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Artist:

Johnny Mathis

Johnny Mathis

Born:
Sep 30, 1935 in Gilmer, Texas

Representative Songs:

"Chances Are," "Too Much, Too Little, Too Late," "Misty"

Representative Albums:

The Ultimate Hits Collection, Johnny's Greatest Hits, Open Fire, Two Guitars

Similar Artists:

Performed Songs By:

N. Washington, Leon Carr, Jack Segal, Marvin Fisher, Harold Adamson, John Vallins, Sam M. Lewis, Victor Young, Meredith Willson, Paul Francis Webster, Diane Warren, Paul Vance, James Van Heusen, Jule Styne, Al Stillman, Frank Signorelli, Carl Sigman, Leo Robin, Ben Raleigh, Cole Porter, Mitchell Parish, Johnny Mercer, Jay Livingston, J. Livingston, Alan Jay Lerner, Lorenz Hart, Oscar Hammerstein II, Jay Graydon, M. Gordon, Ira Gershwin, Sammy Fain, Ray Evans, Duke Ellington, Peter de Rose, Linda Creed, Sammy Cahn, Johnny Burke, Marilyn Bergman, Alan Bergman, Thom Bell, Jerome Kern, Marvin Hamlisch, Bart Howard, Albert Hammond, Bill Champlin, David Foster, Burt Bacharach, Richard Rodgers, Robert Allen, Jimmy McHugh, Irving Mills, Michel Legrand, Erroll Garner, Irving Berlin, Deniece Williams, Henry Mancini, Dimitri Tiomkin, Stephen Sondheim, George Gershwin, Leonard Bernstein

Worked With:

Followers:

  • Birth Name: John Royce Mathis
  • Genre: Vocal Music
  • Active: '50s - 2000s
  • Instrument: Vocals

Biography

One of the last and most popular in a long line of traditional male vocalists who emerged before the rock-dominated 1960s, Johnny Mathis concentrated on romantic readings of jazz and pop standards for the ever-shrinking adult contemporary audience of the '60s and '70s. Though he debuted with a flurry of singles-chart activity, Mathis later made it big in the album market, where a dozen of his LPs hit gold or platinum and over 60 made the charts. While he concentrated on theme-oriented albums of show tunes and traditional favorites during the '60s, he began incorporating soft rock by the '70s and remained a popular concert attraction well into the '90s.

Unsurprisingly, given his emphasis on long sustained notes and heavy vibrato, Johnny Mathis studied with an opera coach prior to his teenage years, and was almost lured into the profession; his other inspirations were the smoother crossover jazz vocalists of the 1940s -- Nat "King" Cole, Billy Eckstine, and Lena Horne. Mathis was an exceptional high school athlete in San Francisco, but was wooed away from a college track scholarship and a potential spot on the Olympic squad by the chance to sing. He was signed to a management contract by club owner Helen Noga, who introduced the singer to George Avakian, jazz producer for Columbia Records. Avakian signed him and used orchestras conducted by Teo Macero, Gil Evans, and John Lewis to record Mathis' self-titled debut album in 1957. Despite the name talent and choice of standards, it was mostly ignored upon release.

Columbia A&R executive Mitch Miller -- known for his desperately pop-slanted Sing Along albums and TV show -- decided the only recourse was switching Mathis to Miller's brand of pop balladry, and the formula worked like a charm; the LP Wonderful, Wonderful didn't include but was named after a Top 20 hit later in 1957, which was followed by the number five "It's Not for Me to Say" and his first number one, "Chances Are." From that point on, Johnny Mathis concentrated strictly on lush ballads for adult contemporary listeners.

