide (B2O3) 4.0% + barium oxide (BaO) 6.0% + magnesia 7.0% + lime 10%. Extensively used for fiberglass, used for making glass-reinforced plastics (boats, fishing rods, etc.). Also for halogen bulb glass.
  6. Oxide glass: alumina 90% + germanium oxide (GeO2) 10%. Extremely clear glass, used for fiber-optic wave guides in communication networks. Light loses only 5% of its intensity through 1km of glass fiber.[8]

Another common glass ingredient is "cullet" (recycled glass). The recycled glass saves on raw materials and energy; however, impurities in the cullet can lead to product and equipment failure.

Fining agents such as sodium sulfate, sodium chloride, or antimony oxide may be added to reduce the number of air bubbles in the glass mixture.[4] Glass batch calculation is the method by which the correct raw material mixture is determined to achieve the desired glass composition.

Contemporary glass production

A modern greenhouse in Wisley Garden, England, made from float glass

Following the glass batch preparation and mixing, the raw materials are transported to the furnace. Soda-lime glass for mass production is melted in gas fired units. Smaller scale furnaces for specialty glasses include electric melters, pot furnaces, and day tanks.[4]

After melting, homogenization and refining (removal of bubbles), the glass is formed. Flat glass for windows and similar applications is formed by the float glass process, developed between 1953 and 1957 by Sir Alastair Pilkington and Kenneth Bickerstaff of the UK's Pilkington Brothers, who created a continuous ribbon of glass using a molten tin bath on which the molten glass flows unhindered under the influence of gravity. The top surface of the glass is subjected to nitrogen under pressure to obtain a polished finish.[9] Container glass for common bottles and jars is formed by blowing and pressing methods. Further glass forming techniques are summarized in the table Glass forming techniques.

Once the desired form is obtained, glass is usually annealed for the removal of stresses. Surface treatments, coatings or lamination may follow to improve the chemical durability (glass container coatings, glass container internal treatment), strength (toughened glass, bulletproof glass, windshields), or optical properties (insulated glazing, anti-reflective coating).

Architecture

The use of glass in buildings is a transparent feature to allow light to enter into rooms and floors, illuminating enclosed spaces and framing an exterior view through a window. It is also a material for internal partitions and external cladding.

Glassmaking in the laboratory

New chemical glass compositions or new treatment techniques can be initially investigated in small-scale laboratory experiments. The raw materials for laboratory-scale glass melts are often different from those used in mass production because the cost factor has a low priority. In the laboratory mostly pure chemicals are used. Care must be taken that the raw materials have not reacted with moisture or other chemicals in the environment (such as alkali or alkaline earth metal oxides and hydroxides, or boron oxide), or that the impurities are quantified (loss on ignition).[10] Evaporation losses during glass melting should be considered during the selection of the raw materials, e.g., sodium selenite may be preferred over easily evaporating SeO2. Also, more readily reacting raw materials may be preferred over relatively inert ones, such as Al(OH)3 over Al2O3. Usually, the melts are carried out in platinum crucibles to reduce contamination from the crucible material. Glass homogeneity is achieved by homogenizing the raw materials mixture (glass batch), by stirring the melt, and by crushing and re-melting the first melt. The obtained glass is usually annealed to prevent breakage during processing.[10][11]

In order to make glass from materials with poor glass forming tendencies, novel techniques are used to increase cooling rate, or reduce crystal nucleation triggers. Examples of these techniques include aerodynamic levitation (cooling the melt whilst it floats on a gas stream), splat quenching (pressing the melt between two metal anvils) and roller quenching (pouring the melt through rollers).

See also: Optical lens design, Fabrication and testing of optical components

Other glasses

Network glasses

A CD-RW (CD). Chalcogenide glasses form the basis of re-writable CD and DVD solid-state memory technology.[12]

Some glasses that do not include silica as a major constituent may have physico-chemical properties useful for their application in fiber optics and other specialized technical applications. These include fluoride glasses, aluminosilicates, phosphate glasses, borate glasses, and chalcogenide glasses.

There are three classes of components for oxide glasses: network formers, intermediates, and modifiers. The network formers (silicon, boron, germanium) form a highly cross-linked network of chemical bonds. The intermediates (titanium, aluminium, zirconium, beryllium, magnesium, zinc) can act as both network formers and modifiers, according to the glass composition. The modifiers (calcium, lead, lithium, sodium, potassium) alter the network structure; they are usually present as ions, compensated by nearby non-bridging oxygen atoms, bound by one covalent bond to the glass network and holding one negative charge to compensate for the positive ion nearby. Some elements can play multiple roles; e.g. lead can act both as a network former (Pb4+ replacing Si4+), or as a modifier.

The presence of non-bridging oxygens lowers the relative number of strong bonds in the material and disrupts the network, decreasing the viscosity of the melt and lowering the melting temperature.

