In Greek theatre, costumes were essentially nonexistent. Onstage, actors wore the typical fashions of the day rather than the clothes their characters would wear. Masks enabled the actors to take on the physicality of a character and make it more real for audiences. Masks were also versatile enough that a small company of actors could play a large number of roles without having to do time-consuming costume changes.
They were used in the greek theatres when a play was on.
festivels
Firstly, because the acustics was very good. Secondly, the actors used a special mouth piece, which strenghtened their voices. They wore it under their masks. Masks were designed so that people could see the character's feelings from a long distance as well.
There are two theatre masks a happy face and a sad face. Overall theatres make hundreds of masks to suit the differant charactors.
In Greek theatres and amphitheatres.
They were used in the greek theatres when a play was on.
In the ancient Greek theatres by the actors.
festivels
Firstly, because the acustics was very good. Secondly, the actors used a special mouth piece, which strenghtened their voices. They wore it under their masks. Masks were designed so that people could see the character's feelings from a long distance as well.
Egyptians and Celts Greek's.
I remember masks were used pretty heavily in Greek theater , and several productions call for masks such as The Phantom of the Opera.
masks were commonly used, as men often played the part of a women. By using a mask the crowd could not see the person behind- it also meant that the facial expressions used were much more exaggerated to the back of the audience as the mask's did this.
Actors wore terra cotta masks with exaggerated expressions on stage.
There are two theatre masks a happy face and a sad face. Overall theatres make hundreds of masks to suit the differant charactors.
the greeks
In Greek theatres and amphitheatres.
Comedy and tragedy masks. Their origin is in the Greek drama, and they are used with respect to drama of all kinds, not particularly Shakespeare.