How do you memorize relative minors?
Learn the major scales (key signatures, sharps, and flats). Get accustomed to thinking of scale degrees simultaneously by note and number. To convert to relative minor, I find it easier to count backwards 8-7-6 (C-B-A) from the octave root (8th degree), and then add sharps or flats as I know them to be in the relative major. I play guitar so it's easy to recover from mistakes by using it as a chromatic approach or a slow bend.
To find out about the relative minor of a major key, you can go to the sixth degree of the major key. For example:
The sixth degree of C major is A. A minor is the relative minor of C major.
Three half steps lower
The relative key is the one with the same key signature. For C major, it's A minor.
The keys of C major and A minor have no sharps or flats.
The key signature is E flat major, which is also, C minor, the relative minor of E flat major. You can find out what flat key signature you're in by finding the second to last flat (in this case E flat). It is the major version of that key signature!
try to 'hear' the scale. is it minor or major? and what key is it in? then jump in and play a couple of notes in the scale as exploration and you'll learn what notes you can and cant use pretty fast. best way is to learn by your mistakes!Guitar Scale when ImprovisingHere are opinions and answers from FAQ Farmers: I think that you might want to ask the other guitarist what he or she is playing or if you know all the notes on the fretboard, you can also look at their riff and see what notes are in it. If there are no sharps or flats, the key is C, and so on.In my opinion the above answer is absolutely correct. At my age, I need to keep things simple. I would ask what Key the other player is in if I didn't recognize the chord progression. Then you as a player would have to decide would a blues scale, penotonic etc., fit the mood of the song.http://www.guitartricks.com has some video lessons on how to improvise and match up to the key and all that good.Since a lot of chord progressions use a I, IV, V pattern, or some variation(ie. I, VI, IV, V), you can find the major scale easily by looking for those 3 chords and you will now know the rootchord . The root is the major key you want to play in. For example, take the chords Em, C9, G, D/F#. G is the root, C is the 4th, D is the 5th, and Em is the 6th. With this progression you can use the G major scale. In G, the notes are G(root/tonic) A(2nd/supertonic) B(3rd/mediant) C(4th/subdominant) D(5th/dominant) E(6th/submediant) F#(7th/leading tone) G(root). Of course there are still many progressions that do not have the I, IV, V, such as many western songs which use IIm, V, I, so you will need to be aware of that.If you know what key you are playing in, and you know your scales then you can apply the following: For a major key you choose the major scale to fit the key. (Key C Major, scale C Major, or C Major pentatonic.) For a minor key you choose the minor scale to fit the key. (Key C minor, scale C minor, or C minor pentatonic.) If you are playing the blues (which includes many country and Rock music) you are likely to choose the blues scale which is an altered form of the minor pentatonic. (Key C (major or minor), scale C blues, or C minor pentatonic.) While it is not popular to do so these days, it is possible to use the major pentatonic for a happier sounding blues. If you are a jazz enthusiast, you need to learn and study the Modes, which aid in discovering what scale material is well matched at any given moment of a jazz piece.A "guitar riff" is a short section that a guitar musician has produced.LETS SIMPLIFY THIS: Everyone has great answers, but the easiest thing to do is play the pentatonic scale in the relative minor. For example, if the song is in the key of G you play the pentatonic scale in Em. To find the relative minor just go down three frets from the root and that is the relative minor. Try it and you will find this works every time for almost any kind of music. EZ as pie!
Here is the way I see it: I) How many sharps/flats do I have? You should always find the major key first II) What mode am I playing in? In other words, what note of the major scale does the song resolve to? Typically speaking, you have either a major key or a minor key but there may be times where the song doesn't resolve to the I (major key) or the vi (minor key) chord/note. This is called a mode. If I'm not in Bb Ionian (major), I'm in C Dorian, D Phrygian, Eb Lydian, F mixolydian, G aeolian (minor), or A Locrian. All of these key signatures have Bb and Eb. However each mode resolves to a different note of the scale
"That would be A minor. Go a minor third below the tonic of the major scale to find the relative minor." Technically, there is no relative harmonic major to the key of C Major. The relative minor scale of C Major would the natural minor scale of A. A harmonic minor scale raises the 7th note of the scale a half step, giving us G#, which is not in the key of C Major.
The relative key is the one with the same key signature. For C major, it's A minor.
The keys of C major and A minor have no sharps or flats.
