Joseph Campbell
Joseph Campbell circa 1984 |
| Born: |
March 26 1904(1904--)
 White Plains, New York |
| Died: |
October 31 1987 (aged 83)
 Honolulu, Hawaii |
| Occupation: |
Scholar |
| Nationality: |
American |
| Influences: |
Friedrich Nietzsche, Oswald Spengler,
Sigmund Freud, Carl Jung, Heinrich Zimmer, James Joyce, Thomas
Mann, Arthur Schopenhauer, Leo
Frobenius |
Joseph John Campbell (March 26, 1904 – October 31, 1987) was an American
mythology professor, writer, and orator best known for his work in the fields of comparative mythology and comparative religion.
Life
Childhood and education
Joseph Campbell was born and raised in White Plains, New York[1] in an upper middle class
Roman Catholic family. As a child, Campbell became fascinated with
Native American culture after his
father took him to see the American Museum of Natural History in
New York where he saw on display featured collections of Native American artifacts. He soon
became versed in numerous aspects of Native American society, primarily in Native
American mythology. This led to Campbell's lifelong passion for myth and to his study
of and mapping of the cohesive threads in mythology that appeared to exist among even disparate human cultures. He graduated from
the Canterbury School (Connecticut) in 1921. While at Dartmouth College he studied biology and mathematics, but decided that he preferred the humanities. He
transferred to Columbia University where he received his B.A. in English literature in 1925 and M.A. in Medieval
literature in 1927. Campbell was also an accomplished athlete, receiving awards in track and field events.
Europe
In 1927, Campbell received a fellowship provided by Columbia to study in Europe. Campbell
studied Old French and Sanskrit at the University of Paris in France and the University of Munich in Germany. He quickly
learned to read and speak both French and German, mastering them after only a few months of rigorous study. He remained fluent in both languages
for the remainder of his life.
He was highly influenced while in Europe by the period of the Lost Generation, a time
of enormous intellectual and artistic innovation. Campbell commented on this influence, particularly that of James Joyce, in The Hero's Journey: Joseph Campbell on His Life and
Work (1990, first edition:28):
- CAMPBELL: And then the fact that James Joyce grabbed me. You know that wonderful living in a realm of significant fantasy,
which is Irish, is there in the Arthurian romances; it's in Joyce; and it's in my life.
- COUSINEAU: Did you find that you identified with Stephen Daedalus...in Joyce's
A Portrait of the Artist as a Young Man?
- CAMPBELL: His problem was my problem, exactly...Joyce helped release me into an understanding of the universal sense of these
symbols...Joyce disengaged himself and left the labyrinth, you might say, of Irish politics and the church to go to
London, where he became one of the very important members of this marvelous movement
that Paris represented in the period when I was there, in the '20s.
It was in this climate that Campbell was also introduced to the work of Thomas Mann, who
was to prove equally influential upon his life and ideas. Also while in Europe, Campbell was introduced to modern art, becoming
particularly enthusiastic about the work of Paul Klee and Pablo Picasso. A new world of exciting ideas opened up to Campbell while studying in Europe. Here he also
discovered the works and writings of Sigmund Freud and Carl
Jung. It was also during this time, as well, that he met and became friends with the young Jiddu Krishnamurti, a friendship which began his lifelong interest in Hindu philosophy and mythology. In addition, after the death of Indologist Heinrich Zimmer, Campbell was given the task to edit and posthumously publish Zimmer's papers.
Return to the United States and the Great Depression
On his return from Europe in 1929, Campbell announced to his faculty at Columbia that his time in Europe had broadened his
interests and that he wanted to study Sanskrit and Modern
art in addition to Medieval literature. When his advisors did not support
this, Campbell decided not to go forward with his plans to earn a doctorate and never returned
to a conventional graduate program (The Hero's Journey: Joseph Campbell on His Life and
Work, 1990, first edition: 54).
A few weeks later, the Great Depression began. Campbell would
spend the next five years (1929-1934) trying to figure out what to do with his life (Larsen and Larsen, 2002:160) and he engaged in a period of intensive and rigorous independent study.
Campbell discussed this period in The Hero's Journey: Joseph Campbell on His Life and
Work (1990, first edition:52-3). Campbell states that he "would divide the day into four four-hour periods, of which I
would be reading in three of the four hour periods, and free one of them...I would get nine hours of sheer reading done a day.
