His paintings showed emotional intensity and his figures seemed to have volume.
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In Giotto's Lamentation, the focal point is typically the figure of Jesus Christ, who is being mourned by those around him. The composition and positioning of the figures in the painting usually draw the viewer's eye towards this central figure as the most important element of the scene.
In 'The Lamentation' figures are seen from the back which Giotto did often to emphasize the foreground. The strong diagonal of the rocky ledge also concentrates our attention on the group and physically separates them from the heavenly realm. The grouping of the figures puts the viewer in a position of looking in from behind, or 'staged' like a drama. This device was a contradiction to the old way of frontality.