As with any key, you should simply look at the note it starts on and count back 3 semi tones. For example... I am in the key of G MajorG, Gb. F, EThe relative minor of G Major is e minor. For further assistance I would suggest that you take a look atPiston/DeVoto Harmony 5e. Its what we use at Harvard.
The key signature is E flat major, which is also, C minor, the relative minor of E flat major. You can find out what flat key signature you're in by finding the second to last flat (in this case E flat). It is the major version of that key signature!
try to 'hear' the scale. is it minor or major? and what key is it in? then jump in and play a couple of notes in the scale as exploration and you'll learn what notes you can and cant use pretty fast. best way is to learn by your mistakes!Guitar Scale when ImprovisingHere are opinions and answers from FAQ Farmers: I think that you might want to ask the other guitarist what he or she is playing or if you know all the notes on the fretboard, you can also look at their riff and see what notes are in it. If there are no sharps or flats, the key is C, and so on.In my opinion the above answer is absolutely correct. At my age, I need to keep things simple. I would ask what Key the other player is in if I didn't recognize the chord progression. Then you as a player would have to decide would a blues scale, penotonic etc., fit the mood of the song.http://www.guitartricks.com has some video lessons on how to improvise and match up to the key and all that good.Since a lot of chord progressions use a I, IV, V pattern, or some variation(ie. I, VI, IV, V), you can find the major scale easily by looking for those 3 chords and you will now know the rootchord . The root is the major key you want to play in. For example, take the chords Em, C9, G, D/F#. G is the root, C is the 4th, D is the 5th, and Em is the 6th. With this progression you can use the G major scale. In G, the notes are G(root/tonic) A(2nd/supertonic) B(3rd/mediant) C(4th/subdominant) D(5th/dominant) E(6th/submediant) F#(7th/leading tone) G(root). Of course there are still many progressions that do not have the I, IV, V, such as many western songs which use IIm, V, I, so you will need to be aware of that.If you know what key you are playing in, and you know your scales then you can apply the following: For a major key you choose the major scale to fit the key. (Key C Major, scale C Major, or C Major pentatonic.) For a minor key you choose the minor scale to fit the key. (Key C minor, scale C minor, or C minor pentatonic.) If you are playing the blues (which includes many country and Rock music) you are likely to choose the blues scale which is an altered form of the minor pentatonic. (Key C (major or minor), scale C blues, or C minor pentatonic.) While it is not popular to do so these days, it is possible to use the major pentatonic for a happier sounding blues. If you are a jazz enthusiast, you need to learn and study the Modes, which aid in discovering what scale material is well matched at any given moment of a jazz piece.A "guitar riff" is a short section that a guitar musician has produced.LETS SIMPLIFY THIS: Everyone has great answers, but the easiest thing to do is play the pentatonic scale in the relative minor. For example, if the song is in the key of G you play the pentatonic scale in Em. To find the relative minor just go down three frets from the root and that is the relative minor. Try it and you will find this works every time for almost any kind of music. EZ as pie!
You can have a musical scale starting anywhere you like. On the piano, the simplest scale is C major, in which the second note is D. In all major and minor scales, you can find the second note by moving up two semitones from the first note (C-C#-D or G-G#-A)
Bb. B flat has two flats, the first two flats on the staff: Bb, and Eb. Also, the relative minor to Bb, G minor, also contains two flats in the key signature; Bb, and Eb. To find the relative minor to a major key, simply count down 2 and one half steps. ie: Bb, Ab, G, making the relative minor to Bb "G minor", which also has the same key signature.
Count up a sixth from the major (C) to find the minor (A).
ask your breeder or relative how old they are or mas them on a scale
Rules for a minor child traveling with a non-relative vary between airlines. A limited power of attorney may be helpful but it is best to check with the specific airline to find out what they require.
When it is indicated in the music. There is no special time and no speciall occasion. However, the minor tonality is sometimes associated with 'spooky' 'sad' songs and certain cultures use it more than the major tonality. There are 3 forms of the minor scale: Natural, Melodic and Harmonic. If you are playing classical music, then the harmonic minor scale is actually rarely used. In classical music, the melodic minor scale is favored. If you are playing jazz or any other type of music, a good time to use it is on top of a V7/Vi chord (using the third in the chord as the leading tone, a vi chord using the tonic of the chord as the starting point of the scale or any dominant chord in a minor mode. There are tons of places to use the harmonic minor scale. Just experiment with it as much as possible. You'll find for yourself stuff that works and stuff that doesn't. Both will be very obvious. Hope that helps! 1234567#8