Though he charted consistently, massive hit singles were rare for Johnny Mathis during the late '50s and '60s -- half of his career Top Ten output had occurred in 1957 alone -- so he chose to focus instead on the burgeoning album market, much like Frank Sinatra, his main rival during the late '50s as the most popular traditional male vocalist. Mathis moved away from show tunes and traditional pop into soft rock during the '70s, and found his second number one single, "Too Much, Too Little, Too Late," in 1978. Recorded as a duet with Deniece Williams, the single prompted Mathis to begin trying duets with a variety of partners (including Dionne Warwick, Natalie Cole, Gladys Knight, and Nana Mouskouri), though none of the singles enjoyed the success of the original. Mathis continued to release and sell albums throughout the '90s -- his fifth decade of recording for Columbia -- among them 1998's Because You Loved Me: Songs of Diane Warren and 2000's Johnny Mathis on Broadway. ~ John Bush, All Music Guide
 
 
Discography: Johnny Mathis

Gold: A 50th Anniversary Celebration

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Gold: A 50th Anniversary Christmas Celebration

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Isn't It Romantic: The Standards Album

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Love Songs [Columbia/Legacy]

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That's What Friends Are For [Bonus Tracks]

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36 All-Time Favorites

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Merry Christmas [Bonus Tracks]

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Christmas Album

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Mathis on Broadway

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Warm/Swing Softly

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Super Hits

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Because You Loved Me: Songs of Diane Warren

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Sings the Standards

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The Ultimate Hits Collection

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That's What Friends Are For/You Light Up My Life/Better Together: Duet

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Heavenly/Greatest Hits/Live

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The Music of Johnny Mathis: A Personal Collection

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The Christmas Music of Johnny Mathis: A Personal Collection

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How Do You Keep the Music Playing

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Misty

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Better Together: The Duet Album

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In a Sentimental Mood: Mathis Sings Ellington

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Warm/Open Fire, Two Guitars

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16 Most Requested Songs

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In the Still of the Night

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Once in a While

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Christmas Eve with Johnny Mathis

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Johnny Mathis Live

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The Best of Johnny Mathis (1975-1980)

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Wonderful

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That's What Friends Are For

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Mathis Is

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Hold Me, Thrill Me, Kiss Me

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I Only Have Eyes for You

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When Will I See You Again

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Feelings

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Killing Me Softly with Her Song

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I'm Coming Home

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This Heart of Mine

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Johnny Mathis' All-Time Greatest Hits

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The First Time Ever (I Saw Your Face)

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Christmas with Johnny Mathis

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Love Story

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Raindrops Keep Fallin' on My Head

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Give Me Your Love for Christmas

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Johnny Mathis Sings

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So Nice

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Romantically

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Johnny

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A Portrait of Johnny

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I'll Buy You a Star

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More Johnny's Greatest Hits

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Open Fire, Two Guitars

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Heavenly

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Swing Softly

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Merry Christmas

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Johnny's Greatest Hits

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Wonderful Wonderful

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Warm

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Johnny Mathis [Columbia]

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Black Biography: Johnny Mathis

singer

Personal Information

Born John Royce Mathis, September 30, 1935, in San Francisco; son of Clem (a chauffeur and handyman) and Mildred (a housekeeper) Mathis.
Education: Attended San Francisco State College.
Religion: Roman Catholic.

Career

Pop vocalist; has recorded over 75 albums and sold over 100 million recordings worldwide; sang with jazz groups in college, mid-1950s; nightclub performer, San Francisco area, mid-1950s; signed by Columbia Records, 1956; worked with Columbia pop producer Mitch Miller, late 1950s; recorded breakthrough hit "Wonderful! Wonderful!," 1957; released Greatest Hits, which remained on charts for 490 weeks, 1958; extensive concert and nightclub appearances; established own production company, Rojon Productions, 1964; presented three sellout concerts, Carnegie Hall, New York, 1993; performed live concert on A&E cable television, 1998.

Life's Work

Combining the microphone mastery of the crooners, the vocal depth and technique made possible by classical training, and the image of innocence connected with the teen idols of the 1950s and 1960s, Johnny Mathis has been one of the twentieth century's most beloved vocalists. Mathis succeeded as a live club performer and as a prolific seller of record albums, cultivating a middle-of-the-road style at the height of the popularity of rock and roll music and its preeminent medium, the 45-rpm single. As a result, he was only intermittently a pop hitmaker, and the dimensions of his success are generally underestimated. By some estimates Mathis has been, next to Frank Sinatra, the most consistent album seller of the modern era. His Greatest Hits album of 1958 remained on the charts for an incredible 490 weeks.