And this went on for five years straight."
He also traveled to California for a year (1931-32), continuing his independent studies and becoming close friends with the
budding writer John Steinbeck and his wife Carol (Larsen and Larsen, 2002, chapters 8 and 9). Campbell also maintained his independent reading while
teaching for a year in 1933 at the Canterbury School during which time he also
attempted to publish works of fiction (Larsen and Larsen, 2002:214) [2].
Campbell's independent studies led to his greater exploration of the ideas of the Swiss
psychiatrist Carl Jung, a contemporary and estranged
colleague of Sigmund Freud. Campbell edited the first Eranos conference papers and helped to found Princeton University
Press' Bollingen Press. Another dissident member of Freud's circle to influence Campbell was Wilhelm Stekel (1868 - 1939). Stekel pioneered the application of Freud's conceptions of dreams,
fantasies of the human mind, and the unconscious to such fields as anthropology and literature.
Sarah Lawrence College
In 1934, Campbell was offered a position as professor at Sarah Lawrence
College (through the efforts of his former Columbia advisor W.W. Laurence). Campbell married one of his former students,
dancer and dance instructor Jean Erdman, in 1938. He retired from Sarah Lawrence College in
1972, after having taught there for 38 years.
Death
Joseph Campbell died at the age of 83 on October 31, 1987, at his home in Honolulu, Hawaii,
from complications due to esophageal cancer [1] shortly after completing filming of The Power
of Myth with Bill Moyers.
Select works
James Joyce and early works
As noted above, James Joyce was an important influence on Campbell. Campbell's first
important book (with Henry Morton Robinson), A Skeleton Key to Finnegans Wake [3] (1944), is a critical analysis of Joyce's final text Finnegans
Wake. In addition, Campbell's seminal work, The Hero with a
Thousand Faces, discusses what Campbell termed the monomyth- The cycle of the
journey of the hero, an idea which he directly attributes to Joyce's Finnegans Wake (Campbell, 1949:30).
The Masks of God
His massive four-volume work The Masks of God covers mythology from around the world, from ancient to modern. Where
The Hero with a Thousand Faces focused on the commonality of
mythology (the “elementary ideas”), the Masks of God books focus upon historical and cultural variations the monomyth
takes on (the “folk ideas”). In other words, where The Hero with a Thousand Faces draws perhaps more from psychology, the
Masks of God books draw more from anthropology and history. The four volumes of Masks of God are as follows:
Primitive Mythology, Oriental Mythology, Occidental Mythology, and Creative Mythology.
The Historical Atlas of World Mythology
At the time of his death, Campbell was in the midst of working upon a large-format, lavishly illustrated series entitled
The Historical Atlas of World Mythology. This series was to build on Campbell’s idea, first presented in The Hero with
a Thousand Faces, that myth evolves over time through four stages:
• The Way of the Animal Powers -- the myths of Paleolithic hunter-gatherers which focus on shamanism and animal
totems.
• The Way of the Seeded Earth -- the myths of Neolithic, agrarian cultures which focus upon a mother goddess and
associated fertility rites.
• The Way of the Celestial Lights -- the myths of Bronze Age city-states with pantheons of gods up ruling from the
heavens, led by a masculine god-king.
• The Way of Man -- religion and philosophy as it developed after the Axial Age (c. 6th century BCE), in which the
mythic imagery of previous eras was made consciously metaphorical, reinterpreted as referring to psycho-spiritual, not
literal-historical, matters. This transition is evidenced in the East by Buddhism,
Vedanta, and philosophical Taoism; and in the West by the
Mystery Cults, Platonism and Gnosticism.
Only the first two volumes were completed at the time of Campbell's death. Both are now out-of-print.
The Power of Myth
Campbell's widest popular recognition followed his collaboration with Bill Moyers on the
PBS series The Power of
Myth, which was first broadcast in 1988, the year following Campbell's death. The series exposed his ideas concerning
mythological, religious, and psychological archetypes to a wide audience, and captured the imagination of millions of viewers. It
remains a staple of PBS television membership drives to this day. A companion book, The Power of Myth, containing expanded
transcripts of their conversations, was released shortly after the original broadcast, and became a best seller.
