| Go for Broke 2 (2005 Film), Go and Get It (1920 Film) | |
| Go for Gold (1984 Film), Go for Gold! (1997 Film) |
1.
Go in order to get, as in I'll go for the paper, or He went for the doctor. This usage, dating from the late 1500s, gave rise to the
20th-century noun
gofer, a person who is habitually sent on routine errands.
2.
Be equivalent to or valued as; also, pass for, serve as. For example, All our efforts are going for very little, or That silver went for a lot of money, or That sofa can go for a bed. [Mid-1500s]
3.
Aim or try for, especially making a vigorous effort. For example, They're going for the league championship. This idiom is also put as
go for it, as in When Steve said he'd like to change careers, his wife told him to go for it. The related phrase
go for broke means "to commit all one's available resources toward achieving a goal," as in Our competitors are going for broke to get some of our accounts. The first expression dates from the mid-1500s; the two colloquial variants from the
first half of the 1900s. Also see
all out; go out for.
4.
Attack, as in We have to tie up our dog, because he loves to go for letter carriers. A hyperbolic variant,
go for the jugular, is used for an all-out attack on the most vital part, as in In political arguments he always goes for the jugular. The jugular is a blood vessel whose rupture is life-threatening. [Colloquial; late 1800s]
5.
Have a special liking for, as in I really go for progressive jazz. [Colloquial; first half of 1900s]
6.
Be valid for or applicable to, as in Kevin hates broccoli, and that goes for Dean, too. [Early 1900s] Also see
have going for one.
Definition: attack
Antonyms: surrender, yield
v
Definition: like, choose
Antonyms: dislike, hate
| Go for Broke! | |
|---|---|
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| Directed by | Robert Pirosh |
| Produced by | Dore Schary |
| Written by | Robert Pirosh |
| Starring | Van Johnson Lane Nakano George Miki |
| Distributed by | Metro-Goldwyn-Mayer |
| Release date(s) | 24 May 1951 (NYC) |
| Running time | 92 minutes |
| Country | United States |
| Language | English |
| Box office | $2.5 million (US)[1] |
Go for Broke! is a 1951 war film directed by Robert Pirosh,[2] produced by Dore Schary and starred Van Johnson, several veterans of the 442nd Regimental Combat Team, and Henry Nakamura.
The film dramatizes the real-life story of the 442nd, which was composed of Nisei (second-generation Americans born of Japanese parents) soldiers.[3]
Fighting in the European theater during World War II, this unit became the most heavily decorated unit for its size and length of service in the history of the United States Army, as well as one of the units with the highest casualty rates.[4] This film is a Hollywood rarity which features Asian Americans in a positive light, highlighting the wartime efforts of Japanese Americans on behalf of their country even while that same country interned their families in camps.
As with his earlier film script Battleground, in which Van Johnson also starred, writer-director Robert Pirosh[2] focuses on the average squad member, mixing humor with pathos, while accurately detailing equipment and tactics used by American infantry in World War II.[5] The contrast of reality versus public relations, the hardships of field life on the line, and the reality of high casualty rates are accurately portrayed with a minimum of heroics.
In 1979, the film entered the public domain (in the USA) due to the claimants failure to renew its copyright registration in the 28th year after publication.[6]
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The film begins in 1943 at Camp Shelby, Mississippi, with newly commissioned Lieutenant Michael Grayson (Johnson) reporting for duty with the 442nd, then in training. He discovers that he has been sent to a unit composed of Nisei, when he had expected to return to the U.S. 36th Infantry Division, a Texas National Guard unit with which he had served as an enlisted man. Having joined the war to fight against the Japanese, he is disturbed to find he is expected to fight alongside people whom he sees as Japanese, rather than Americans. From the outset, Grayson runs his platoon with harsh strictness for regulations.
He (and the audience) learn that "Go for broke" is a pidgin phrase (used in Hawaii) meaning to gamble everything, to "shoot the works" – to risk "going broke" or bankruptcy.[5] Eventually, Grayson also learns the meaning of the frequently repeated expletive Baka tare, which, loosely translated, means "very stupid."
There is only brief mention of the internment camps from which most of the men have come, but throughout the film, there are references to the camps. There are also a few brief references to the distinctions between the Nisei from Hawaii ("Buta-heads") and those from the mainland ("Katonks"). While Buta-heads (the phrase later devolved to "Buddha-Heads") were a key part of the Hawaiian economy and society, Katonks were largely distrusted and disliked by their neighbors.
Arriving in Italy, the unit is joined by the 100th Battalion, the Nisei unit formed in Hawaii before the 442nd was created on the mainland. The troops of the 100th are seasoned veterans and the new arrivals look to them for advice. On the march to the front lines, Grayson inadvertently gets left behind while fraternizing with a signorina, but when he catches up, finds that his platoon has covered for him during an inspection of their positions by the colonel.
Through fighting in Italy and France, Grayson eventually comes to respect the Nisei, and his bigotry fades. Eventually, he is transferred back to his old unit, the 36th as a liaison—over his objections—when the 442nd is attached to the larger unit.
As he has misjudged the Nisei, they have misjudged Grayson.[5] They eventually learn that he has defended them against bigotry, even getting into a fistfight with an old friend of his from the 36th who had insulted them.
The climax of the movie comes with the "Buddha-heads'" famous rescue of the "Lost Battalion", after the 36th is surrounded by the German army. Then comes their return home, and the award of the eighth Presidential Unit Citation.[7]
There is archive footage of Gen. Mark Clark, and Pres. Truman presenting the unit citation.[4]
The story and screenplay by Robert Pirosh were nominated for an Academy Award in 1951.[12]
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