Born John Royce Mathis on September 30, 1935, in San Francisco, Johnny Mathis exhibited musical talent from childhood. His parents were both household workers for wealthy San Francisco families and his father Clem, a onetime vaudeville performer from Texas, encouraged his musical abilities. When Mathis was eight years old, his father bought him a secondhand piano and steered him toward local musical activities such as church choirs and talent contests. At the age of 13, Mathis attracted the attention of an opera singer and voice teacher named Connie Cox, who offered him voice lessons in exchange for his work on household chores. Mathis studied classical vocal technique for six years, and he kept in contact with Cox for many years thereafter.

An excellent high school student, Mathis enrolled at San Francisco State College on an athletic scholarship in the early 1950s; he was a gifted athlete who hoped to become a physical education teacher or track coach. Mathis set a college record in the high jump and came close to breaking the U.S. Olympic high jump record of the time. In addition to athletics, he became immersed in jazz and began to make his mark as a nightclub singer. Helen Noga, co-owner of San Francisco's Black Hawk club, became Mathis's manager in 1955 and he eventually moved into the Beverly Hills home of Noga and her husband.

Mathis's big break came in 1956 during an informal appearance at the 440 Club. In the audience was Columbia Records executive George Avakian, who immediately signed Mathis to the label. His first album, A New Sound in Popular Song, featured jazz arrangements of the kind Mathis had admired while a student at San Francisco State. The album did not sell well, so Avakian teamed Mathis with producer and arranger Mitch Miller. Miller's lush, ballad-oriented string arrangements had helped Columbia maintain a long period of dominance in the pop music field.

The Mathis-Miller combination proved irresistible to pop fans, especially women, who were looking for an alternative to the brash rock and roll of Elvis Presley, Jerry Lee Lewis, and other contemporary performers. Mathis had a hit in 1957 with "Wonderful! Wonderful!," and followed it up with such romantic successes as "It's Not for Me to Say" and the million-selling single "Chances Are." Record buyers loved the string sound of Mathis's albums Warm and Greatest Hits, and his success as an album seller would continue for several decades. As his music became increasingly popular, Mathis was able to command top fees in the nation's most exclusive nightclubs and appeared in several films.

Mathis's popularity stemmed, in part, from his sheer vocal skill. This was especially evident in the variety of sounds he could coax from a microphone while appearing live in concert. His tenor voice, honeyed and smooth, was instantly recognizable. With his wavy hair and California good looks that suggested no affiliation with a particular ethnic group, Mathis's music cultivated a soft romantic appeal that transcended social and racial barriers.

Throughout the 1960s, Mathis connected less with African American audiences than with other groups. Numerous concept albums, such as one based entirely on different fairy tales and another that explored the songs of composer Burt Bacharach, appealed primarily to middle-of-the-road white audiences. During the 1970s, however, Mathis began to seek out original material from African American composers like Linda Creed and Thom Bell. In 1978, Mathis recorded a duet with rhythm-and-blues singer Deniece Williams, whose vocal virtuosity matched his own. Their duet, "Too Much, Too Little, Too Late," rocketed to number one on both the rhythm-and-blues and pop charts. Mathis and Williams also recorded a successful album, That's What Friends Are For, in 1981.

Mathis went on to record duets with other popular female vocalists, including Gladys Knight, Jane Olivor, Angela Bofill, and Dionne Warwick. He continued to enjoy considerable chart success well into the 1980s. In 1993, Mathis enjoyed wide critical acclaim for the compilation album A Personal Collection, which brought together favorites from the singer's many albums. This album also included a duet with Barbra Streisand, who had often claimed Mathis as an inspiration and influence. "This 86-song lovefest," commented People magazine, "suggests why Mathis has often been blamed for the last 10 years of the baby boom."

In 1993, Mathis made a triumphant appearance at New York's Carnegie Hall. In its review of this performance, Billboard remarked, "His trademark poignant expression was strong as he graciously smoldered, glided, and soared through two hours' worth of songs.... The years have affected neither the way Mathis hovers on the edge of a note nor the way he belts one out. He stands poised at the microphone, his stance never revealing whether the note will come from deep inside his belly or the tip of his tongue."

In the late 1990s, Mathis was entering his fifth decade as one of America's most renowned vocalists. Although he no longer goes on tour, Mathis maintained a vigorous schedule of live appearances. In 1998, he appeared on the "Live by Request" program on the cable- television network A&E. Although he is universally considered a pop-music legend, a romantic icon, and a master vocalist, Mathis remained humble. As he remarked to the Greensboro (N.C.) News-Record, "I really try just to go to the good opportunities that come my way."

