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How does an artwork provide the viewer with an aesthetic experience?
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What is layered spaces in art?
Layered spaces in art refers to the multi-dimensional and complex nature of artworks. It refers to the fact that artworks often contain multiple meanings and interpretations and that they can be experienced in a variety of ways. Layered spaces are often composed of both physical and psychological elements and the layers can be further explored through the use of color texture and form. Layered spaces in art can also be interpreted in terms of symbolism narrative and metaphor. Physical elements: color texture form Psychological elements: symbolism narrative metaphorLayered spaces in art can be used to convey complex ideas and emotions and can add a sense of depth to an artwork. Artists can use layered spaces to create a dynamic visual experience and to invite the viewer to explore the various elements of the artwork. Layered spaces can also be used to create an atmosphere or mood within an artwork making it more engaging and immersive.
At what height should a painting or artwork to be hung on a high ceiling wall?
The height artwork is placed on the wall is determined more by the use of the room and the people who frequent it than by the size of the wall. In most rooms the artwork should be hung at approximately eye level (for were you are most likely to be viewing it - standing, sitting, reclining). If for example you are hanging artwork in an entrance area or hallway, the paintings should be higher (because you will be viewing them standing) than if you are hanging them in a dinning area or living room (where you spend most of your time seated). In stairways the artwork should be hung in a progressively elevated manner (like the stairs). This gives the viewer more comfort and ease of viewing. If you are doing a large display of many different sized paintings it is best to pick one or two "anchor" pieces and hang them at the optimum height, then make a pleasing grouping with the other pieces at varying heights to keep the viewer's eye moving through out the display. There are some people who like to hang one or a small grouping of paintings over the sofa in the living room, and this works well as long as they are not hung so high as to make your neck ache to look at them, nor so low, they are easily bumped by the heads or arms of people sitting on the sofa. Single pieces hung over mantles should have ample room beneath them so that items set on the mantle do not obstruct the subject of the painting. In bedrooms, many people hang artwork over the head of their beds, the height of the headboard will determine the placement of the artwork... however if the headboard is especially tal you may want to choose a longish horizontal piece of a collection on smaller pieces that can be arranged in a horizontal manner. One of my favourite placement for a painting was in my grandmother's bedroom, she had a small petite-point piece in an ornate frame hung at shoulder level (when seated) next to her favourite reading chair. I have often borrowed that placement when trying to create a "personal space".
when used together, perspective and color variation create what effects for the viewer?
The illusion of depth on a flat surface.
What techniques did Rene Magritte use in his paintings?
Magritte used a highly illusionist painting technique to make the viewer think about the real object and the painted imitation of the object. In his painting "The lovers", he uses realistic painting techniques and questions the sense and meaning of the work.
What influenced Rene magritte?
Background and Training · As a child: Magritte was always attached to the magic of painting à certain that he was going to become a painter · 1916: after persuading father à began training at Academie des Beaux-Arts in Brussels · Attended classes of: drawing, decorative painting, ornamental composition o used a dry, matter of fact technique in his paintings à categorised much of his work from then on · Was a painter until his death Influence of Surrealism · Surrealism began as a literary movement founded by poet Andre Brenton · Strongly influenced by WW1 and Dada · Dada: Marcel Duchamp o Influence on The Treachery of Images: uses a technique to allow the viewer to rethink their thoughts of his artworks · Surrealists believed à had the power and duty to change life · Uniting the conscious and unconscious experiences completely à dream and fantasy were joined to everyday world o Used an object that is harmless à re-scaled that object à portray something that is quite menacing and beyond the viewers logical understanding Cinematic Influence · Feudillado's cinematic five part series à Fantomas (1913-14) portrays: o businessmen with no expression wearing black bowler hats o corridors o rooftops of Paris o intense shadows § Magritte uses the same figure § "The Son of Man" Georgio de Chirico · 1919: Work of Georgio de Chirico à "The Song of Love" à portrayed strange juxtaposition of objects à Magritte was certain he wanted to become a painter o 1935: Usual objects in a strange context à different meaning à The Human Condition · 1919: displayed work for first time à influence of early Cubist à Picasso · Artworks from 1918-24: influence of Futurism · 1925: strong influence of Matisse
Which formal element does a viewer absorb first on viewing an artwork?
Which formal element does a viewer absorb first on viewing an artwork?
A viewers opinion based on informed and personel criteria to determine the aesthetic value work of art?
The aesthetic value is for every viewer to decide.
What is the Feldman-Mittler phenomenological method of art criticism?
The Feldman-Mittler phenomenological method of art criticism focuses on interpreting artwork by exploring the viewer's subjective experience and emotional response to the piece. It emphasizes understanding how the artwork affects the viewer's perception and consciousness, delving into the deeper meanings and connections that arise through the act of viewing.
Objects that are intended to stimulate a sense of beauty in the viewer are thought to be rather than functional?
aesthetic
What principle helps an artist control which part of an artwork the viewer will look at first?
Emphasis.
What subject matter or what the viewer recognizes as the main subject intent or meaning of an artwork.?
Medium
The subject matter or what the viewer recognizes as the main subject, intent, or meaning of an artwork?
Medium
The subject matter or what the viewer recognizes as the main subject intent or meaning of an artwork.?
A+ answer content of art
What is Work's aesthetic impact?
Work's aesthetic impact refers to the emotional and visual appeal it evokes in the viewer. It can influence mood, evoke inspiration, and create a sense of beauty or meaning. Aesthetic impact can vary greatly depending on individual perception and interpretation.
What message is Pablo Picasso saying through his artwork?
The viewer is important for the message. You have to look and listen yourself.
How does knowing the story of Pandora enrich the viewer's experience and understanding of this painting?
Knowing the story of Pandora adds context and depth to the painting as it helps viewers understand the symbolism and themes depicted in the artwork. It offers insight into the artist's inspiration and interpretation of the mythological tale, enhancing the viewer's appreciation and connection to the piece. Understanding the story of Pandora can also provide a different perspective on the painting's narrative, allowing viewers to draw parallels between the myth and the artist's representation.
This theory based the success of artwork on the expressiveness of the content and a personal response from the viewer in order for the piece to be successful?
emotionalism