Thou Art That: Transforming Religious Metaphor
A recent compilation of many of his ideas is titled Thou Art That: Transforming Religious Metaphor. In it Campbell
writes:"...Mythology is often thought of as other people's religions, and religion can be defined as mis-interpreted
mythology." In other words, Campbell did not read religious symbols literally as historical facts, but instead he saw them as
symbols or as metaphors for greater philosophical ideas.
Campbell had previously discussed this idea with Bill Moyers in The Power of
Myth:
- CAMPBELL: That would be a mistake in the reading of the symbol. That is reading the words in terms of prose instead of in
terms of poetry, reading the metaphor in terms of the denotation instead of the connotation.
- MOYERS: And poetry gets to the unseen reality.
- CAMPBELL: That which is beyond even the concept of reality, that which transcends all thought. The myth puts you there all
the time, gives you a line to connect with that mystery which you are (Campbell, 1988:57).
Campbell's original voice
Campbell relied often upon the writings of Carl Jung as an explanation of psychological
phenomena, as experienced through archetypes. But Campbell did not necessarily agree with Jung
upon every issue, and had very definite ideas of his own.
A fundamental belief of Campbell's was that all spirituality is a search for the same
basic, unknown force from which everything came, within which everything currently exists, and into which everything will
eventually return. This elemental force is ultimately “unknowable” because it exists before words and knowledge. Although this
basic driving force cannot be expressed in words, spiritual rituals and stories refer to the force through the use of
"metaphors" - these metaphors being the various stories, deities, and objects of spirituality
we see in the world. For example, the Genesis myth in the Bible
ought not be taken as a literal description of actual events, but rather its poetic, metaphorical meaning should be examined for
clues concerning the fundamental truths of the world and our existence.
Accordingly, Campbell believed the religions of the world to be the various, culturally
influenced “masks” of the same fundamental, transcendent truths. All religions,
including Christianity and Buddhism, can bring one to an
elevated awareness above and beyond a dualistic conception of reality, or idea of “pairs of opposites,” such as being and
non-being, or right and wrong. Indeed, he quotes in the preface of The Hero
with a Thousand Faces: "Truth is one, the sages speak of it by many names." which is a translation of the Rig Vedic
saying "Ekam Sat Vipra Bahuda Vadanthi."
Campbell was fascinated with what he viewed as basic, universal truths, expressed in different
manifestations across different cultures. For example, in the preface of The Hero with a Thousand Faces, he indicated that
a goal of his was to demonstrate similarities between Eastern and Western religions. In his four-volume series of books "The Masks of God",
Campbell tried to summarize the main spiritual threads common throughout the world. Tied in with this, was his idea that many of
the belief systems of the world which expressed these universal truths had a common geographic ancestry, starting off on the
fertile grasslands of Europe in the Bronze Age and moving to the Levant and the "Fertile Crescent" of Mesopotamia and back to Europe (and the Far East), where it was mixed with
the newly emerging Indo-European (Aryan)
culture.
Heroes and the monomyth
The role of the hero figured largely in Campbell's comparative studies. In 1949 The Hero with
a Thousand Faces introduced his idea of the monomyth (borrowed from Joyce as stated above),
which outlined some of the archetypal patterns Campbell recognized. Heroes were important to Campbell because, to him, they
conveyed universal truths about one's personal self-discovery and self-transcendence, one's role in society, and the relationship between the two.
Influence
Scholars who influenced Campbell
Campbell often referred to the work of modern writers James Joyce and Thomas Mann in his lectures and writings. Anthropologist Leo
Frobenius was important to Campbell’s view of cultural history. He often indicated that the single most important book in
his intellectual development was Oswald Spengler's The Decline of the West.