Works

Selective Discography

  • Warm, Columbia, 1957.
  • Swing Softly, Columbia, 1958.
  • Open Fire, Two Guitars, Columbia, 1958.
  • Greatest Hits, Columbia, 1958.
  • Heavenly, Columbia, 1959.
  • Faithfully, Columbia, 1959.
  • Johnny's Newest Hits, Columbia, 1963.
  • Feelings, Columbia, 1975.
  • You Light Up My Life, Columbia, 1981.
  • That's What Friends Are For (with Deniece Williams), Columbia, 1981.
  • Johnny Mathis Live, Columbia, 1984.
  • The Hollywood Musicals, Columbia, 1986.
  • The Music of Johnny Mathis: A Personal Collection, Columbia, 1993.
  • All About Love, Columbia, 1996.
  • The Ultimate Hits Collection, Columbia, 1998.

Further Reading

Books

  • Contemporary Musicians, volume 2, Gale, 1990.
  • Larkin, Colin, ed., The Guinness Encyclopedia of Popular Music, Guinness, 1992.
  • Romanowski, Patricia, ed., The New Rolling Stone Encyclopedia of Rock & Roll, Fireside, 1995.
Periodicals
  • Billboard, October 23, 1993, p. 26.
  • Bergen County (NJ) Record, May 29, 1998, p. Y2.
  • Ebony, March 1994, p. 20.
  • Greensboro (NC) News Record, April 5, 1998, p. D15.
  • People, December 20, 1993, p. 27.
  • Village Voice, August 25, 1998, p. 118.

— James M. Manheim

 
Wikipedia: Johnny Mathis
Johnny Mathis
Johnny Mathis in concert at the Chumash Casino Resort in Santa Ynez, California, on May 25, 2006.
Johnny Mathis in concert at the Chumash Casino Resort in Santa Ynez, California, on May 25, 2006.
Background information
Birth name John Royce Mathis
Born September 30, 1935 (1935-09-30) (age 72)
Origin Gilmer, Texas, USA
Genre(s) Pop, Jazz, Latin
Occupation(s) Singer, songwriter
Years active 1956–present
Label(s) Columbia, Mercury
Website www.JohnnyMathis.com

John Royce "Johnny" Mathis (born September 30, 1935) is an American singer of popular music.

One of the last in a long line of traditional male vocalists who emerged before the 1960s, Mathis concentrated on romantic jazz and pop standards for the adult contemporary audience through to the 1980s. Starting his career with a standard flurry of singles, Mathis was far more popular as an album artist, with several dozen of his albums receiving gold and platinum status and seventy-three making the Billboard charts to date. Mathis has sold more than 350 million records and albums.[1]

Contents

Early life

Mathis was born fourth of seven children in Gilmer, Texas to Clem and Mildred Mathis. The family moved when he was young to San Francisco, California on Post Street, in the famous Fillmore district where he was raised. His father worked for a time in vaudeville, and when he saw the budding talent in his son, the elder Mathis bought an old upright piano for US$25 to encourage his efforts. Mathis began learning from his father songs and routines–his first song being, "My Blue Heaven."[2] Mathis started out singing and dancing for visitors at home, and later publicly, at school and church events.[3]

At thirteen, Mathis was taken to Connie Cox, a San Francisco Bay Area voice teacher, who accepted him as a student in exchange for work he would do around her house. He studied with Cox for six years, learning vocal scales and exercises, voice production, classical and operatic skills.[4] He remains one of the few popular singers who has received years of professional voice training that included opera.

At George Washington High School, Mathis was well known not only for his singing abilities, but also as a star athlete. On the track and field team, he was a high jumper and hurdler, and on the basketball team, he earned four athletic letters. In 1954, Mathis enrolled at San Francisco State University on a scholarship with the intention of becoming an English and physical education teacher. Mathis remains an important part of San Francisco State University's sports history—in 1954 he broke future basketball great Bill Russell's high jump record by jumping 6 ft 5 in (1.96 m).

