At a receiving theatre you will only see touring productions. At a producing theatre the shows are put on by the company resident in that theatre - the company is employed by the theatre, rehearsals take place there etc. Most major local theatres will be receiving theatres. London has more producing theatres such as the National theatre.
why hasn't mmy question not been answerd....A receiving theater is a theater which receive's productions that have been made else-where. Either by producing theater's that have for example decided to our one of there productions. Or by a theater company that doesn't have any space for a production.
obviously, a receiving theatre makes profit on other companies and it simply acts as a host, and somewhere for shows to be performed, e.g. palladium. and a producing theatre is a theatre that produces its own shows. from the actors, directors, funding for set and props, its all usually done with what they already have e.g. kevin spacey's old vic. and also look at stratford and the rsc. hope this helps :)
a theater is just the theater itself while a theater company is a community theater where productions are rehearsed and put on at the same place. The theater company wins awards for it's shows instead of an individual show receiving and keeping the awards.
The National Theatre is a producing house.
home theater in a box is an entire surround system shiped in a box where as other systems may be bought seperately
Commercial theaters operate with the goal of turning a profit, while academic theaters aspire to teach and instruct their students through producing theater.
A receiving theatre is exactly what its name implies. It does not produce its own plays, it just houses shows that are being produced by others. Most of the time, this is a place such as the Temple Buell Theatre in Denver, or the Fox Theatre in St. Louis, where national tours of Broadway productions play. However, most Broadway theatres are considered receiving houses, because the owners of the theatres are essentially realty companies and have no hand in producing the shows that run in their theatres.
Charles H. Randall has written: 'Hisses, boos & cheers, or, A practical guide to the planning, producing, and performing of melodrama' -- subject(s): College theater, Community theater, Melodrama, Production and direction, Theater
dynamic equilibrium
Technics home theater system is capable of producing just about any sound that is fed through it digitally. It also includes a bass subwoofer for the big booms.
Ernest F. Dyer has written: 'Producing school plays' -- subject(s): Amateur theater
A producing theatre will produce its own theatre productions 'in-house' including desinging, building and rehearsing etc. They usually have their own set-building workshops and wardrobe departments onsite at the theatre or nearby, although sometimes external builders and suppliers may be used. Usually the Artistic Director will decide on the programme for the season, choosing the plays to be performed. Following this the Creative Team will be employed, including the director, designers (set, lighting, costume, sound etc) and work will begin on the design of the production. Casting, rehearsals and a continuation of the design process follow, until the production is ready to open to the public. A receiving theatre will 'receive' productions that have been produced elsewhere, either by a producing theatre that for example has decided to tour one of its own productions, or by a a theatre company that does not have a theatre space or venue of its own and produces exclusively for touring. Receiving theatres also include West End venues that receive 'transfers'; productions that have enjoyed a successful run or tour outside of the West End, that are bought by producers and put into a London venue in the hope of achieving further success.