The alkali metal ions are small and mobile; their presence in glass allows a degree of electrical conductivity, especially in molten state or at high temperature. Their mobility, however, decreases the chemical resistance of the glass, allowing leaching by water and facilitating corrosion. Alkaline earth ions, with their two positive charges and requirement for two non-bridging oxygen ions to compensate for their charge, are much less mobile themselves and also hinder diffusion of other ions, especially the alkalis. The most common commercial glasses contain both alkali and alkaline earth ions (usually sodium and calcium), for easier processing and satisfying corrosion resistance.[13] Corrosion resistance of glass can be achieved by dealkalization, removal of the alkali ions from the glass surface by reaction with e.g. sulfur or fluorine compounds. Presence of alkaline metal ions has also detrimental effect to the loss tangent of the glass, and to its electrical resistance; glasses for electronics (sealing, vacuum tubes, lamps...) have to take this in account.

Addition of lead(II) oxide lowers melting point, lowers viscosity of the melt, and increases refractive index. Lead oxide also facilitates solubility of other metal oxides and therefore is used in colored glasses. The viscosity decrease of lead glass melt is very significant (roughly 100 times in comparison with soda glasses); this allows easier removal of bubbles and working at lower temperatures, hence its frequent use as an additive in vitreous enamels and glass solders. The high ionic radius of the Pb2+ ion renders it highly immobile in the matrix and hinders the movement of other ions; lead glasses therefore have high electrical resistance, about two orders of magnitude higher than soda-lime glass (108.5 vs 106.5 Ohm·cm, DC at 250 °C). For more details, see lead glass.[14]

Addition of fluorine lowers the dielectric constant of glass. Fluorine is highly electronegative and attracts the electrons in the lattice, lowering the polarizability of the material. Such silicon dioxide-fluoride is used in manufacture of integrated circuits as an insulator. High levels of fluorine doping lead to formation of volatile SiF2O and such glass is then thermally unstable. Stable layers were achieved with dielectric constant down to about 3.5–3.7.[15]

Amorphous metals

Samples of amorphous metal, with millimeter scale

In the past, small batches of amorphous metals with high surface area configurations (ribbons, wires, films, etc.) have been produced through the implementation of extremely rapid rates of cooling. This was initially termed "splat cooling" by doctoral student W. Klement at Caltech, who showed that cooling rates on the order of millions of degrees per second is sufficient to impede the formation of crystals, and the metallic atoms become "locked into" a glassy state. Amorphous metal wires have been produced by sputtering molten metal onto a spinning metal disk. More recently a number of alloys have been produced in layers with thickness exceeding 1 millimeter. These are known as bulk metallic glasses (BMG). Liquidmetal Technologies sell a number of zirconium-based BMGs. Batches of amorphous steel have also been produced that demonstrate mechanical properties far exceeding those found in conventional steel alloys.[16][17][18]

In 2004, NIST researchers presented evidence that an isotropic non-crystalline metallic phase (dubbed "q-glass") could be grown from the melt. This phase is the first phase, or "primary phase," to form in the Al-Fe-Si system during rapid cooling. Interestingly, experimental evidence indicates that this phase forms by a first-order transition. Transmission electron microscopy (TEM) images show that the q-glass nucleates from the melt as discrete particles, which grow spherically with a uniform growth rate in all directions. The diffraction pattern[clarification needed] shows it to be an isotropic glassy phase. Yet there is a nucleation barrier, which implies an interfacial discontinuity (or internal surface) between the glass and the melt.[19][20]

Electrolytes

Electrolytes or molten salts are mixtures of different ions. In a mixture of three or more ionic species of dissimilar size and shape, crystallization can be so difficult that the liquid can easily be supercooled into a glass. The best studied example is Ca0.4K0.6(NO3)1.4.

Aqueous solutions

Some aqueous solutions can be supercooled into a glassy state, for instance LiCl:RH2O in the composition range 4<R<8.

Molecular liquids

A molecular liquid is composed of molecules that do not form a covalent network but interact only through weak van der Waals forces or through transient hydrogen bonds. Many molecular liquids can be supercooled into a glass; some are excellent glass formers that normally do not crystallize.

A widely known example is sugar glass.

Under extremes of pressure and temperature solids may exhibit large structural and physical changes which can lead to polyamorphic phase transitions.[21] In 2006 Italian scientists created an amorphous phase of carbon dioxide using extreme pressure. The substance was named amorphous carbonia(a-CO2) and exhibits an atomic structure resembling that of silica.[22]

Polymers

Colloidal glasses

Concentrated colloidal suspensions may exhibit a distinct glass transition as function of particle concentration or density.[23][24][25]

Glass-ceramics

A high strength glass-ceramic cooktop with negligible thermal expansion.