Music career

He was spotted by Helen Noga (born April 12, 1913 and died April 8, 2002 in Los Angeles, CA), a former head cocktail waitress and co-owner of The Black Hawk Club at 200 Hyde Street in San Francisco and The DownBeat Club along with her husband John (born June 26, 1916 and died November 9, 1999 in Los Angeles, CA) and Guido Caccienti, at a jam session and she became his manager. Noga and Caccienti had opened the Black Hawk in the fall of 1949 for $10,000. In September 1955, after Noga landed Mathis a job singing weekends at Ann Dee’s 440 Club, she ruthlessly pursued jazz producer George Avakian, who she found out was on vacation in the Bay Area. Avakian came to see him sing, and sent the now famous telegram to Columbia Records: Have found phenomenal 19-year old boy who could go all the way. Send blank contracts.[3]

Mathis now had to decide whether to go to the Olympic tryouts, to which he had been invited, or to keep an appointment in New York to make his first recordings, which were subsequently released in 1956. With his father's advice, Mathis opted for a recording career and the rest is history. He has never completely abandoned his enthusiasm for sports and today is an avid golfer who has achieved six holes-in-one, and has hosted several Johnny Mathis Golf Tournaments in the USA and the United Kingdom. Since 1985 he has been hosting a charity golf tournament in Belfast sponsored by Shell corporation, and the annual Johnny Mathis Invitational Track & Field Meet has continued at San Francisco State College since it started in 1982.

His first album Johnny Mathis: A New Sound In Popular Song was a slow-selling jazz album, but Mathis stayed in New York to play the clubs. His second album was produced by Columbia records vice-president and producer Mitch Miller, who defined the Mathis sound - he preferred him to sing soft, romantic ballads. In late 1956, Mathis recorded two of his most popular songs - "Wonderful! Wonderful!" and "It's Not For Me To Say." That year MGM signed Mathis to sing the latter song in the 1957 film Lizzie, and shortly afterward he made his second film appearance for 20th Century Fox singing the song A Certain Smile in the film of the same name. He had small acting roles in both movies as a bar singer. This early cinematic visibility in two successful movies gave him mass exposure. Next was his appearance on the very popular Ed Sullivan Show in 1957 and this helped to seal his stardom. Critics called him the velvet voice.[2]

In 1958, Mathis left San Francisco with the Nogas, who sold their interest in the Black Hawk club that year to Max Weiss, secretary-treasurer of San Francisco's avant-garde Fantasy Records, and moved to Beverly Hills where he shared a home with them at 806 North Elm Drive at Sunset Boulevard built in 1931, which the Nogas later sold to singer Dionne Warwick. In 1964, there was a severe downturn in sales for many artists due to The Beatles and the British invasion of the early 1960s. In October 1964, Mathis sued Noga to void the management arrangement, which Noga fought with a counterclaim in December 1964. Mathis purchased a mansion in the Hollywood Hills, that was originally built by billionaire Howard Hughes in 1946, and where he still maintains a residence.

Mathis established Jon Mat Records, Inc., incorporated in California May 11, 1967 to produce his recordings, and Rojon Productions, Inc., incorporated in California September 30, 1964 to handle all of his concert, theater, showroom and television appearances, and all promotional and charitable activities. His new manager and business partner was Ray Haughn, who helped guide his career until his death in September 1984. Since that time, Mathis has taken sole responsibility for his career, operating from office suites at 1612 W Olive Avenue in Burbank. With the exception of a three-year break with Mercury Records in the mid-1960s, he has been with Columbia Records throughout his recording career.

Although he is frequently described as a romantic singer, his vast discography includes jazz, traditional pop, Brazilian and Spanish music, Soul, R&B, soft rock, Broadway, Tin Pan Alley standards, some blues and country songs, and even a few disco tunes for his album Mathis Magic (1979). In 1980/81 Mathis recorded an album with Chic's Bernard Edwards and Nile Rodgers, I Love My Lady, which remains unreleased. Mathis also remains highly associated with holiday music, having recorded nine Christmas albums. According to British recordings chart historian and Guinness Book of Records Music writer Paul Gambaccini, Mathis has recorded over 110 albums and sold more than 350 million records worldwide. His Merry Christmas album of 1958 has made the American charts almost every year since its release and is now approaching 6 million unit sales.[5] this makes Mathis the third most successful male recording artist ever.[6] He was given the title The Voice Of Romance. Mathis has the distinction of having the longest stay of any recording artist on the Columbia Record label, having been with the label from 1956 to 1963 and from 1968 to the present.