Campbell's ideas regarding myth and its relationship to the human psyche are dependent on the work of Carl Jung, whose studies of human psychology, as previously mentioned, greatly influenced Campbell. Campbell's
conception of myth is closely related to the Jungian method of dream interpretation, which is heavily reliant on symbolic
interpretation. Jung's insights into archetypes were in turn heavily influenced by the Bardo
Thodol (also known as the The Tibetan Book of the Dead). In his 1981 text The Mythic Image, Campbell
quotes Jung on the Bardo Thodol, who states that it "belongs to that class of writings which not only are of interest to
specialists in Mahayana Buddhism, but also, because of their deep humanity and still deeper insight into the secrets of the human
psyche, make an especial appeal to the layman seeking to broaden his knowledge of life"... "For years, ever since it was first
published, the Bardo Thodol has been my constant companion, and to it I owe not only many stimulating ideas and
discoveries, but also many fundamental insights" (Campbell 1981:392).
The "follow your bliss" philosophy attributed to Campbell following the original broadcast of The Power of Myth was
possibly influenced by the 1922 Sinclair Lewis novel Babbitt. In The Power of Myth Campbell quotes from
the novel:
- Campbell: "Have you ever read Sinclair Lewis' Babbit?
- Moyers: "Not in a long time."
- Campbell: "Remember the last line? 'I have never done the thing that I wanted to do in all my life.' That is a man who
never followed his bliss" (Campbell, 1988:117).
Campbell studied mythology under Professor Heinrich Zimmer while a young student at
Columbia. Zimmer taught Campbell that myth (rather than a guru or spiritual guide) could serve in the role of a personal mentor,
in that its stories provide a psychological roadmap for the finding of oneself in the labyrinth of the complex modern world.
Zimmer relied more on the meanings of mythological tales (their symbols, metaphors, imagery, etc.) as a source for psychological
realization than upon psychoanalysis itself. Campbell later borrowed from the interpretative techniques of Jung and then reshaped
them in a fashion that followed Zimmer's beliefs- interpreting directly from world mythology. This is an important distinction
because as it serves to explain why Campbell did not directly follow Jung's footsteps in applied psychology.
Campbell's influence upon cinema
George Lucas was the first Hollywood filmmaker to openly credit Campbell's influence. He stated during the
release of the first Star Wars films during the late 1970s that they were based upon ideas found in The Hero With a
Thousand Faces and other works of Campbell's. Indeed, reprints of the text issued after the release of
Star Wars (now referred to as Star Wars Episode IV: A New Hope) in 1977 used the image of Mark Hamill as Luke Skywalker on the cover.[4] Lucas discusses this at great length in the official biography of Joseph
Campbell, Joseph Campbell: A Fire in the Mind by Stephen and Robin Larsen:
- I [Lucas] came to the conclusion after American Graffiti that what's
valuable for me is to set standards, not to show people the world the way it is...around the period of this realization...it came
to me that there really was no modern use of mythology...The Western was possibly the
last generically American fairy tale, telling us about our values. And once the Western
disappeared, nothing has ever taken its place. In literature we were going off into science
fiction...so that's when I started doing more strenuous research on fairy tales, folklore, and mythology, and I started reading Joe's books. Before that I
hadn't read any of Joe's books...It was very eerie because in reading The
Hero with a Thousand Faces I began to realize that my first draft of Star Wars was following classic motifs...so I modified my next draft [of Star
Wars] according to what I'd been learning about classical motifs and made it a little bit more consistent...I went on to read
'The Masks of God' and many other books (Larsen and Larsen, 2002: 541).
The 1988 documentary The Power of Myth was filmed at Lucas' Skywalker Ranch. During his interviews with Bill Moyers, Campbell
discusses the way in which Lucas used The Hero's Journey in the Star Wars films
(IV, V, and VI) to re-invent the mythology for the contemporary viewer. Moyers and Lucas filmed an interview 12 years later in
1999 called the Mythology of Star Wars with George Lucas & Bill Moyers to further discuss the impact of Campbell's
work on Lucas' films.[5] In addition, the
National Air and Space Museum of the Smithsonian Institution sponsored an exhibit during the late 1990s called Star Wars: The Magic of Myth, which discussed the ways in which Campbell's work shaped the
Star Wars films.[6] A companion guide of the same
name was published in 1997.
Christopher Vogler, a Hollywood screenwriter, was also highly influenced by
Campbell. He created a 7-page company memo based on Campbell's work, A Practical Guide to The Hero With a Thousand
Faces,[7], which led to the development of
Disney's 1994 film The Lion King.
Vogler's memo was later developed into the late 1990s book The Writer's Journey: Mythic Structure For Writers.