Glass-ceramic materials share many properties with both non-crystalline glass and crystalline ceramics. They are formed as a glass, and then partially crystallized by heat treatment. For example, the microstructure of whiteware ceramics frequently contains both amorphous and crystalline phases. Crystalline grains are often embedded within a non-crystalline intergranular phase of grain boundaries. When applied to whiteware ceramics, vitreous means the material has an extremely low permeability to liquids, often but not always water, when determined by a specified test regime.[26][27]

The term mainly refers to a mix of lithium and aluminosilicates which yields an array of materials with interesting thermomechanical properties. The most commercially important of these have the distinction of being impervious to thermal shock. Thus, glass-ceramics have become extremely useful for countertop cooking. The negative thermal expansion coefficient (CTE) of the crystalline ceramic phase can be balanced with the positive CTE of the glassy phase. At a certain point (~70% crystalline) the glass-ceramic has a net CTE near zero. This type of glass-ceramic exhibits excellent mechanical properties and can sustain repeated and quick temperature changes up to 1000 °C.[26][27]

The amorphous structure of glassy Silica (SiO2) in two dimensions. No long range order is present, however there is local ordering with respect to the tetrahedral arrangement of oxygen (O) atoms around the silicon (Si) atoms.

Structure

As in other amorphous solids, the atomic structure of a glass lacks any long range translational periodicity. However, due to chemical bonding characteristics glasses do possess a high degree of short-range order with respect to local atomic polyhedra.[28]

Glass versus supercooled liquid

In physics, the standard definition of a glass (or vitreous solid) is a solid formed by rapid melt quenching.[29][30][31][32][33] However, the term glass is often used to describe any amorphous solid that exhibits a glass transition temperature Tg. If the cooling is sufficiently rapid (relative to the characteristic crystallization time) then crystallization is prevented and instead the disordered atomic configuration of the supercooled liquid is frozen into the solid state at Tg. Generally, the structure of a glass exists in a metastable state with respect to its crystalline form, although in certain circumstances, for example in atactic polymers, there is no crystalline analogue of the amorphous phase.[34]

Some people consider glass to be a liquid due to its lack of a first-order phase transition[35][36] where certain thermodynamic variables such as volume, entropy and enthalpy are discontinuous through the glass transition range. However, the glass transition may be described as analogous to a second-order phase transition where the intensive thermodynamic variables such as the thermal expansivity and heat capacity are discontinuous.[37] Despite this, the equilibrium theory of phase transformations does not entirely hold for glass, and hence the glass transition cannot be classed as one of the classical equilibrium phase transformations in solids.[32][33]

Unsolved problems in physics
What is the nature of the transition between a fluid or regular solid and a glassy phase?

"The deepest and most interesting unsolved problem in solid state theory is probably the theory of the nature of glass and the glass transition." P.W. Anderson[38]

Glass is an amorphous solid. It exhibits an atomic structure close to that observed in the supercooled liquid phase but displays all the mechanical properties of a solid.[35][39] The notion that glass flows to an appreciable extent over extended periods of time is not supported by empirical research or theoretical analysis (see viscosity of amorphous materials).

Although the atomic structure of glass shares characteristics of the structure in a supercooled liquid, glass tends to behave as a solid below its glass transition temperature.[40] A supercooled liquid behaves as a liquid, but it is below the freezing point of the material, and in some cases will crystallize almost instantly if a crystal is added as a core. The change in heat capacity at a glass transition and a melting transition of comparable materials are typically of the same order of magnitude, indicating that the change in active degrees of freedom is comparable as well. Both in a glass and in a crystal it is mostly only the vibrational degrees of freedom that remain active, whereas rotational and translational motion is arrested. This helps to explain why both crystalline and non-crystalline solids exhibit rigidity on most experimental time scales.

Behavior of antique glass

The observation that old windows are sometimes found to be thicker at the bottom than at the top is often offered as supporting evidence for the view that glass flows over a timescale of centuries. The assumption being that the glass was once uniform, but has flowed to its new shape, which is a property of liquid.[41] However, this assumption is incorrect; once solidified, glass does not flow anymore. The reason for the observation is that in the past, when panes of glass were commonly made by glassblowers, the technique used was to spin molten glass so as to create a round, mostly flat and even plate (the crown glass process, described above). This plate was then cut to fit a window. The pieces were not, however, absolutely flat; the edges of the disk became a different thickness as the glass spun. When installed in a window frame, the glass would be placed with the thicker side down both for the sake of stability and to prevent water accumulating in the lead cames at the bottom of the window.[42] Occasionally such glass has been found thinner side down or thicker on either side of the window's edge, the result of carelessness during installation.[43]

Mass production of glass window panes in the early twentieth century caused a similar effect. In glass factories, molten glass was poured onto a large cooling table and allowed to spread. The resulting glass is thicker at the location of the pour, located at the center of the large sheet. These sheets were cut into smaller window panes with nonuniform thickness, typically with the location of the pour centred in one of the panes (known as "bull's-eyes") for decorative effect. Modern glass intended for windows is produced as float glass and is very uniform in thickness.