In 1958, Johnny’s Greatest Hits was released and was the first ever Greatest Hits album in the music industry. It began the Greatest Hits tradition copied by every record company. Johnny's Greatest Hits spent an unprecedented 490 consecutive weeks (nine and a half years) on the Billboard album chart, a feat earning him a place in the Guinness Book of World Records and not broken until the 1980s by Pink Floyd's The Dark Side of the Moon. He has had five of his albums on the Billboard charts simultaneously, an achievement equaled by only two other singers, Frank Sinatra and Barry Manilow. He released 200 singles and had 71 songs charted around the world. He is the third largest album seller and Frank Sinatra's main rival in sales from 1957 to 1987. Mathis is one of only a few recording artists whose career has spanned six decades and selling over 350 million records worldwide.

He has received three Grammy awards. In 1979, his hit duet "The Last Time I Felt Like This" from the film Same Time, Next Year was nominated for an Academy Award for Best Original Song. Mathis and Jane Olivor sang the song at the Oscar ceremony televised to over two billion people around the world. This was his second performance at the Academy Awards - another historic achievement. He has taped twelve of his own television specials and made over 300 television guest appearances with 33 of them being on The Tonight Show. Through the years his songs (or parts of them) have been heard in 100 plus television shows and films around the globe. His appearance on the Live by Request broadcast in May 1998 on the A&E Network had the largest television viewing audience of the series. Also in 1989, Johnny sang the opening theme for the ABC daytime soap opera Loving.

Mathis continues to perform but from 2000 onwards has limited his concert engagements to fifty to sixty appearances per year. In 2006, he was scheduled for a UK tour that includes his annual Scottish Golf vacation and attendance at the 2006 Ryder Cup, two stints at his favourite Hilton Hotel in Las Vegas. He still records occasionally and his latest album Isn't It Romantic: The Standards Album (2004) has been enthusiastically received by critics and music buyers. Tonight Show host Johnny Carson, who heard over 2000 singers on his show, said: "Johnny Mathis is the best ballad singer in the world." He appeared on the NBC Tonight Show with Jay Leno[7] as a guest on March 29, 2007 performing the classic "Shadow of Your Smile" with saxophonist Dave Koz. Mathis returned to the UK Top 20 album chart in 2007 with the Sony BMG release "The Very Best of Johnny Mathis" and again in 2008 with the CD "A Night to Remember".

Personal life

A 1982 Us Magazine article quoted Mathis as having said, "Homosexuality is a way of life that I've grown accustomed to." He further confirmed a sexual relationship with a male saxophonist.[8] After more than twenty years of silence on the subject, in 2006, Mathis revealed in an interview that his silence was due to death threats he received as a result of that 1982 article.[9][10] On April 13, 2006 Mathis granted a podcast interview with The Strip in which he touched on the subject once again.[11]

Mathis enjoys cooking, which he learned from his mother. He likes family gatherings with his six brothers and sisters and their families. In 1982 he published a cookbook, Cooking for You Alone.

He is an avid golfer, and in his earlier years he excelled at other sports including high jumping, tennis, and basketball.

Among the many organizations that have benefited from his generosity through the years are the American Cancer Society, the March of Dimes, YWCA, YMCA, the Muscular Dystrophy Association, and NAACP.

Grammy history

Mathis received the Lifetime Achievement Award in 2003, by the Academy of Recording Arts and Sciences. This Special Merit Award is presented by vote of the Recording Academy's National Trustees to performers who, during their lifetimes, have made creative contributions of outstanding artist significance to the field of recording.[12]

Grammy Hall of Fame

Johnny Mathis was inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance."[13][14]

Grammy Hall of Fame Awards
Year Recorded Title Genre Label Year Inducted
1957 It's Not for Me to Say Traditional Pop (Single) Columbia 2008
1959 Misty Traditional Pop (Single) Columbia 2002
1957 Chances Are Traditional Pop (Single) Columbia 1998

Discography

Selected Hit Singles

The following songs reached either the top 50 on the US Billboard Hot 100 or the top 10 on the Adult Contemporary singles chart. Billboard began publishing AC singles charts in 1961.