John David Ebert, a former editor who worked with the Campbell Foundation, was also
highly influenced by Campbell, and this is especially evident in Ebert's book Celluloid Heroes & Mechanical Dragons: Film
as the Mythology of Electronic Society (Cybereditions, 2005).
Controversy
A few years after his death, some of Campbell's critics accused him of anti-Semitism. The charges began with Brendan Gill's article, "The Faces of Joseph Campbell," published in the New York Review of Books, Vol. 36, Issue 14, September
28, 1989, pages 16-19. Gill, who identified himself as a friend of Campbell from the Century
Association in New York City, notes in the article that he wrote it in reaction to the enormous popularity of The Power of Myth series in 1988. Professor of religion Robert
Segal followed Gill's contention of anti-semitism with the article, "Joseph Campbell on Jews and Judaism" ( Religion
Volume 22, Issue 2, April 1992: 151-170). Later in the article Segal also suggests that this view of Campbell stems, at least in
part, from his tendency to be perhaps blunt at times in his critique of certain aspects of various organized religions, which
Campbell, in his valedictory series of lectures, Transformations of Myth Through Time had stated was his job.[8]
Other scholars disagreed both with Gill's general critiques as well as the accusation of anti-semitism. A few months after
Gill's article appeared, the New York Review of Books, Volume 36,
Issue 17, November 9, 1989, pages 57-61, published the series
of letters "Brendan Gill vs. Defenders of Joseph Campbell" (cover of New York Review), "Joseph Campbell: An Exchange" (title of
letter collection). A number of the letters, from former students and colleagues, argue against the accusations. In particular,
Professors Roberta and Peter Markman argue that "we were dismayed because this piece of character assassination was unsupported
by any evidence." Gill, in a response to these letters, continued to uphold his claims.
Stephen Larsen and Robin Larsen, the authors of the biography "Joseph Campbell: A Fire
in the Mind," (2002) also argued against what they referred to as "the so called anti-Semitic charge" (x). They state that: "For
the record, Campbell did not belong to any organization that condoned racial or social bias, nor do we know of any other way in
which he endorsed such viewpoints. During his lifetime there was no record of such accusations in which he might have publicly
betrayed his bigotry or visibly been forced to defend such a position" (2002:x).
Bibliography of works by Campbell
Books by Joseph Campbell
- Where the Two Came to Their Father: A Navaho War Ceremonial (1943). with Jeff King and Maud Oakes, Old Dominion
Foundation
- A Skeleton Key to Finnegans Wake (1944). with Henry Morton
Robinson, Harcourt, Brace & Co.
- The Hero with a Thousand Faces (1949). Pantheon Books.
Princeton University Press 1972 paperback: ISBN 0-691-01784-0, Bollingen 2004 commemorative hardcover: ISBN 0-691-11924-4
- The Flight of the Wild Gander:Explorations in the Mythological Dimension (1951). Viking Press
- The Masks of God (1959–1968). Viking Press:
- Volume 1, Primitive Mythology (1959)
- Volume 2, Oriental Mythology (1962)
- Volume 3, Occidental Mythology (1964)
- Volume 4, Creative Mythology (1968)
- Myths to Live By (1972). Viking Press
- Erotic irony and mythic forms in the art of Thomas Mann (1973)
- The Mythic Image (1974). Princeton University Press
- The Inner Reaches of Outer Space: Metaphor As Myth and As Religion (1986). Alfred van der Marck Editions
- Historical Atlas of World Mythology
- Volume I: The Way of Animal Powers (1983). Alfred van der Marck Editions
- reprint in two parts: Part 1: Mythologies of the Primitive Hunters and Gatherers (1988)
- Part 2: Mythologies of the Great Hunt (1988)
- Volume II: The Way of the Seeded Earth
- Part 1: The Sacrifice (1988). Alfred van der Marck Editions
- Part 2: Mythologies of the Primitive Planters: The North Americas (1989). Harper & Row
- Part 3: Mythologies of the Primitive Planters: The Middle and Southern Americas (1989). Harper & Row
- Transformations of Myth Through Time (1990). Harper and Row
- A Joseph Campbell Companion: Reflections on the Art of Living (1991). editor Diane K. Osbon
- Mythic Worlds, Modern Words: On the Art of James Joyce (1993). editor Edmund L. Epstein
- The Mythic Dimension: Selected Essays (1959-1987) (1993). editor Anthony Van Couvering
- Baksheesh & Brahman: Indian Journals (1954-1955) (1995). editors Robin/Stephen Larsen & Anthony Van
Couvering
- Thou Art That: Transforming Religious Metaphor (2001). editor Eugene Kennedy, New World Library ISBN 1-57731-202-3.