Several other points can be considered which contradict the "cathedral glass flow" theory:

  • Writing in the American Journal of Physics, physicist Edgar D. Zanotto states "...the predicted relaxation time for GeO2 at room temperature is 1032 years. Hence, the relaxation period (characteristic flow time) of cathedral glasses would be even longer."[44] (1032 years is many times longer than the estimated age of the Universe.)
  • If medieval glass has flowed perceptibly, then ancient Roman and Egyptian objects should have flowed proportionately more — but this is not observed. Similarly, prehistoric obsidian blades should have lost their edge; this is not observed either (although obsidian may have a different viscosity from window glass).[35]
  • If glass flows at a rate that allows changes to be seen with the naked eye after centuries, then the effect should be noticeable in antique telescopes. Any slight deformation in the antique telescopic lenses would lead to a dramatic decrease in optical performance, a phenomenon that is not observed.[35]
  • There are many examples of centuries-old glass shelving which has not bent, even though it is under much higher stress from gravitational loads than vertical window glass.

The above does not apply to materials that have a glass transition temperature close to room temperature, such as certain plastics used in daily life like polystyrene and polypropylene. Over time, they may well show viscoelastic behaviour, and this is a serious concern when applying these materials in construction.

Physical properties

Optical properties

Glass is in widespread use largely due to the production of glass compositions that are transparent to visible wavelengths of light. In contrast, polycrystalline materials do not in general transmit visible light.[45] The individual crystallites may be transparent, but their facets (grain boundaries) reflect or scatter light resulting in diffuse reflection. Glass does not contain the internal subdivisions associated with grain boundaries in polycrystals and hence does not scatter light in the same manner as a polycrystalline material. The surface of a glass is often smooth since during glass formation the molecules of the supercooled liquid are not forced to dispose in rigid crystal geometries and can follow surface tension, which imposes a microscopically smooth surface. These properties, which give glass its clearness, can be retained even if glass is partially light-absorbing i.e. colored.[46]

Glass has the ability to refract, reflect, and transmit light following geometrical optics, without scattering it. It is used in the manufacture of lenses and windows. Common glass has a refraction index around 1.5. According to Fresnel equations, the reflectivity of a sheet of glass is about 4% per surface (at normal incidence in air), and the transmissivity of one element (two surfaces) is about 92%. Glass also finds application in optoelectronics e.g., for light-transmitting optical fibers.

Color

Common soda-lime float glass appears green in thick sections because of Fe2+ impurities.
Studio glass or art glass often includes multiple colors which increases the difficulty of production, as each color has different chemical and physical properties when molten.

Color in glass may be obtained by addition of electrically charged ions (or color centers) that are homogeneously distributed, and by precipitation of finely dispersed particles (such as in photochromic glasses).[47] Ordinary soda-lime glass appears colorless to the naked eye when it is thin, although iron(II) oxide (FeO) impurities of up to 0.1 wt%[48] produce a green tint which can be viewed in thick pieces or with the aid of scientific instruments. Further FeO and Cr2O3 additions may be used for the production of green bottles. Sulfur, together with carbon and iron salts, is used to form iron polysulfides and produce amber glass ranging from yellowish to almost black.[49] A glass melt can also acquire an amber color from a reducing combustion atmosphere. Manganese dioxide can be added in small amounts to remove the green tint given by iron(II) oxide. When used in art glass or studio glass glass is colored using closely guarded recipes that involve specific combinations of metal oxides, melting temperatures and 'cook' times. Most colored glass used in the art market is manufactured in volume by vendors who serve this market although there are some glass makers with the ability to make their own color from raw materials.

Glass art

A vase being created at the Reijmyre glassworks, Sweden
Paperweight with items inside the glass, Corning Museum of Glass
A glass sculpture by Dale Chihuly, “The Sun” at the “Gardens of Glass” exhibition in Kew Gardens, London. The piece is 13 feet (4 metres) high and made from 1000 separate glass objects.
Glass tiles mosaic (detail).
A display at Canberra Glassworks, Australia

From the 19th century, various types of fancy glass started to become significant branches of the decorative arts. Cameo glass was revived for the first time since the Romans, initially mostly used for pieces in a neo-classical style. The Art Nouveau movement in particular made great use of glass, with René Lalique, Émile Gallé, and Daum of Nancy important names in the first French wave of the movement, producing colored vases and similar pieces, often in cameo glass, and also using lustre techniques. Louis Comfort Tiffany in America specialized in secular stained glass, mostly of plant subjects, both in panels and his famous lamps. From the 20th century, some glass artists began to class themselves as in effect sculptors working in glass, and as part of the fine arts.