  • "Wonderful! Wonderful!", (1957) #14 Pop (GOLD)
  • "It's Not for Me to Say" (1957) #5 Pop (GOLD)
  • "Chances Are" (1957) #1 Pop (GOLD)
  • "The Twelfth of Never" (1957) #9 Pop
  • "Wild Is the Wind" (1957) #22 Pop
  • "No Love (But Your Love)" (1958) #21 Pop
  • "Come to Me" (1958) #22 Pop
  • "All the Time" (1958) #21 Pop
  • "Teacher, Teacher" (1958) #21 Pop
  • "A Certain Smile" (1958) #14 Pop
  • "Call Me" (1958) #21 Pop
  • "Let's Love" (1959) #44 Pop
  • "Someone" (1959) #35 Pop
  • "Small World" (1959) #20 Pop
  • "Misty" (1959) #12 Pop (GOLD)
  • "Starbright" (1960) #25 Pop
  • "My Love for You" (1960) #47 Pop
  • "Gina" (1962) #6 Pop, #2 AC
  • "What Will Mary Say" (1963) #9 Pop, #3 AC
  • "Every Step of the Way" (1963) #30 Pop, #10 AC
  • "On a Clear Day You Can See Forever" (1965) #98 Pop, #6 AC
  • "Love Theme From Romeo & Juliet (A Time for Us)" (1969) #96 Pop, #8 AC
  • "Pieces of Dreams" (1970) #9 AC
  • "I'm Coming Home" (1973) #75 Pop, #1 AC
  • "Life Is a Song Worth Singing" (1974) #54 Pop, #8 AC
  • "Stardust" (1975) #4 AC
  • "Too Much, Too Little, Too Late" with
    Deniece Williams (1978) #1 Pop, #1 AC (GOLD)
  • "You're All I Need to Get By" with
    Deniece Williams (1978) #47 Pop, #16 AC
  • "Friends In Love" with Dionne Warwick (1982) #38 Pop, #6 AC
  • "Simple" (1984) #81 Pop, #6 AC

Each of the above were issued on the Columbia Records label with the exception of the duet with Dionne Warwick, "Friends In Love," which was released on Warwick's label, Arista Records.

Other Noteworthy Songs

Mathis has had much more success as an album artist. His albums achieved success in part due to their reputation as an accompaniment to lovemaking. Some of his celebrated early albums include:

  • Johnny Mathis Columbia CL-887
  • Wonderful, Wonderful Columbia CL-1028 (GOLD)
  • Heavenly Columbia CS-8152 Multi (Platinum)
  • Faithfully (Gold)
  • Open Fire, Two Guitars Columbia CL-1270/CS-8056 (Gold)
  • Warm Columbia CL-1078/CS-8039 (Gold)
  • Swing Softly Columbia CL-1165/CS-8023 (Gold)
  • Johnny's Mood
  • Johnny's Greatest Hits Columbia CL-1133 (Multi-Platinum)
  • More Johnny's Greatest Hits Columbia CL-1344/CS-8150 (Gold)
  • I'll Buy You a Star
  • Merry Christmas Columbia CL-1195/CS-8021 (Multi-Platinum)
  • Those Were The Days
  • Theme From Romeo And Juliet
  • Close To You
  • Love Story
  • Sings The Music Of Bacharach & Kaempfert
  • The First Time Ever I Saw Your Face
  • Song Sung Blue
  • I'm Coming Home
  • Me And Mrs. Jones
  • Killing Me Softly
  • You Light Up My Life (Platinum)
  • Feelings (Platinum)
  • I Only Have Eyes For You
  • The Heart Of A Woman
  • The Best Days Of My Life

Bibliography

  • Mathis, Johnny; Brash, Peter; Birch, Marge (1982). Cooking for You Alone. Pasadena, CA: Tech. Educ. Co.. ISBN 0939402009. 

References

  1. ^ RIAA: Gold & Platinum
  2. ^ a b "The Incomparable Mr. Johnny Mathis". Station Avenue Productions (3 April 2006). Retrieved on 2007-02-02.
  3. ^ a b "Johnny Mathis". Las Vegas Online Entertainment Guide (2006). Retrieved on