Allen Tate (1899-1979), American poet, critic, biographer, and editor, was a founder and editor of the Fugitive. John Crowe Ransom, Robert Penn Warren, and Cleanth Brooks were also part of the Fugitive group, and they and Tate formulated the New Critical poetic theories that arose out of the early work of T. S. Eliot and Ezra Pound.

Tate's earliest publications included the interpretative biographies Stonewall Jackson (1928) and Jefferson Davis (1929). His first collection of verse, Poems, 1928-31, was published in 1932. While teaching English literature at several colleges, including Princeton, he held the chair of poetry at the Library of Congress from 1934 to 1944. He edited the Sewanee Review from 1944 to 1946. After 1951 he taught English literature at the University of Minnesota and lectured extensively at universities throughout the country.

Tate's creative work always echoed his preoccupations as a southerner. His penetrating and original novel, The Fathers (1938), which is experimental in form and style and in many ways similar to some of William Faulkner's fiction, is a tortured exploration of the guilt and moral significance of Tate's heritage as a son of the Confederacy.

In typical modernist fashion, Tate was determined in his poetry to be "unromantic." His poetic masterpiece, the "Ode to the Confederate Dead" (1928), is an elegy characterized by the density of its imagery, irony, and irresolvable ambiguity. The conclusion of the "Ode" offers no simple solution to the problems it presents but does suggest that the Confederacy, and, by implication, all of mankind, was its own victim in the Civil War. Most of his other poems are "accomplished" examples of romantic irony within a narrow range of feeling. Their images are original and exhibit a great deal of formal dexterity, but the poems cannot compare in substance with the best work of Robert Penn Warren.

Poems, 1922-47 (1948) and Poems (1961) include most of Tate's verse. His career was largely sustained by the perception and intelligence of such critical works as Reactionary Essays on Poetry and Ideas (1936), On the Limits of Poetry (1948), and The Man of Letters in the Modern World (1955). His Collected Essays was published in 1959 and Essays of Four Decades in 1969.

Tate converted to Catholicism in 1950, and some of his writing reflected this. A former student of Tate's, Richard Margolis, wrote in the New Leader, "Like his faith, Tate's verse carried plenty of doctrinal punch along with a load of ambiguity; often at its center lurked a mystery not to be solved. One could say the same for the man."

Tate married the writer Caroline Gordon, and they collaborated on some works, including a collection of short stories, House of Fiction. They were divorced, but later remarried, and finally divorced a second time. Tate then married an ex-nun, Helen Heinz.

Tate moved to Monteagle, TN, in 1966, where he remained until his death in 1979. While in Tennessee, he spent his time writing and visiting with old friends from his alma mater Vanderbilt, as well as the University of the South. He also kept in touch with the Sewanee Review, although not directly involved with it. During his final years, he visited various college campuses, giving lectures on literature and politics. He also corresponded regularly with many famous literary friends, creating a wealth of personal papers.

Tate died in Nashville, TN, on Feb. 9, 1979. During his lifetime, he published 20 books and received many literary honors, including the Bollingen Prize for poetry.

Further Reading

Studies of Tate and his work include Willard B. Arnold, The Social Ideas of Allen Tate (1955); George Hemphill, Allen Tate (1964); the section on him in Hyatt H. Waggoner, American Poets, from the Puritans to the Present (1968); Walter Sullivan, Allen Tate: A Recollection (1988).

For more information on John Orley Allen Tate, visit Britannica.com.

(John Orley Allen Tate), 1899–1979, American poet and critic, b. Winchester, Ky., grad. Vanderbilt Univ., 1922. He was one of the founders and editors of the Fugitive (1922–25), a magazine that represented the Southern agrarian literary group of social and political conservatives. Among his early publications were interpretive biographies of Stonewall Jackson (1928) and Jefferson Davis (1929), and a novel, The Fathers (1938). He was the resident fellow of poetry at Princeton (1939–42), held the chair of poetry at the Library of Congress (1934–44), and edited the Sewanee Review (1944–46). From 1951 to 1968 he taught English literature at the Univ. of Minnesota. His critical writings, direct and perceptive, include Reactionary Essays on Poetry and Ideas (1936), On the Limits of Poetry (1948), and The Man of Letters in the Modern World (1955). His poems, filled with bitter and original imagery, exhibit unusual skill; they show Tate's intense feeling for history and for human estrangement in the world. Among his most famous poems are “Ode to the Confederate Dead,” “The Mediterranean,” and “The Buried Lake.”

Bibliography

See his Collected Poems, 1919–1976 (1977) and Essays of Four Decades (1969); his collected letters (1981, 1987); biography by T. A. Underwood (2000); studies by R. K. Meiners (1963) and R. S. Dupree (1983).

(1899-1979)

1932	Poems, 1928-1931. Tate's third collection is well received for its stately, sensuous evocations of Southern experience.
1936	Reactionary Essays on Poetry and Ideas. Tate's first volume of critical essays includes studies of English and American poets and meditations on Southern culture.
1936	The Mediterranean and Other Poems. The title poem is a lament for the passing of the classical tradition. The other standout poem in this collection is "To the Lacedemonians," on the tragedy of the Civil War.
1937	Selected Poems. Tate's collection includes what most agree is his finest poem, "Ode to the Confederate Dead."
1938	The Fathers. The poet and critic's only novel is set immediately before the outbreak of the Civil War and concerns the cultural conflict between traditional Southern society and contemporary forces.
1941	Reason in Madness. A collection of reviews, addresses, and critical essays asserting the claims of literature over science as the only true measure of human knowledge.
1944	Winter Sea. This collection includes the acclaimed sequence "Seasons of the Soul," a meditation on time and history and the spiritual collapse caused by the war.
1948	On the Limits of Poetry: Selected Essays, 1928-1948. Essays from earlier volumes, with new pieces, show the author's precise analysis of poetic method that helps define the procedures of the New Criticism.
1948	Poems, 1922-1947. The poet's selection of his most important work.

IN BRIEF: n. - United States poet and critic (1899-1979).

Quotes:

"Religion is the sole technique for the validating of values."

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