first volume in the Collected Works of Joseph Campbell
- Sake & Satori: Asian Journals - Japan (2002). editor David Kudler
- Myths of Light: Eastern Metaphors of the Eternal (2003). editor David Kudler
- Pathways to Bliss: Mythology and Personal Transformation (2004). editor David Kudler
Books based upon interviews with Joseph Campbell
- The Power of Myth (1988). with Bill
Moyers and editor Betty Sue Flowers, Doubleday, hardcover: ISBN
0-385-24773-7
- An Open Life: Joseph Campbell in Conversation with Michael Toms (1989). editors John Maher and Dennie Briggs, forward
by Jean Erdman Campbell. Larson Publications, Harper Perennial 1990 paperback: ISBN 0-06-097295-5
- This business of the gods: Interview with Fraser Boa (1989)
- The Hero's Journey: Joseph Campbell on His Life and Work (1990). editor
Phil Cousineau. Harper & Row 1991 paperback: ISBN 0-06-250171-2. Element Books 1999
hardcover: ISBN 1862045984. New World Library centennial edition with introduction by Phil Cousineau, forward by executive editor
Stuart L. Brown: ISBN 1-57731-404-2
Audio Tapes of Joseph Campbell
- The Power of Myth (With Bill Moyers) (1987)
- Transformation of Myth through Time Volume 1-3 (1989)
- The Hero with a Thousand Faces: The Cosmogonic Cycle (Read by Ralph Blum) (1990)
- The Way of Art (1990—unlicensed)
- The Lost Teachings of Joseph Campbell Volume 1-9 (With Michael Toms) (1993)
- On the Wings of Art: Joseph Campbell; Joseph Campbell on the Art of James Joyce (1995)
- The Wisdom of Joseph Campbell (With Michael Toms) (1997)
- Joseph Campbell Audio Collection; Volume 1:Mythology and the Individual (1997)
- Joseph Campbell Audio Collection; Volume 2:The Inward Journey (1997)
- Joseph Campbell Audio Collection; Volume 3:The Eastern Way (1997)
- Joseph Campbell Audio Collection; Volume 4:Man and Myth (1997)
- Joseph Campbell Audio Collection; Volume 5:The Myths and Masks of God (1997)
- Joseph Campbell Audio Collection; Volume 6:The Western Quest (1997)
- Myth and Metaphor in Society (With Jamake Highwater) (abridged)(2002)
Video/DVDs of Joseph Campbell
Books edited by Joseph Campbell
- Gupta, Mahendranath. The Gospel of Sri
Ramakrishna (1942) (translation from Bengali by Swami Nikhilananda; Joseph Campbell and Margaret Woodrow Wilson, translation assistants - see preface;
foreword by Aldous Huxley)
- Myths and Symbols in Indian Art and Civilization. Heinrich Zimmer (1946)
- The King and the Corpse: Tales of the Soul's Conquest of Evil. Heinrich Zimmer (1948)
- Philosophies of India. Heinrich Zimmer (1951)
- The Portable Arabian Nights (1951)
- The Art of Indian Asia. Heinrich Zimmer (1955)
- Man and Time: Papers from the Eranos Yearbooks. Various authors (1954-1969)
- Man and Transformation: Papers from the Eranos Yearbooks. Various authors (1954-1969)
- The Mysteries: Papers from the Eranos Yearbooks. Various authors (1954-1969)
- The Mystic Vision: Papers from the Eranos Yearbooks. Various authors (1954-1969)
- Spirit and Nature: Papers from the Eranos Yearbooks. Various authors (1954-1969)
- Spiritual Disciplines: Papers from the Eranos Yearbooks. Various authors (1954-1969)
- Myths, Dreams, Religion. Various authors (1970)
- The Portable Jung. Carl Jung (1971)
General references
On the Life and Work of Joseph Campbell
Books
- Segal, Robert. Joseph Campbell an Introduction, (1987)
- Larsen, Stephen and Robin. Joseph Campbell: A Fire in the Mind. (1991)
- Golden, Kenneth L. Uses of Comparative Mythology: Essays on the Work of Joseph Campbell (1992)
- Manganaro, Marc. Myth, Rhetoric, and the Voice of Authority: A Critique of Frazer, Eliot, Frye, and Campbell.