Several of the most common techniques for producing glass art include: blowing, kiln-casting, fusing, slumping, pate-de-verre, flame-working, hot-sculpting and cold-working. Cold work includes traditional stained glass work as well as other methods of shaping glass at room temperature. Glass can also be cut with a diamond saw, or copper wheels embedded with abrasives, and polished to give gleaming facets; the technique used in creating Waterford crystal.[50] Art is sometimes etched into glass via the use of acid, caustic, or abrasive substances. Traditionally this was done after the glass was blown or cast. In the 1920s a new mould-etch process was invented, in which art was etched directly into the mould, so that each cast piece emerged from the mould with the image already on the surface of the glass. This reduced manufacturing costs and, combined with a wider use of colored glass, led to cheap glassware in the 1930s, which later became known as Depression glass.[51] As the types of acids used in this process are extremely hazardous, abrasive methods have gained popularity.

Another technique is devitrification.

Objects made out of glass include not only traditional objects such as vessels (bowls, vases, bottles, and other containers), paperweights, marbles, beads, but an endless range of sculpture and installation art as well. Colored glass is often used, though sometimes the glass is painted, innumerable examples exist of the use of stained glass.

Museums

Apart from historical collections in general museums, modern works of art in glass can be seen in a variety of museums, including the Chrysler Museum, the Museum of Glass in Tacoma, the Metropolitan Museum of Art, the Toledo Museum of Art, and Corning Museum of Glass, in Corning, NY, which houses the world's largest collection of glass art and history, with more than 45,000 objects in its collection.[52]

The Harvard Museum of Natural History has a collection of extremely detailed models of flowers made of painted glass. These were lampworked by Leopold Blaschka and his son Rudolph, who never revealed the method he used to make them. The Blaschka Glass Flowers are still an inspiration to glassblowers today.[53]

