more complex
Adding internal conflicts to a character's external conflicts will make a character seem more complex and relatable. It can also add depth to their personality and motivations, making them more interesting to the audience. Combining internal and external conflicts can create a rich narrative that drives the character's development throughout the story.
Internal and external conflicts both involve obstacles or challenges that a character faces. Internal conflicts arise within a character's mind or emotions, while external conflicts involve struggles with outside forces such as other characters or the environment. Both types of conflict help to drive the plot and develop the characters.
"Touching Spirit Bear" features both internal and external conflicts for the main character, Cole. Cole faces external conflicts with his family, peers, and nature. Internally, he struggles with anger, guilt, and self-hatred, leading to a journey of self-discovery and healing.
Freud believed that phobias were caused by underlying unconscious conflicts or desires. Watson, on the other hand, believed that phobias were based on conditioned fear responses from negative past experiences. Freud focused more on internal conflicts, while Watson emphasized external stimuli as triggers for phobias.
Internal variables are those that are within the control or influence of the system or entity being studied, while external variables are those that are outside of its control or influence. Internal variables are typically more easily manipulated in an experiment, while external variables are often more difficult to control for.
Individuals with an internal locus of control tend to have better health outcomes compared to those with an external locus of control. This is because they are more likely to take responsibility for their health behaviors and outcomes, while those with an external locus of control may feel less in control and therefore less likely to engage in healthy behaviors.
more complex
External conflicts typically involve visible actions between characters or a character and their surroundings, making them easier to observe than internal conflicts, which are largely emotional or psychological struggles within a character's mind. Internal conflicts are usually expressed through a character's thoughts, feelings, or inner dialogue, making them less immediately noticeable to an observer.
Internal/ External conflicts
Internal conflicts have to do with emotion, hunger, and pain, and anything else you can think of that is internal. (thoughts are good too.) External conflicts have to do with things on the outside of you or things on the outside world such as weather, animals, or maybe even broken bones.
In a short story like "Small key," you can use both internal conflicts (struggles within a character's mind or heart) and external conflicts (struggles between a character and an outside force). For example, internal conflict could be the character grappling with guilt or doubt, while external conflict could involve a confrontation with another character or a challenging situation. Both types of conflict can help drive the plot and reveal more about the characters.
Opposing forces in literature refer to the conflicts or tensions that drive the plot forward by creating obstacles for the characters to overcome. These forces can manifest as internal struggles within a character, such as desires or beliefs that are in conflict, or external conflicts between characters or society. The resolution of these opposing forces often leads to character development and drives the story towards its conclusion.
In the book Beautiful Creatures, the main characters experience both internal and external conflicts. Internal conflicts include Ethan struggling with his identity and purpose, while external conflicts involve the townspeople being against Lena due to her family's magical background. These conflicts drive the characters' development and impact the storyline.
Yes, a story's plot is the sequence of events that make up the action and are driven by conflicts. These conflicts can be internal (within the character) or external (with other characters, society, or nature), creating tension and driving the narrative forward.
Characters in a book typically have to overcome various challenges, obstacles, or conflicts in order to achieve their goals, grow as individuals, or resolve the central conflict of the story. These challenges can be internal (such as self-doubt or internal conflicts) or external (such as other characters, society, or environmental factors) and are essential for driving the plot forward and engaging readers. Ultimately, the process of overcoming these obstacles is what creates tension, suspense, and character development in a story.
Readers should look for characters who grow and evolve throughout the story, demonstrating a depth of emotions, motivations, and relationships. Look for characters who face internal and external conflicts, show vulnerability, make mistakes, and learn from them. Effective character development should make readers empathize with and invest in the characters' journeys.
In "Travel Team" by Mike Lupica, the main character Danny faces internal conflicts such as self-doubt and insecurities about his height and abilities. Externally, he is challenged by his teammates, opponents on the court, and his demanding coach. These conflicts drive the story and shape Danny's growth as a character throughout the novel.
to face a problem against another character