The audience would identify with the hero.
Aristotle's audience would say that an action is virtuous when it strikes a balance between extremes, as per his doctrine of the Golden Mean. They would also acknowledge the importance of ethics in achieving eudaemonia, or human flourishing.
Aristotle believed that the audience would identify with the tragic hero if they were of intermediate moral standing, where they exhibit both good and bad qualities. This balance allows the audience to see elements of themselves in the character's struggles and flaws, making the tragic hero's downfall more relatable and impactful.
Aristotle believed that a tragedy should inspire pity and fear in the audience. These emotions would lead to catharsis, a purging of those emotions through the experience of watching the tragic events unfold on stage.
Aristotle believed that for the audience to empathize and experience catharsis, the hero shouldn't be too virtuous, as their downfall would be too tragic, or too evil, as their fate would be deserved. A balance allows for the audience to see the hero's fall as both a warning and a reflection of human nature.
Aristotle believed that catharsis, or the emotional release and purification experienced by the audience, was essential in a tragedy because it allowed viewers to experience a purge of their own emotions of pity and fear. This cathartic experience, according to Aristotle, would leave the audience feeling cleansed and uplifted, providing them with a sense of relief and emotional renewal.
When giving persuasive speeches, think about what the audience would react to. For instance, if you were trying to persuade the audience to be against abortions, tell them about what happens to the fetuses in detail and how they are aborted. People tend to react to extremes.
In the Globe theatre, when the audience liked the play they clapped and cheered unlike when they disliked the play, when they would throw things at the stage.
After experiencing pity and fear, Aristotle believed that playgoers would then undergo a form of emotional catharsis or purification. This process would lead to a release of these strong emotions and a sense of emotional relief or transformation in the audience.
Aristotle believed that the audience would identify with a tragic hero if they were neither too virtuous or too evil. He believed that if they went too far to either side the common person wouldn't be able to identify with them.
Aristotle did not create ethos, pathos, and logos; instead, he identified these persuasive techniques as modes of appeal in his work "Rhetoric." Ethos refers to the credibility of the speaker, pathos appeals to the emotions of the audience, and logos appeals to logic and reason. Aristotle believed that using these three appeals effectively would make arguments more persuasive.
Aristotle's Politics
She timidly approached the stage, unsure of how the audience would react.