See also

References

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  2. ^ Douglas, R. W. (1972). A history of glassmaking. Henley-on-Thames: G T Foulis & Co Ltd. ISBN 0-85429-117-2. 
  3. ^ M. I. Ojovan (2004). "Glass Formation in Amorphous SiO2 as a Percolation Phase Transition in a System of Network Defects". JETP Letters 79 (12): 632–634. Bibcode 2004JETPL..79..632O. doi:10.1134/1.1790021. http://www.shef.ac.uk/content/1/c6/02/92/47/glassform.pdf. 
  4. ^ a b c B. H. W. S. de Jong, "Glass"; in "Ullmann's Encyclopedia of Industrial Chemistry"; 5th edition, vol. A12, VCH Publishers, Weinheim, Germany, 1989, ISBN 3-527-20112-5, pp. 365–432.
  5. ^ Heinz G. Pfaender (1996). Schott guide to glass. Springer. pp. 135, 186. ISBN 978-0-412-62060-7. http://books.google.com/books?id=v5q4Hje3iFgC&pg=PA135. Retrieved 8 February 2011. 
  6. ^ Corning, Inc. Pyrex data sheet. (PDF) . Retrieved on 2012-05-15.
  7. ^ [1] Schott, N.A., Inc data sheet
  8. ^ Mining the sea sand. Seafriends.org.nz (1994-02-08). Retrieved on 2012-05-15.
  9. ^ "PFG Glass". Pfg.co.za. http://www.pfg.co.za/about%20glass.htm. Retrieved 2009-10-24. 
  10. ^ a b "Glass melting, Pacific Northwest National Laboratory". Depts.washington.edu. http://depts.washington.edu/mti/1999/labs/glass_ceramics/mst_glass.html. Retrieved 2009-10-24. 
  11. ^ Alexander Fluegel. "Glass melting in the laboratory". Glassproperties.com. http://glassproperties.com/melting/. Retrieved 2009-10-24. 
  12. ^ Greer, A. Lindsay; Mathur, N (2005). "Materials science: Changing face of the chameleon". Nature 437 (7063): 1246–1247. Bibcode 2005Natur.437.1246G. doi:10.1038/4371246a. PMID 16251941. 
  13. ^ Eric Le Bourhis (2007). Glass: Mechanics and Technology. Wiley-VCH. p. 74. ISBN 3-527-31549-7. http://books.google.com/?id=34W4ZNDBHqQC&pg=PA64. 
  14. ^ James F. Shackelford, Robert H. Doremus (2008). Ceramic and Glass Materials: Structure, Properties and Processing. Springer. p. 158. ISBN 0-387-73361-2. http://books.google.com/?id=ASIYuNCp81YC&pg=PA158. 
  15. ^ Robert Doering, Yoshio Nishi (2007). Handbook of semiconductor manufacturing technology. CRC Press. pp. 12–3. ISBN 1-57444-675-4. http://books.google.com/?id=PsVVKz_hjBgC&pg=SA12-PA3. 
  16. ^ Klement, W.; Willens, R. H.; Duwez, POL (1960). "Non-crystalline Structure in Solidified Gold-Silicon Alloys". Nature 187 (4740): 869. Bibcode 1960Natur.187..869K. doi:10.1038/187869b0. 
  17. ^ Liebermann, H.; Graham, C. (1976). "Production of Amorphous Alloy Ribbons and Effects of Apparatus Parameters On Ribbon Dimensions". IEEE Transactions on Magnetics 12 (6): 921. Bibcode 1976ITM....12..921L. doi:10.1109/TMAG.1976.1059201. 
  18. ^ V. Ponnambalam, S. Joseph Poon and Gary J. Shiflet (2004). "Fe-based bulk metallic glasses with diameter thickness larger than one centimeter". Journal of Materials Research 19 (5): 1320. Bibcode 2004JMatR..19.1320P. doi:10.1557/JMR.2004.0176. 
  19. ^ "Metallurgy Division Publications". NIST Interagency Report 7127. http://www.metallurgy.nist.gov/techactv2004/TechnicalHighlights.html#glass. 
  20. ^ Mendelev, M.; Schmalian, J.; Wang, C.; Morris, J.; Ho, K. (2006). "Interface Mobility and the Liquid-Glass Transition in a One-Component System". Physical Review B 74 (10). Bibcode 2006PhRvB..74j4206M. doi:10.1103/PhysRevB.74.104206. 
  21. ^ P. F. McMillan (2004). "Polyamorphic transformations in liquids and glasses". Journal of Materials Chemistry 14 (10): 1506–1512. doi:10.1039/b401308p. 
  22. ^ carbon dioxide glass created in the lab 15 June 2006, www.newscientisttech.com. Retrieved 3 August 2006.
  23. ^ Pusey, P. N.; Van Megen, W. (1987). "Observation of a glass transition in suspensions of spherical colloidal particles". Physical Review Letters 59 (18): 2083–2086. Bibcode 1987PhRvL..59.2083P. doi:10.1103/PhysRevLett.59.2083. PMID 10035413. 
  24. ^ Van Megen, W.; Underwood, S. (1993). "Dynamic-light-scattering study of glasses of hard colloidal spheres". Physical Review E 47: 248. Bibcode 1993PhRvE..47..248V. doi:10.1103/PhysRevE.47.248. 
  25. ^ Löwen, H., Dynamics of Charged Colloidal Suspensions Across the Freezing and Glass Transition, in Ordering and Phase Transitions in Charged Colloids, Arora, A.K. and Tat, B.V.R., Eds. (VCH Publishers, New York, 1996)
  26. ^ a b Kingery, W,D., Bowen, H.K., and Uhlmann, D.R., Introduction to Ceramics, 2nd ed. (John Wiley & Sons, New York, 2006)
  27. ^ a b Richerson, D.W., Modern Ceramic Engineering, 2nd ed., (Marcel Dekker Inc., 1992) ISBN 0-8247-8634-3.
  28. ^ P.S. Salmon (2002). "Order within disorder". Nature Materials 1 (2): 87–8. doi:10.1038/nmat737. PMID 12618817. 
  29. ^ ASTM definition of glass from 1945; also: DIN 1259, Glas – Begriffe für Glasarten und Glasgruppen, September 1986
  30. ^ Zallen, R. (1983). The Physics of Amorphous Solids. New York: John Wiley. ISBN 0-471-01968-2. 
  31. ^ Cusack, N. E. (1987). The physics of structurally disordered matter: an introduction. Adam Hilger in association with the University of Sussex press. ISBN 0-85274-829-9. 
  32. ^ a b Elliot, S. R. (1984). Physics of Amorphous Materials. Longman group ltd. 
  33. ^ a b Horst Scholze (1991). Glass – Nature, Structure, and Properties. Springer. ISBN 0-387-97396-6. 
  34. ^ Folmer, J. C. W.; Franzen, Stefan (2003). "Study of polymer glasses by modulated differential scanning calorimetry in the undergraduate physical chemistry laboratory". Journal of Chemical Education 80 (7): 813. Bibcode 2003JChEd..80..813F. doi:10.1021/ed080p813. http://jchemed.chem.wisc.edu/Journal/Issues/2003/Jul/abs813.html. 
  35. ^ a b c d Philip Gibbs. "Is glass liquid or solid?". http://math.ucr.edu/home/baez/physics/General/Glass/glass.html. Retrieved 2007-03-21. 
  36. ^ Jim Loy. "Glass Is A Liquid?". http://www.jimloy.com/physics/glass.htm. Retrieved 2007-03-21. 
  37. ^ M.I. Ojovan, W.E. Lee (2006). "Topologically disordered systems at the glass transition". J. Phys.: Condensed Matter 18 (50): 11507–11520. Bibcode 2006JPCM...1811507O. doi:10.1088/0953-8984/18/50/007. 
  38. ^ P W Anderson (1995). "Through the Glass Lightly". Science 267 (5204): 1615. doi:10.1126/science.267.5204.1615-e. 
  39. ^ "Philip Gibbs" Glass Worldwide, (May/June 2007), pp. 14–18
  40. ^ Florin Neumann. "Glass: Liquid or Solid – Science vs. an Urban Legend". http://dwb.unl.edu/Teacher/NSF/C01/C01Links/www.ualberta.ca/~bderksen/florin.html. Retrieved 2007-04-08. 
  41. ^ Chang, Kenneth (2008-07-29). "The Nature of Glass Remains Anything but Clear". New York Times. http://www.nytimes.com/2008/07/29/science/29glass.html?ex=1375070400&en=048ade4011756b24&ei=5124&partner=permalink&exprod=permalink. Retrieved 2008-07-29. 
  42. ^ "Dr Karl's Homework: Glass Flows". Australia: ABC. 2000-01-26. http://www.abc.net.au/science/k2/homework/s95602.htm. Retrieved 2009-10-24. 
  43. ^ H. Halem. "Does Glass Flow". http://www.glassnotes.com/WindowPanes.html. Retrieved 2010-09-02. 
  44. ^ Zanotto, Edgar Dutra (1998). "Do Cathedral Glasses Flow?". American Journal of Physics 66 (5): 392–396. Bibcode 1998AmJPh..66..392Z. doi:10.1119/1.19026. 
  45. ^ Barsoum, M.W., Fundamentals of Ceramics, Institute of Physics: Series in Materials Science and Engineering (Taylor and Francis, 2002) ISBN 0-7503-0902-4
  46. ^ Uhlmann, D.R. and Kreidl, N.J., Optical Properties of Glass (American Ceramic Society, 1991) ISBN 0-944904-35-1
  47. ^ Werner Vogel (1994). Glass Chemistry (2 ed.). Springer-Verlag Berlin and Heidelberg GmbH & Co. K. ISBN 3-540-57572-3. 
  48. ^ "High temperature glass melt property database for process modeling"; Eds.: Thomas P. Seward III and Terese Vascott; The American Ceramic Society, Westerville, Ohio, 2005, ISBN 1-57498-225-7
  49. ^ Substances Used in the Making of Coloured Glass 1st.glassman.com (David M Issitt). Retrieved 3 August 2006.
  50. ^ "Waterford Crystal Visitors Centre". http://www.waterfordvisitorcentre.com/. Retrieved 2007-10-19. 
  51. ^ "Depression Glass". http://www.glassonweb.com/articles/article/201/. Retrieved 2007-10-19. 
  52. ^ "Corning Museum of Glass". Archived from the original on 2008-01-12. http://web.archive.org/web/20080112004034/http://www.cmog.org/index.asp?pageId=1276. Retrieved 2007-10-14. 
  53. ^ The Ware Collection of Blaschka Glass Models of Plants. The Harvard Museum of Natural History