(1992)
- Madden, Lawrence. (Editor) The Joseph Campbell Phenomenon: Implications for the Contemporary Church (1992)
- Noel, Daniel C. (Editor) Paths to the Power of Myth (1994)
- Snyder, Tom. Myth Conceptions: Joseph Campbell and the New Age (1995)
- Henderson, Mary. Star Wars: The Magic of Myth (1997)Smithsonian Exhibit
- Vogler, Christopher. The Writer's Journey: Mythic Structure For Writers. (1998)
- Ellwood, Robert. The Politics of Myth: A Study of C. G. Jung, Mircea Eliade, and Joseph Campbell (1999)
Articles
- Man and Myth: A Conversation with Joseph Campbell. Sam Keen. Psychology Today, v. 5 (1971)
- Living Myths: A Conversation with Joseph Campbell. Lorraine Kisly. Parabola, v. 1 (1976)
- The Professor with a Thousand Faces. Donald Newlove. Esquire, v. 88 (1977)
- Earthrise: The Dawning of a New Spiritual Awareness. Eugene Kennedy. New York Times Magazine. (April 15,
1979)
- Elders and Guides: A Conversation with Joseph Campbell. Michael McKnight. Parabola, v. 5 (1980)
- The Masks of Joseph Campbell. Florence Sandler and Darrell Reeck. Religion, v. 11 (1981)
- The faces of Joseph Campbell. Brendan Gill. New York Review of Books, v. 36, number 14 (September 28,
1989)
- Brendan Gill vs Defenders of Joseph Campbell-An Exchange. Various Authors. New York Review of Books, v. 36,
number 17 (November 9, 1989)
- Joseph Campbell on Jews and Judaism. Robert Segal. Religion, v. 22 (April 1992)
- “Was Joseph Campbell a Postmodernist?’’ Joseph M. Felser. Journal of the American Academy of Religion, v. 64
(1998)
- Why Joseph Campbell's Psychologizing of Myth Precludes the Holocaust as Touchstone of Reality. Maurice Friedman,
Journal of the American Academy of Religion, v. 67 (1998)
- Joseph Campbell as Antisemite and as Theorist of Myth: A Response to Maurice Friedman. Robert A. Segal, Journal of
the American Academy of Religion, v. 66 (1999)
Secondary References
Books
- Pearson, Carol and Pope, Katherine. The Female Hero in American and British Literature. (1981)
- Ford, Clyde W. The Hero with an African Face: Mythic Wisdom of Traditional Africa. (2000)
- Jones, Steven Swann. The Fairy Tale: The Magic Mirror of the Imagination. (2002)
- Erickson, Leslie Goss. Re-Visioning of the Heroic Journey in Postmodern Literature: Toni Morrison, Julia Alvarez, Arthur
Miller, and American Beauty (2006)
- Joiner, Ann Livingston. A Myth in Action: The Heroic Life of Audie Murphy. (2006)
Joseph Campbell and Marija Gimbutas Library
Campbell's papers and library were donated to the Center for the Study of Depth Psychology at the Pacifica Graduate Institute in Carpinteria, California by
the Joseph Campbell Foundation. The collection is housed in the Joseph Campbell and Marija Gimbutas Library. Campbell had frequently lectured at Pacifica, a private school
which supports graduate work in mythology and depth
psychology. The founding curator, psychologist Jonathan Young, worked closely with
Campbell's widow, choreographer Jean Erdman, to gather the materials from Campbell's homes
in Honolulu and Greenwich Village, New York City.The Campbell collection numbers approximately 3,000 volumes and covers a broad range of
subjects, including anthropology, folklore, religion,
literature, and psychology. The collection also includes audio and video tapes of lectures, original manuscripts, and research
papers. [9].
References
See also
External links
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