Further reading

External links


Top

Dansk (Danish)
n. - glas, barometer, spejl, rude
v. tr. - betragte i kikkert, spejle
v. intr. - sætte glas i

idioms:

  • glass ceiling    glasloft
  • glass fibre    glasfiber
  • glass wool    glasuld
  • glassed in    lægge i glas
  • hand glass    håndspejl, forstørrelsesglas
  • window glass    vinduesglas

Nederlands (Dutch)
glas, spiegel, glaswerk, barometer, (mv) toneel-/ verrekijker, (mv) bril, ruit, broeikas, zandloper, loep, voorzien van glas, weerspiegelen, met verrekijker waarnemen, glazen

Français (French)
n. - verre (le matériau), verre (à boire), verrerie, miroir (arch), longue-vue, baromètre
v. tr. - vitrer
v. intr. - devenir vitreux, utiliser un instrument optique
adj. - en verre

idioms:

  • glass ceiling    niveau professionnel où les femmes ont tendance à plafonner, ou que la discrimination empêche de dépasser
  • glass fibre    fibre de verre
  • glass wool    laine de verre
  • glassed in    vitré
  • hand glass    verre à anse
  • window glass    vitre

Deutsch (German)
n. - Glas, Trinkglas, Spiegel, Barometer, Fernglas, Brille
v. - verglasen, reflektieren
adj. - Glas-, gläsern

idioms:

  • glass ceiling    Glasdach
  • glass fibre    Glasfaser
  • glass wool    Glaswolle
  • glassed in    mit Glas bedeckt (ein Gebäude)
  • hand glass    Handspiegel
  • window glass    Fensterglas

Ελληνική (Greek)
n. - γυαλί, ποτήρι, καθρέφτης, (πληθ.) ματογυάλια, γυαλιά, (μεγεθυντικός) φακός
v. - τζαμώνω
adj. - γυάλινος, τζαμένιος, υαλοπίνακας, τζαμώνω

idioms:

  • cut glass    επεξεργασμένο ή τροχισμένο γυαλί
  • glass ceiling    φραγμός στην επαγγελματική ανέλιξη
  • glass fibre    ίνα γυαλιού
  • glass wool    υαλοβάμβακας
  • glassed in    περιβαλλόμενος από τζαμαρία, σε γυάλα
  • hand glass    καθρέφτης ή μεγεθυντικός φακός με χειρολαβή
  • looking glass    καθρέφτης
  • window glass    γυαλί βιτρίνας ή παράθυρου

Italiano (Italian)
vetro, bicchiere, occhiali, cannocchiale, binocolo, specchio, stoviglie, barometro, di vetro

idioms:

  • glass ceiling    barriera all'avanzamento (delle donne) promozione
  • glass fibre    fibra ottica
  • glass wool    lana di vetro
  • glassed in    con muri a vetrate
  • hand glass    lente di ingrandimento
  • window glass    vetrata

Português (Portuguese)
n. - vidro (m), copo (m), conteúdo (m) de um copo, espelho (m), lente (f)
v. - envidraçar, espelhar, feito de vidro
adj. -

idioms:

  • glass ceiling    telhado (m) de vidro
  • glass fibre    fibra (f) de vidro
  • glass wool    lã (f) de vidro
  • glassed in    coberto de vidro
  • hand glass    lente de aumento para leitura
  • window glass    vidraça (f)

Русский (Russian)
стекло, стакан, рюмка, бокал, очки, стеклянный

idioms:

  • glass ceiling    барьер,поставленный на пути продвижения по службе
  • glass fibre    стеклянное волокно
  • glass wool    стеклянная вата
  • glassed in    застекленный
  • hand glass    увеличительное стекло с ручкой, маленькое зеркало с ручкой
  • window glass    витрина, оконное стекло

Español (Spanish)
n. - gafas, binocular, vaso, copa, cristal, vidrio, espejo, cristalería, barómetro, ventana, lente, contenido de un vaso
v. tr. - colocar paneles de vidrio, cubrir o recubrir con vidrio, mirar con un lente
v. intr. - reflejarse en un vidrio u otra superficie
adj. - de vidrio, vítreo, hecho de vidrio, compuesto de paneles de vidrio

idioms:

  • glass ceiling    techo de vidrio
  • glass fibre    fibra de vidrio
  • glass wool    cristal hilado, lana de vidrio
  • glassed in    rodeado de vidrio o paneles de vidrio
  • hand glass    espejo de mano
  • window glass    cristal de ventana

Svenska (Swedish)
n. - glas (ämnet), glas(föremål), (dricks)glas, kikare, spegel, förstoringsglas, barometer, timglas, fönsterruta, växthus, glas (sjö.)
v. - glasa, spegla
adj. - glas-

中文(简体)(Chinese (Simplified))
玻璃, 透镜, 玻璃杯, 装玻璃于, 反映, 成玻璃状

idioms:

  • glass ceiling    玻璃天花板, 通常专指女性所遭遇的在工作中升级时遇到的一种无形的障碍, 使人不能到达较高阶层
  • glass fibre    玻璃纤维
  • glass wool    玻璃绒, 玻璃丝
  • glassed in    四周用玻璃围住的
  • hand glass    玻璃护罩, 手执放大镜
  • window glass    窗户玻璃

中文(繁體)(Chinese (Traditional))
n. - 玻璃, 透鏡, 玻璃杯
v. tr. - 裝玻璃於, 反映
v. intr. - 成玻璃狀

idioms:

  • glass ceiling    玻璃天花板, 通常專指女性所遭遇的在工作中升級時遇到的一種無形的障礙, 使人不能到達較高階層
  • glass fibre    玻璃纖維
  • glass wool    玻璃絨, 玻璃絲
  • glassed in    四周用玻璃圍住的
  • hand glass    玻璃護罩, 手執放大鏡
  • window glass    窗戶玻璃

한국어 (Korean)
n. - 유리, 거울, 안경
v. tr. - 유리를 덮다, 비추어서 보다, 눈을 흐리게 하다
v. intr. - 유리를 끼우다, 비춰지다

idioms:

  • glassed in    벽 대신 유리창으로 된(건물)

日本語 (Japanese)
n. - ガラス, コップ, グラス, ガラス製品, コップ一杯, 眼鏡, 双眼鏡, 鏡, 温度計, 望遠鏡
v. - ガラスをはめる

idioms:

  • glass ceiling    ガラス製天井
  • glass fibre    ガラス繊維
  • glass wool    ガラス綿, グラスウール
  • glassed in    ガラスで覆われた
  • looking glass    鏡, 鏡ガラス
  • magnifying glass    拡大鏡, 虫眼鏡
  • stained glass    ステンドグラス

العربيه (Arabic)
‏(الاسم) زجاج (فعل) يزجج‏

עברית (Hebrew)
n. - ‮זכוכית, כוס, משקפת, ראי, מד-לחץ-אוויר, שעון-חול, כלי זכוכית, משקפיים (ברבים)‬
v. tr. - ‮זיגג, השקיף במשקפת, השתקף (ספרותית)‬
v. intr. - ‮נעשה זגוגי (מבט), השתמש במכשיר אופטי, למשל לחיפוש חיות-ציד‬


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